Digital Medium

Introducción: La consolidación del desarrollo urbano es asociada a la movilidad, en mayor medida si se trata de AUTOPISTAS. Involucrando lógicas propias y autónomas, resultan funcionales exclusivamente a sus fines: contener y conducir de modo eficiente el flujo vehicular, partiendo de imponer sus también propios condicionamientos espaciales -estructuras de soporte, intercambiadores, organizadores bajo, sobre y a nivel, puentes, túneles, pantallas visuales, entre otros-. Queda afectado entonces el sector del territorio sobre el que descienden, por una secuencia dominantemente lineal de distintas categorías de impactos, vinculados además al nivel de consolidación urbana. Como producto de la interacción entre Fijos y Flujos -TERRITORIO/ AUTOPISTAS-, es que surgen las Situaciones Intersticiales urbanas, encaradas aquí desde un origen investigativo en donde el Intersticio fue entendido como diferencia entre entidades territoriales anteriores y nuevas superpuestas, redundante en hibridaci...

A research, presently in development, -work in progress-, referring to Architecture assumed as globalization tool, and affecting the Constructed Ambient by the presence of Global patterns, applies new instruments so as to frame and analyze Global forms and local transformation of the Constructed Ambient. Mercosur space is the focused area and such scale determines the application of digital methods to board the understanding of urban concentrations receiving architectural new patterns studied applying informatic tools. By other way, digital descriptions are used as the best choice for representing all this process -still unfinished-, which conclusions will be ready at the end of next year.

Luttes sociales et environnementales à l'épreuve du numérique : radicalité politique et circulation des discours Social and Environmental Struggles Go Digital: Political Radicalism and the Circulation of Discourse seaux, n° 129-130, p. 9-36. Young I. M. (2000). Deliberation and inclusion, Oxford, Oxford University Press.

RESUMO: Argumento neste artigo, da perspectiva de um estudioso da escrita e do letramento, que a informação humanamente utilizável tem sido (e provavelmente continuará a ser no futuro previsível) ligada a textos ou documentos humanos, ou seja, a artefatos feitos pelo homem, utilizando representações letradas, gráficas, em áudio ou multimídia as quais inserem informações relativas às atividades humanas e pensamentos. Enquanto concluímos a conversão de tecnologias mais antigas de armazenamento de informações baseadas em textos físicos, utilizados diretamente nas atividades reconhecíveis para inscrição digital, acesso, armazenamento e entrega de informações, estamos diante de escolhas que tanto podem homogeneizar informações como podem manter a visibilidade de documentos humanos (tanto materiais quanto virtuais), as situações das quais emergem e as situações em que eles serão utilizados, após acessados. à medida que desenvolvemos ferramentas, sistemas e conceitos para juntar peças muito heterogêneas inseridas em circunstâncias também heterogêneas, precisamos desenvolver ferramentas, sistemas e conceitos para ver as informações em suas circunstâncias particulares de uso. PALAVRAS-CHAVE: gênero discursivo; meio digital; sistema de atividades. RESUMEN: Argumento en este artículo, de la perspectiva de un estudioso de la escritura y de la literacidad, que la información humanamente utilizable ha sido (y probablemente continuará a ser en el futuro previsible) vinculada a textos o documentos humanos, o sea, a artefactos hechos por el hombre, utilizando representaciones letradas, gráficas, en audio o multimedia las cuales insieren informaciones relativas a las actividades humanas y pensamientos. Mientras concluimos la conversión de tecnologías más antiguas de almacenamiento de informaciones basadas en textos físicos, utilizados directamente en las actividades reconocibles para inscripción digital, acceso, almacenamiento y entrega de informaciones, estamos delante de elecciones que tanto pueden homogeneizar informaciones como mantener la visibilidad de documentos humanos (tanto materiales cuanto virtuales), las situaciones de las cuales emergen y las situaciones en que ellos serán utilizados, después de accesados. A medida que desarrollamos herramientas, sistemas y conceptos para unir piezas muy heterogéneas inseridas en circunstancias también heterogéneas, precisamos desarrollar herramientas, sistemas y conceptos para ver las informaciones en sus circunstancias particulares de uso. PALABRAS-CLAVE: género discursivo; medio digital; sistema de actividades.

Award for his work in literary computing. He is the pre-eminent scholar in computational stylistics, with numerous publications on questions of authorship in 17th through 19th-century English literature. Marilyn Deegan, trained as an Anglo-Saxonist, is Emerius Professor of Humanities Computing, Centre for Computing in the Humanities, King's College London, and Director of Research Development. She is Editor, Literary and Linguistic Computing, co-author of Digital Futures (2002) and co-editor of Digital Preservation (2006).

Over the last two decades, the cultural and cognitive artifacts that information and communication technologies circulate have become entangled with human and technical actors to the point of inseparability. These entanglements are primarily driven by the proliferation and wide adoption of online and mobile technologies. As a result, we discern the migration of previously physical artifacts to the digital realm and a transformation of the relations between users, information, and technology. A prominent example of the shift from physical to digital is the transformation of the print newspaper genre to the digital newspaper genre. Adopting a sociomaterial approach and building on genre theory, this paper presents an investigation of the nature and emergence of the digital newspaper based on an ethnographic study of a major news and publishing company. We find significant changes in the context, the news offering, and the roles of actors involved with the newspaper artifactemerging with the introduction and adoption of disparate media. Drawing on the empirical findings, we conclude that the digitization of the newspaper emphasizes the central importance of the medium and transforms the author-reader relations from interaction to intra-action. Hence, the print to digital shift is demonstrated to have profoundly altered the very notion of the newspaper genre.

Over the last two decades, the cultural and cognitive artifacts that information and communication technologies circulate have become entangled with human and technical actors to the point of inseparability. These entanglements are primarily driven by the proliferation and wide adoption of online and mobile technologies. As a result, we discern the migration of previously physical artifacts to the digital realm and a transformation of the relations between users, information, and technology. A prominent example of the shift from physical to digital is the transformation of the print newspaper genre to the digital newspaper genre. Adopting a sociomaterial approach and building on genre theory, this paper presents an investigation of the nature and emergence of the digital newspaper based on an ethnographic study of a major news and publishing company. We find significant changes in the context, the news offering, and the roles of actors involved with the newspaper artifact – emerging with the introduction and adoption of disparate media. Drawing on the empirical findings, we conclude that the digitization of the newspaper emphasizes the central importance of the medium and transforms the author-reader relations from interaction to intra-action. Hence, the print to digital shift is demonstrated to have profoundly altered the very notion of the newspaper genre.