This qualitative research paper explores the experiences and perspectives of two long-standing teachers and poetry enthusiasts who use poetry and Rapso in their classrooms. The researchers use self-study of teaching and narrative analysis...
moreThis qualitative research paper explores the experiences and perspectives of two long-standing teachers and poetry enthusiasts who use poetry and Rapso in their classrooms. The researchers use self-study of teaching and narrative analysis to share their stories and explore the ways in which personal and localized materials inform their teaching. They employ a "critical friend" to facilitate verification of the narratives and findings. The emergent themes, while identifying challenges, portray Rapso in the Poetry and the Poetry in the Rapso as rich in relevance and opportunities for nurturing a joy for learning and teaching generally, and reading and cultural identity more specifically. "West Indian children live poetry," asserts the Caribbean Examinations Council (2011, p. 8), yet they are deficient in their appreciation and understanding of this very creative expression. Teachers are encouraged to address this inadequacy by placing the learners' knowledge, aesthetics, and individual sensitivities centre stage. In Trinidad and Tobago, the emphasis on the Secondary Entrance Assessment (SEA) at the primary level-and further high-stakes assessments to come-leaves poetry, as in similar contexts elsewhere, at risk of being marginalized (Hughes, 2007). Many teachers who may have used poetry in their pedagogy are inclined to yield to the pressure of time and resistance from colleagues and parents. There is a need to encourage such teachers to continue their use of poetry, while practising cultural modelling and student-centred pedagogy that incorporates popular oral literary and communicative styles. We assert that rather than continue the emphasis on Eurocentric poetry, still common in many former colonies, this love and use of poetry can also be used to explore and embrace local art forms as well as problematize local sociocultural and socioeconomic issues. Dennis A. Conrad et al. 2 Poetry to Rapso: The Context Education has for a long time been espoused as the most effective tool for the future development and progress of nation states. Given this assumption, the Government of the Republic of Trinidad and Tobago has committed itself to ensuring that all of its citizens, regardless of their gender, class, culture, and ethnic origin, are given the opportunity to access positive learning opportunities (Trinidad and Tobago. Ministry of Education [MOE], 2008). To this end, it has invested heavily in its education system, and has ambitious plans for improving quality as it seeks to achieve developed nation status by the year 2020. However, an analysis of National Test results for 2005-2009 showed that 53% of Standard 1 and 57% of Standard 3 students performed below the standard in Language (De Lisle, Smith, & Jules, 2010). This approach to the selection of students for secondary education and that of its forerunner, the Common Entrance Examination, follow the College Exhibition model of the colonial period. De Lisle (2012) contends that despite concerns inherent with high-stakes models, high societal legitimacy, expectations, and values continue to be associated with these tests. As such, there is an overarching emphasis on test scores for secondary school entrance, which compromises reform initiatives, including more student-centred and culturally responsive pedagogy. Literacy One critical reform initiative is in the area of literacy, which is central to facilitating national, community, and personal growth. Students facing significant challenges with reading, or those who have been disaffected based on their experiences, are subsequently at a higher risk of reading underachievement in secondary schools (Stanovich, 2000). In Trinidad and Tobago, as elsewhere, this group is largely comprised of boys from low-income families (Allington, 2006; Miller, 1994). One important approach to addressing this literacy challenge has been the shift in pedagogical style from teacher as "dispenser of knowledge" to more constructivist or interactive roles. This incorporates the learners' sociocultural background, prior knowledge, skills, and abilities within a more relationally engaging classroom context that facilitates cultural modelling, student centred pedagogy, and the use of oral traditions (Accioly de Amorim, 2009; Freire, 2000). Using poetry for literacy development. Poetry offers an approach to literacy development that incorporates performance, self-reflection, culturally and socially relevant curricula, accessible resources, and