Key research themes
1. How have Norman historiographical works evolved through medieval to early modern periods and what new methodologies and narratives did they introduce?
This research theme investigates the development, adaptation, and transmission of Norman historiographical texts from the early medieval period through the fifteenth century, highlighting shifts in narrative style, source usage, methodological approaches, and the emerging role of Norman historians and chroniclers. It also considers the broader cultural and intellectual contexts in which these works were produced, including vernacular traditions, early humanist influences, and historiographical practices in Norman-dominated regions beyond Normandy itself. This theme matters because it illuminates how localized Norman historical writing both reflected and shaped medieval and early modern historical consciousness and identity, and how these texts interacted with broader European historiographic traditions.
2. What are the philosophical and epistemological challenges and developments in historiography relevant to Norman and broader historical writing?
This theme focuses on the theoretical inquiries into historiographical knowledge, including the metaphysical and epistemological issues underlying historical truth, narrative construction, and the evaluation of historical interpretations. It engages with debates around historiographical normativity beyond correspondence truth, the limits of historical realism, the role of narrative synthesis in historiographical argumentation, and the ongoing conflict between relativism and objectivism in assessing the validity of historical narratives. Understanding these philosophical foundations is crucial for refining methodologies in Norman historiography and beyond, facilitating critical engagement with both source material and secondary syntheses.
3. How do narratives, media, and historical representation methods impact historiographical practice and public history concerning Norman history and beyond?
This theme explores the interaction between different narrative forms, media technologies, and historiographical methods in shaping perceptions of history, particularly in relation to Norman history as a case study. It considers the role of film and cinematic representation as historical discourse, debates over historiographical methodology and scholarly norms as exemplified in the critique of history wars, and the plurality of pasts conceived through various explanatory frameworks. This is significant for understanding how historiography extends beyond texts to influence public knowledge and academic discourse about the Norman past and medieval history generally.