Literary Models

This paper presents the early reception of Marina Tsvetaeva's poetry, prose,
and essays in Yugoslav, or more specifically, Serbian translated literature, with the intention to examine the influence of the Russian poet as an exemplary cultural figure in the works of Yugoslav women writers. As a cultural icon, Tsvetaeva is present in the literary oeuvre of Serbian writer Biljana Jovanović (1953‒1996), from her second novel, "Dogs and Others", to her last play, "A Room on the Bosphorus", where she appears as one of the characters. Presenting Tsvetaeva as a countercultural figure, Jovanović builds her authorial authority and integrity based on the example of the Russian author's poetic persona and her autobiographical writing. However, she also establishes a reciprocal relationship, paying homage to this influential poet who, during her lifetime, was deprived of adequate attention from readers and critics. This aspect is also highly relevant in the work "Marina, or About Biography" by Croatian author Irena Vrkljan (1930‒2021), especially in the frame of the reception of Tsvetaeva's autobiographical works. By juxtaposing details from Tsvetaeva's biography with her own, Vrkljan legitimizes her poetic confrontation with genre, social, and gender conventions. In both writers' works, Tsvetaeva appears as a privileged interlocutor and a desired reader, in contrast to the presumed critical reaction of the literary establishment.

The present study explores the ways in which children’s and young adult literature is adapted to film, as these stories allow the autonomous world of childhood, distinctly different from the adult perspective, to emerge. At the same time, however, literary testimony presented through children’s perception and interpretation of reality can bring contemporary social or existential problems closer to the adult reader through imagery accessible to people of all ages. A representative result of the confrontation of the children’s and the adult world is also the literary work of the French writer Antoine de Saint-Exupéry, originally intended for children. The depth and topicality of the philosophical fairy tale The Little Prince (originally in French, Le Petit Prince, first published in 1943) lie in the fact that it is one of the world’s most translated fairy tales, which has been the basis for numerous dramatic adaptations, re-editions and film adaptations. The main aim of the study is, therefore, to clarify the way the philosophical metanarrative of The Little Prince is expressed in the literary source and in the audiovisual film of the same name, The Little Prince (Le Petit Prince, 2015, directed by Mark Osborne). In order to achieve this goal, we apply a narrative analysis of both research materials based on analytical categories defined in the methodological section of the study. The identification and subsequent comparison of the chosen analytical categories is the starting point for determining the mode of filmic adaptation of the literary subject matter. The categorisation of film adaptations of literary works according to L. Giannetti and T. Leitch becomes the focus. Within the theoretical delineation of the issue under discussion, we point to its interdisciplinary character (the ‘intermingling’ of media and communication studies, literary criticism, but also media philosophy, film studies and other related disciplines), emphasising the cultural overlap of the philosophical metatheory of The Little Prince. This timelessness opens up space for further research into the possibilities of the story’s cinematic adaptations and interpretative planes. Characteristic logical-conceptual procedures are employed to achieve the stated aims.

El articulo analiza la construccion de una identidad literaria en la novela de Roberto Bolano Los detectives salvajes (1998). Partiendo de la hipotesis de que su narrativa elabora una revalorizacion de lo poetico, el trabajo indaga los procedimientos y modelos en que se funda dicha construccion. Disenado a partir de indicios autobiograficos tanto como de tipos literarios, el perfil de Belano, alter ego de Bolano, conjuga los hechos vividos por el autor con otros convertidos en leyenda por la literatura o la historia literaria. El articulo analiza, no solo la construccion literaria de los personajes de Bolano, sino la transformacion de Bolano mismo en una figura literaria.

The process and death of Socrates as remembered by his followers presents eight important similarities with the Passion of Jesus of Nazareth. These points could be literary motives that would have influenced the creation of the story of the Passion of Jesus already from Mark.
Keywords: Jesus, Passion, Socrates, death, model, literary, Mark.

The purpose of this work was to search for a pattern that would describe the fictional reality that supports the Borgian universe. For this, the basic methodological precepts of the Transcurssive Logic were followed. Once the fundamental elements that structure this purely subjective reality were identified, it was proposed as a working hypothesis to address a supposed "theory of destiny" that emerges from the analysis of some of his stories, applying the found pattern. It is also important to highlight that, as can be seen in all the figures used for this example, the elements of a PAU are given, which confirms that in Borges, the budget is unity, while the problem, perhaps circumstantial, is limited to try to explain the changing appearances of what is essentially unchanged. This hypothesis is confirmed by the conjunction of antithetical characters and the support of the "eternal return" in a subjective and cyclical time, although, without losing in any case, the explicit relationship with a "real" referent. These are the fundamental bases of the Transcurssive Logic.