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Representation in science

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lightbulbAbout this topic
Representation in science refers to the ways in which scientific concepts, data, and phenomena are depicted, communicated, and understood through various forms, including models, diagrams, and language. It encompasses the cognitive and social processes involved in interpreting and conveying scientific knowledge, influencing how science is perceived and engaged with by different audiences.
lightbulbAbout this topic
Representation in science refers to the ways in which scientific concepts, data, and phenomena are depicted, communicated, and understood through various forms, including models, diagrams, and language. It encompasses the cognitive and social processes involved in interpreting and conveying scientific knowledge, influencing how science is perceived and engaged with by different audiences.

Key research themes

1. How do visual and multimodal inscriptions contribute epistemically to scientific understanding and knowledge generation?

This research area investigates the role of visual representations (photographs, diagrams, graphs, models) as autonomous epistemic objects in scientific practice and education. It focuses on how diverse types of inscriptions support knowledge formation, conceptual understanding, and reasoning, beyond merely conveying cognitive content. This theme matters because visual and multimodal inscriptions are integral in both expert scientific inquiry and science learning, yet their epistemic functions and potentials for supporting scientific explanation, argumentation, and communication remain underexplored.

Key finding: This paper identifies various types of inscriptions (photographs, drawings, diagrams, graphs, tables, equations) as distinct, autonomous carriers of meaning that communicate different aspects of scientific concepts. It... Read more
Key finding: Through historical case studies (DNA structure discovery, Faraday's magnetic lines of force) and contemporary experiments, this paper argues that visual representations function as epistemic objects in science, intrinsic to... Read more
Key finding: Employing Peirce’s triadic semiotics and transduction theory, this study demonstrates how a novel bridging model (cross-and-portion model) facilitates students’ coordination and meaning-making across submicroscopic and... Read more
Key finding: This paper analyses how teachers guide young students in constructing and transducing across multimodal scientific and mathematical representations during interdisciplinary inquiry in ecology. It reveals specific pedagogical... Read more

2. What philosophical frameworks best explain the nature and epistemic role of scientific representation, including its inferential and structural aspects?

This research theme addresses foundational philosophical questions about what constitutes scientific representation, how models represent their targets, and how this representational relation supports epistemic functions like knowledge generation and explanation. It critically evaluates multiple approaches—such as structural (homomorphism, similarity), inferentialist-expressivist, and causal-informational theories—assessing their capacity to resolve challenges including misrepresentation, the nature of surrogative inference, and the interplay between representation and scientific identity.

Key finding: This paper develops a thoroughgoing inferentialist-expressivist account wherein scientific representation is grounded in justified surrogative inferences from models to targets, foregoing traditional notions of denotation,... Read more
Key finding: Scrutinizing Suárez’s arguments against similarity-based views, this paper defends the thesis that similarity is a necessary condition for scientific representation, specifically that models must resemble targets in relevant... Read more
Key finding: This critical response to Andreas Bartels’ structural homomorphism account shows that homomorphism fails to adequately capture misrepresentation in scientific models, as illustrated in abstraction, pretence, and simulation... Read more
Key finding: Addressing critiques from enactivists, this paper defends causal-informational theories of mental representation by proposing that mental representations arise within cognitive architectures when they play explanatory roles... Read more
Key finding: Arguing that scientific representation is a special case of general representation, this paper contends that philosophical debates specifically targeting scientific representation often mistake broader representational issues... Read more

3. How do conceptual and symbolic systems, including visual and geometric models, mediate knowledge construction and identity in scientific learning and practice?

This theme explores the cognitive and educational dimensions of how scientific concepts and identities are developed and expressed through the use of varied representational systems, notably symbolic notations, geometric conceptualizations, and disciplinary conventions. It highlights the role of mental abstractions, inferential reasoning, and disciplinary enculturation in advancing conceptual understanding and professional identity, focusing on chemistry and cognitive models of conceptual representation.

Key finding: Introducing an inferentialist account of Lewis structures (LSs) in chemistry, the paper argues that LSs do not realistically depict molecules but serve as tools for surrogate reasoning within chemical practice. The use of LSs... Read more
Key finding: This paper proposes representing concepts as geometrical objects encoding mental features relevant to first-person experience and neural activity, bridging symbolic and neural levels of cognition. It argues that geometric... Read more
Key finding: Challenging the ontic conception of scientific explanation, this paper advocates a deflationary, communicative conception where explanations are cognitive products facilitating understanding rather than ontic exhibitions.... Read more

All papers in Representation in science

Figure and Ground is a variable-duration concert piece designed for use with Wave Field Synthesis (WFS) systems 1. The piece is performed from a small network of computer programs in communication with one another. Real-time data is... more
Acoustic Sonification maps a dataset onto the shape of 3D acoustic object. This concept has been demonstrated in the form of the Hypertension Singing Bowl shaped by a year of blood pressure readings. The sounds produced by this prototype... more
In this paper, I discuss the differences between ontic and epistemic conceptions of scientific explanation, mainly in relation to the so-called new mechanical philosophy. I emphasize that the debate on conceptions of scientific... more
Acoustic Sonification maps a dataset onto the shape of 3D acoustic object. This concept has been demonstrated in the form of the Hypertension Singing Bowl shaped by a year of blood pressure readings. The sounds produced by this prototype... more
This thesis examines the use of sonification (the transformation of non-musical data into sound) as a means of creating generative music (algorithmic music which is evolving in real time and is of potentially infinite length). It consists... more
We describe a pilot study on the sonification of data from lattice Quantum Chromodynamics, a branch of computational physics. This data is basically 4-dimensional and discretized on a lattice. The implementation allows interactive... more
This paper is a critical response to Andreas Bartels' (2006) sophisticated defense of a structural account of scientific representation. We show that, contrary to Bartels' claim, homomorphism fails to account for the phenomenon of... more
For the current diagnosis of Alzheimer’s dementia (AD), physicians and neuroscientists primarily call upon visual and statistical analysismethodsoflarge,multi-dimensionalpositronemissiontomography (PET) brain scan data sets. As these data... more
Sonification as a means for exploring and analysing data is an established research domain in the field of Auditory Displays. Since 1992, the International Community for Auditory Displays (ICAD) fosters the development of this field... more
This is an activity that I planned for public engagement with the intention to share my research in an unconventional way The interactive display was part of the session "Research out of the box" organised inside the Festival of... more
We have created a show about the Solar System, freely available for both planetariums and home viewing, where objects in space are represented with sound as well as with visuals. For example, the audience listens to the stars appear above... more
Chris Harrison, James Trayford, Leigh Harrison and Nicolas Bonne have developed a sensory odyssey to demonstrate how the Universe can be made more accessible.
This paper explores the use of sonification as a tool for music composition. The chosen data for this research were the main features related to the stars belonging to the constellation Cassiopeia. The processed characteristics are the... more
This dissertation, Communicating Air: Alternative Pathways to Environmental Knowing through Computational Ecomedia, is the culmination of an art practice-led investigation into ways in which the production of ecomedia may open alternative... more
This paper investigates how sound transmission can contribute to the public understanding of climate change within the context of the Poles. How have such transmission-based projects developed specifically in the Arctic and Antarctic, and... more
This paper presents a first step in the development of a methodology to compare the ability of different sonifications to convey the fine temporal detail of the Electroencephalography (EEG) brainwave signal in real time. In EEG... more
In this paper we identify six theses that constitute core results of philosophical investigation into the nature of mechanisms, and of the role that the search for and identification of mechanisms play in the sciences. These theses... more
With digital art being pervasive, art, technology, and science seem to be no longer separable and have been re-integrated. In fact, art history shows that when combined with them, art could give birth to a ground-breaking masterpiece.... more
Informal learning environments (ILEs) like museums incorporate multi-modal displays into their exhibits as a way to engage a wider group of visitors, often relying on tactile, audio, and visual means to accomplish this. Planetariums,... more
Science or art? "Sonification in the age of biocyberneticS reproduction": a caSe Study of the acceSSible aquarium project myounghoon jeon michigan technological university mind, music & machine laboratory houghton, mi, uSa 49931
In response to the need for more accessible and engaging informal learning environments (ILEs), researchers have studied sonification for use in interpretation of live aquarium exhibits. The present work attempts to introduce more... more
After 18 ICAD conferences, Auditory Display has become a mature research community. However, a robust evaluation and scientific comparison of sonification methods is often neglected by auditory display researchers. In the last ICAD 2012... more
The author's Construction in Self (2009) belongs to the interdisciplinary context of auditory display/music. Its use of data at audio rate could be described as both audification and non-standard synthesis. The possibilities of audio-rate... more
The idea that sound can convey information predates the modern era, and certainly the computational present. Data sonification can be broadly described as the creation, study and use of the non-speech aural representation of information... more
The idea that sound can convey information predates the modern era, and certainly the computational present. Data sonification can be broadly described as the creation, study and use of the non-speech aural representation of information... more
The idea that sound can convey information predates the modern era, and certainly the computational present. Data sonification can be broadly described as the creation, study and use of the non-speech aural representation of information... more
Data-music reflects the ubiquity of data in modern society. Composers have not engaged widely with the opportunities opened up by this, despite the chance to overcome a gulf between academic art music and social engagement. Their... more
Data-music reflects the ubiquity of data in modern society. Composers have not engaged widely with the opportunities opened up by this, despite the chance to overcome a gulf between academic art music and social engagement. Their... more
Scientific explanations must bear the proper relationship to the world: they must depict what, out in the world, is responsible for the explanandum. But explanations must also bear the proper relationship to their audience: they must be... more
The idea that sound can convey information predates the modern era, and certainly the computational present. Data sonification can be broadly described as the creation, study and use of the non-speech aural representation of information... more
Your article is protected by copyright and all rights are held exclusively by Springer Science + Business Media B.V.. This e-offprint is for personal use only and shall not be selfarchived in electronic repositories. If you wish to... more
It might be suggested that composition and sonic information design are fundamentally different. However, some academic commentators and composers have explored the intersection between these disciplines. The authors presented one such... more
We describe a pilot study on the sonification of data from lattice Quantum Chromodynamics, a branch of computational physics. This data is basically 4-dimensional and discretized on a lattice. The implementation allows interactive... more
During the last centuries, science has focused on visualisation. Current audio programming tools allow us to explore new ways of perceptualisation. Sonification is defined as the use of sound to perceptualise data and convey information.... more
Informal learning environments (ILEs) like museums incorporate multi-modal displays into their exhibits as a way to engage a wider group of visitors, often relying on tactile, audio, and visual means to accomplish this. Planetariums,... more
It might be suggested that composition and sonic information design are fundamentally different. However, some academic commentators and composers have explored the intersection between these disciplines. The authors presented one such... more
Following Marshal McLuhan’s perspective on media as extensions of man [14], sonification for the generation of knowledge can be regarded as an extension of our auditory sense toward previously imperceptible properties of our environment.... more
The 'New Philosophy of Mechanisms' has been developed in light of dissatisfaction with previous philosophical models of scientific explanation. It comprises a variety of different views regarding the nature of mechanistic explanation,... more
Data visualization software is commonly used to explore outer space in a planetarium environment, where the visuals of the software is typically accompanied with a narrator and supplementary background music. By letting sound take a... more
Evaluating the use of sonification and music to support the communication of alcohol health risk to young people: initial results
This paper describes the progress of an interdisciplinary project that aims to develop a general sonification software environment. The approach taken is interdisciplinary; a number of target sci-ences form an integral part of the work... more
This paper is a call for sonification designers to adapt their representational practices from that of designing objects for auditory engagement to the construction of systems of formally described relationships that define the 'state... more
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