“Thanatic Ethics: The Circulation of Bodies in Migratory Spaces” explores themes related to death in migration. After several series of webinars, four workshops, and four international conferences in Oxford, Kolkata, Hong Kong and Paris,...
more“Thanatic Ethics: The Circulation of Bodies in Migratory Spaces” explores themes related to death in migration. After several series of webinars, four workshops, and four international conferences in Oxford, Kolkata, Hong Kong and Paris, between October 2020 and October 2024, this international, transdisciplinary project is now seeking proposals for Workshop #5, to be held at The American College of the Mediterranean (ACM) in Aix-en-Provence, titled “Art and Representations in/of Exile: Marseille and Lampedusa”. Workshop #5 focuses on exploring art as a lens for understanding the experiences of migration, death in migration, and exile, approached from both interdisciplinary and multidisciplinary perspectives encompassing the social sciences, humanities, and the arts.
The experience of migration and exile is shaped not only by physical and emotional movement in space and in time, but also by the narratives, policies, and artistic expressions that define how displacement is experienced, understood, and represented. Artists, journalists, activists, researchers, and policymakers play a crucial role in documenting, interrogating, and shaping these narratives. While some of them portray a stereotypical picture of migration and exile, others offer alternative perspectives to these dominant discourses. Artistic practices are particularly fit to illustrate the tensions between displacement and belonging, loss and resilience, movement and containment. Increasingly, social scientists collaborate and build partnerships with creative practitioners to disseminate their research through artistic media and achieve a broader impact. Likewise, putting the voices of migrants and refugees at the fore of academic production and policymaking has been instrumental to produce alternative meanings and representations that challenge dehumanizing narratives. In this context, the condition of the possibility and impossibility of return becomes a central concern—not only in the lived realities of migrants but also in the ways these experiences are mediated and communicated, shaping the narrative of migration.
Workshop #5 will explore how artistic practices engage with migration and exile, with the witnessing of death in migration, and its diverse representations. Beyond discussing the role of art and artists in migration and exile, this workshop investigates how activists, scholars, researchers, and other actors engage with artistic practices in this field. For instance, this includes academic inquiries on the representation of migration and exile in mainstream media and online fora, political discourse, and policymaking. Concurrently, this workshop explores how community organizations and advocacy groups rely on art and collaborate with artists in their activism, while also creating a space to discuss how artists in exile transpose their experiences into artistic practices.
The focus on two specific sites, Lampedusa and Marseille, is deliberate. Lampedusa, as a key point of arrival and humanitarian crisis, has become symbolic of both the hope and tragedy of migration, raising questions about representation, witnessing, and accountability. Not only did this small island become a common element in the trajectory of many migrants and refugees that reached Europe’s shores, but it also produced a wealth of images that framed mainstream social and political debates on migration and exile. Meanwhile, Marseille—a city that upholds migration as a core part of its founding identity— provides numerous opportunities to observe the contradictions around migration and exile. Its population has been shaped by centuries of migration, which exponentially increased as Marseille became a pivotal point in France’s colonial empire in the Mediterranean. As a city that is either represented as an exemplary case of multiculturalism and integration, capable of welcoming migrants and refugees regardless of their origin, or a place of segregation and intractable socio-economic divisions, Marseille provides the invaluable opportunity of investigating how cultural production documents, challenges, and influences the experiences of exile and settlement.