ntroduction Speech act theory is among the theories that have played a role in the development and expansion of critical discourse analysis (CDA). Andrew Goatly, a discourse theorist, added a new aspect to CDA. His approach consists of a...
morentroduction
Speech act theory is among the theories that have played a role in the development and expansion of critical discourse analysis (CDA). Andrew Goatly, a discourse theorist, added a new aspect to CDA. His approach consists of a set of metaphorical and ironic concepts that reveal hidden behavioral and verbal ideologies. Goatly refers to this collection as “critical metaphor analysis”. His view shows the significance of metaphorical patterns in linguistic contexts for shaping specific social ideologies and practices.
Ideologies are viewed as shared representations among the members of a specific group of people. One of the key factors in social manifestations is the dominant group’s pursuit of symbolic and material interests. Here, using hidden methods, those in power manipulate minds to create consensus on a social order that benefits them. Goatly believes that the hidden methods are ideologies embedded in behaviors, speech, and thoughts. He further suggests that ideologies shape thoughts, and thoughts lay the foundation for speech acts.
Metaphorical concepts -and, consequently, ironic symbols- are present in such actions. Since metaphorical concepts are inclusive terms, many fundamental aspects of conceptual metaphors can be linked to ironies that illustrate cause-and-effect relationships, actions, and social situations. Regarding the connection between metaphors and ironies and the way hidden ideologies are represented, Goatly presents a set of multi-faceted components aimed at evaluating oppositions and diversification. Within each one of these concepts, metaphorical patterns appear to different degrees in competition, profit-seeking, dominance, and advancement, as represented in linguistic expressions, verbal manifestations, and cognitive and emotional conceptualizations.
Materials and Methods
The importance of this study lies in examining the correspondence between the three components proposed by Goatly and the content of Shahad Al-Rawi’s novel The Baghdad Clock (2018). In this novel, the main characters -i.e., the third-person narrator, Nadia, and Bida- create an unconventional linguistic and verbal texture of the novel when interacting with other characters.
The novelist has succeeded in showing his dreams, memories, and illusions alongside reality, making the content highly engaging through a continuous chain of events. This sequence, combined with memories and the narrator’s lived realities of society, reflects the use of magical realism elements. Furthermore, the narrative becomes meaningful when combined with magical realism at various narrative and literary levels, including metaphor and irony.
The use of ironic and metaphorical concepts and colloquial expressions imbues the novel with a unique atmosphere. This results in the visualization of the characters’ real thoughts in clarifying or changing the existing situation, and recommending specific social behaviors and concepts.
The central assumption of this study is that Goatly’s linguistic framework can be used to analyze how hidden behavioral ideologies are represented in the metaphorical and ironic elements of The Baghdad Clock.
Results and Discussion
The primary focus of this study is the comparison and analysis of the role of metaphorical and ironic structures in representing hidden behavioral and verbal ideologies in Shahad Al-Rawi’s Novel The Baghdad Clock, using Andrew Goatly’s speech act theory.
According to findings, Goatly’s approach emphasizes the importance of speech act theory in linguistic and cognitive studies, particularly in the examination of concrete concepts and realities. In this study, the relative influence of various changes, including cultural and cognitive shifts, is to some extent dependent on or reinforced by metaphorical and ironic elements. That is, Goatly’s theory explores the ideologies embedded in metaphorical and ironic themes. In such an investigation, multifaceted perspectives, the evaluation of oppositions, and diversification of viewpoints are key components.
A dialogue-oriented novel, The Baghdad Clock narrates the thoughts of its characters, whose actions and behaviors gain meaning through the language and reflections of the narrator. In fact, one can understand everything by looking at the realities and speech acts. Within the discourse of The Baghdad Clock, the narrator freely expresses his thoughts and ideologies, imposing his hidden desires and beliefs through dialogue and narrative, often adapting to the audience’s expectations.
A notable feature of this novel is its extensive cast of characters, each with their specific behaviors and ideologies, as well as its rich use of metaphorical and ironic elements. Here, the narrator employs rhetorical foundations to depict the characters’ attitudes. In this sense, the writer’s behavior can be considered as a set of actions of all characters. It is noteworthy that the novel consists of ideological and perceptual struggles among its various characters.
One of the most explored aspects of the novel pertains to its complex and multifaceted relationships. The significance of this study lies in its analysis of the use of slang, as well as its cognitive, emotional, and cultural dimensions. The discursive context of the novel embraces diverse events from the final years of the dictatorship to the Iraq War. Over time, communications consist of slang and emotional terms, among other linguistic features.
Conclusion
The descriptive-analytical examination of Goatly’s linguistic elements, as manifested in the role of metaphorical and ironic structures in representing hidden behavioral and verbal ideologies of Shahad Al-Rawi’s novel The Baghdad Clock (2018), holds significant importance. The story is narrated in such a way that the protagonist, through interactions with other complementary characters, reflects the socio-cultural and economic conditions of his society using unusual linguistic and verbal structures shaped by metaphorical and ironic expressions.
These discourse structures, which are imposed by the dominant power and its enforcing behavior, manifest the hidden ideologies of various actors. The results showed the ability of correspondence between Goatly’s linguistic elements with the novel’s content. This alignment demonstrates itself in different social contexts and linguistic interactions within verbal communication.