// Figure 2 oe ae re.act.feminism #2 — a performing archive, view of exhibition, Centro Cultural Montehermoso, Vitoria-Gasteiz, 2011 2) Examples include: WACK! Art and the Feminist Revolution, MOCA 2007; Global Feminism, Brooklyn Museum 2007; re.act. feminism - a performing archive, Akademie der Kiinste Berlin et al. 2008/2013; We Wanted a Revolution: Black Radical Women, 1965-85, Brooklyn Museum 2018; // Soggetto Imprevisto. 1978, Arte e Femminismo in Italia, FM Centro per l’Arte Contemporanea, Milan 2019; Feminist Avant-Garde, Kunsthalle Hamburg et al. 2015. The curator of the upcoming Venice Biennale, Cecilia Alemani, even posits the end of anthropocentrism, referring, among other things, to Silvia Federici’s “re-enchant- ment of the world” (see Alemani 2021). As early as 2000, in the Berlin exhibition cross female — Metaphern des Weiblichen in der Kunst der 90er Jahre, Barbara Hoffer and Valeria Schulte-Fischedick questioned the sometimes euphoric talk of so-called gender crossing in the new media of the time, in fashion, advertising, popular culture, and subculture, confronting it with constants in the attributions of femininity to images. // Figure 3
