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Greek Musical Theatre

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lightbulbAbout this topic
Greek Musical Theatre is a genre that combines elements of traditional Greek drama with music and dance, originating in ancient Greece. It encompasses the performance of plays that integrate lyrical and melodic components, reflecting cultural themes and societal issues, and is characterized by its use of chorus and theatricality.
lightbulbAbout this topic
Greek Musical Theatre is a genre that combines elements of traditional Greek drama with music and dance, originating in ancient Greece. It encompasses the performance of plays that integrate lyrical and melodic components, reflecting cultural themes and societal issues, and is characterized by its use of chorus and theatricality.

Key research themes

1. How did ancient Greek drama function as a social and cultural mirror within Athenian society?

This theme investigates the multifaceted interactions between ancient Greek theatrical performances and the social, political, and cultural realities of classical Athens, emphasizing how drama both reflected and shaped societal values and ideologies. It also explores the reciprocal relationship between theatrical fiction and its audience within the Athenian civic context, integrating interdisciplinary approaches to understand theatre’s place as a medium of cultural communication.

Key finding: This volume argues that ancient Greek drama functioned as a complex cultural phenomenon where theatrical fictions and the realities of Athenian society were engaged in continuous mutual pollination; it emphasizes that no... Read more
Key finding: Building on decades of scholarship, this monograph details how Athenian theater served both as an ideological space reflecting communal and private experiences and as a socio-political arena, highlighting the nuanced... Read more
Key finding: This chapter advances a performance-based anthropological approach recognizing 'action' as central to ancient drama, showing how culturally significant gestures and practices (e.g., ritual hand-washing) embedded within... Read more

2. How have staging practices and theatrical performance conditions in ancient Greek theatre shaped dramatic expression and audience engagement?

Focusing on the practical and material aspects of ancient Greek theatre performance, this theme examines how conditions such as large outdoor venues, costume, masking, chorus presence, and declamatory acting style influenced dramatic structure, character portrayal, and audience reception. Understanding these staging conventions clarifies the experiential and interpretative dimensions of classical drama.

Key finding: This foundational guide describes the architectural scale of fifth-century theatres and the consequent declamatory acting style necessitated by auditory and visual distance; it explicates how limited actors, heavy use of... Read more
Key finding: Provides an in-depth architectural and functional study of key Greek theatres such as Thorikos and Epidaurus, illustrating how their design features—including acoustical excellence, seating capacity, and spatial... Read more

3. What characterizes the transformation and reception of ancient Greek musical theatre traditions in modern and post-antiquity contexts?

This theme covers the historical evolution of Greek musical theatre from antiquity through the Byzantine and Roman periods to the modern era, including shifts from integrated musike to fragmented entertainment forms, the role of performance in national identity formation in modern Greece, and contemporary theatrical interpretations that intertwine philological fidelity with evolving aesthetic and ideological concerns.

Key finding: Examines the critical early 20th-century revival of ancient Greek drama in modern Greek theatre, focusing on the directorial approaches of Konstantinos Christomanos and Thomas Oikonomou who synthesized European philological,... Read more
Key finding: Documents the discontinuous evolution of Greek theatre post-antiquity, highlighting the decline of traditional drama under Orthodox constraints and its eventual revival in the Renaissance via Venetian Crete, leading to the... Read more
Key finding: Proposes visual methodologies to teach the sociopolitical relevance and historical consciousness embedded in modern Greek theatre imagery, thereby linking classical theatrical traditions with contemporary history and refugee... Read more

All papers in Greek Musical Theatre

We study the asymptotic behavior of a diffusion process with small diffusion in a domain D. This process is reflected at ∂D with respect to a co-normal direction pointing inside D. Our asymptotic result is used to study the long time... more
Recently, Dixit et al. [22] established a very elegant generalization of Hardy's Theorem concerning the infinitude of zeros that the Riemann zeta function possesses at its critical line. By introducing a general transformation formula for... more
This article addresses a new class of fractional nonlocal neutral stochastic differential system of order q ∈ (1, 2) including non-instantaneous impulses (NIIs) and state-dependent delay (SDD) with the Poisson jumps and the Wiener process... more
Using the approach of the splitting method developed by I. Gyöngy and N. Krylov for parabolic quasi linear equations, we study the speed of convergence for general complex-valued stochastic evolution equations. The approximation is given... more
This article addresses a new class of fractional nonlocal neutral stochastic differential system of order q ∈ (1,2) including non-instantaneous impulses (NIIs) and state-dependent delay (SDD) with the Poisson jumps and the Wiener process... more
In this work, we present a new class of equilibrium problems, termed as triequilibrium-like problems with trifunction in invexity settings. Classical varilunational-like inequalities and equilibrium-like problems can be obtained as... more
We consider three different systems of dual q-integral equations where the kernel is the third Jackson q-Bessel functions. We solve the first system by applying the multiplying factor method (ansatz solution) and the second by employing... more
Using the approach of the splitting method developed by I. Gyöngy and N. Krylov for parabolic quasi linear equations, we study the speed of convergence for general complex-valued stochastic evolution equations. The approximation is given... more
Using the approach of the splitting method developed by I. Gy\"ongy and N. Krylov for parabolic quasi linear equations, we study the speed of convergence for general complex-valued stochastic evolution equations. The approximation is... more
Using the approach of the splitting method developed by I. Gyöngy and N. Krylov for parabolic quasi linear equations, we study the speed of convergence for general complex-valued stochastic evolution equations. The approximation is given... more
Using the approach of the splitting method developed by I. Gyöngy and N. Krylov for parabolic quasi linear equations, we study the speed of convergence for general complex-valued stochastic evolution equations. The approximation is given... more
Using the approach of the splitting method developed by I. Gyöngy and N. Krylov for parabolic quasi linear equations, we study the speed of convergence for general complex-valued stochastic evolution equations. The approximation is given... more
We consider three different systems of dual q-integral equations where the kernel is the third Jackson q-Bessel functions. We solve the first system by applying the multiplying factor method (ansatz solution) and the second by employing... more
Το κεφάλαιο αφορά τις οπερέτες του Σπυρίδωνα Σαμάρα (Πόλεμος εν Πολέμω, Πριγκήπισσα της Σάσσωνος και Κρητικοπούλα)
Using the approach of the splitting method developed by I. Gyöngy and N. Krylov for parabolic quasi linear equations, we study the speed of convergence for general complex-valued stochastic evolution equations. The approximation is given... more
Στο Μαρία Καρανάνου και Εύα Σαραγά (επιμ.), Απλή Μετάβαση. Πρόγραμμα της παράστασης του μιούζικαλ των Γεράσιμου Ευαγγελάτου-Θέμη Καραμουρατίδη. Αθήνα: Εθνικό Θέατρο, 7-9. Εισαγωγικό κείμενο σχετικά με το μιούζικαλ Απλή Μετάβαση των... more
In this paper, we continue the discussion of T-syntopogenous spaces, which were introduced by the second author in 2012. This manuscript shows that the T-syntopogenous spaces agree well with Hashem–Morsi fuzzy T-neighbourhood spaces... more
Πηγή: ΘΕΑΤΡΟ [Δίμηνη Θεατρική Επιθεώρηση], περίοδος Β΄, τεύχος 46-48, Ιούλης - Δεκέμβρης 1975.
We study the asymptotic behavior of a diffusion process with small diffusion in a domain $D$. This process is reflected at $\partial D$ with respect to a co-normal direction pointing inside $D$. Our asymptotic result is used to study the... more
The presentation attempts an approach to the personality of Grigoris Farakos, ex-leading member of the Communist Party of Greece, tracking the relationship between the scientist and ideologist. It attempts to answer the following... more
Η Αυγή της Κυριακής, 27/10/2013 Το άρθρο παρουσιάζει μια σύντομη επισκόπηση των πολεμικών τραγουδιών που έγραψαν οι δημιουργοί του ελαφρού και του ρεμπέτικου τραγουδιού την περίοδο του ελληνοϊταλικού πολέμου (1940-41): παρουσιάζει την... more
Η Αυγή της Κυριακής, 28/10/2012 Το άθρο παρουσιάζει τη θεατρική κίνηση της Αθήνας στη διάρκεια του ελληνοϊταλικού πολέμου. Το κοινό της πρωτεύουσα έδειξε ιδιαίτερη προτίμηση στις πολεμικές επιθεωρήσεις, ενώ δεν έλειψαν και παραστάσεις του... more
Νέα Εστία [Nea Estia] 1845 (Ιούνιος/June 2011): 1125-1140 Το άρθρο εξετάζει τη μόδα της τζαζ στην κατοχική Αθήνα: ξεκινώντας δειλά από τις σκηνές των μουσικών θεάτρων στις αρχές του 1942, οι ρυθμοί της τζαζ κυριάρχησαν στην ψυχαγωγία των... more
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Με αφορμή την εκδήλωση του κύματος μαζικών κινητοποιήσεων στον αραβικό κόσμο (κυρίως) κατά το πρώτο μισό του 2011, το άρθρο εξετάζει τους τρόπους με τους οποίους οι θεωρίες πολιτικής επιστήμης - και οι θεωρίες εκδημοκρατισμού ειδικότερα -... more
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