This thesis is structured in the form of the African American rhetorical strategy Jubilee, which involves "optimistic notes [to] precede the tragic" (Gilyard 6), or in the case of this thesis, where the tragic notes precede the...
moreThis thesis is structured in the form of the African American rhetorical strategy Jubilee, which involves "optimistic notes [to] precede the tragic" (Gilyard 6), or in the case of this thesis, where the tragic notes precede the optimistic; for Gilyard, these notes can be reversed, but both are always present. Readers will notice throughout the thesis, I "call" on my Black ancestors, scholars and educators who opened the door so that I, and others like me, may take this discourse further and continue to open doors for others. As this thesis is designed in Jubilee, it attempts to meet four of the six goals Boulware notes: (1) it files a grievance [why you people don't pay no attention to how us Black folk teach using our language?]; (2) it states a complaint [White folks got to be crazy if they think we talk like them in the class]; (3) it demands rights [Black teachers got rights to be heard]; and (4) it advocate cooperation [showing students that collaboration be a better way to achieve certain writing goals] (qtd. in Gilyard 5). This is not to suggest that themes of racial consciousness and pride do not present themselves within the composition classroom, but this thesis looks specifically at the language and rhetorical strategies used by two African American teachers, one male and one female. When reading this text, readers should attempt to visualize a wave, flowing from the bottom, rising to the top, and flowing back down. Every chapter is designed to take readers on a journeya strugglewhich culminates at the end of each chapter. Readers will also note that each chapter starts with a narrative, harkening back to previous chapters and other Black scholars and orators. The Introduction (Chapter I) is designed to replicate "the struggle," keeping in mind that there can be no Jubilee without a struggle. I discuss the reasons and the difficulties African Americans have faced attempting to become recognized as contributors not only to American society, but also to American education. One should think of the Introduction as a particular history of Black people, their language, and the rhetorical strategies of their language that they use to persuade multiple audiences, including students. While the Introduction provides a history of the struggle, the preceding chapters are designed as the path, the road one must travel in order to attain Jubilee. The struggle and the journey are equally important in order to form Jubilee. These chapters take the reader on a journey from African American Language (AAL) and its rhetorical strategies in the speeches of Martin Luther King, Jr and Malcolm X, to the use of African American Rhetorical (AAR) strategies when teaching composition, shown in data collected on Antoni, my research participant, and myself. The conclusion is the end of the journey (the Jubilee). The Conclusion chapter is not to be misinterpreted with "and they lived happily ever after." The final chapter is to be seen as a resting spot between journeysthe previous journey and the one ahead. This chapter presents some possible solutions, asks questions, and calls on current scholars to help lead the way to recognition of Teacher's Use Of Own Language(s) in the classroom. Finally, readers will note that I use a good deal of African American Vernacular English (AAVE), sometimes called "Black English" (BE). At a recent symposium, "Composition at Historically Black Colleges and Universities," hosted at North Carolina Agricultural and Technical State University, Vershawn Young was asked by a participant whether AAVE, BE, African American Language (AAL), and Black English Vernacular (BEV) are all the same thing or if they are different. For Young, these terms are mostly interchangeable, but he noted that sometimes, scholars choose different terms for political reasons; the different terms have different resonances in linguistics, composition, rhetoric, and other circles. Like Young, I have chosen to use them interchangeably in this thesis. This, you see, be a purposeful choice because in order to challenge and expand views on how academic language is defined, it be mad difficult to explore the rhetorical strategies of one's language and its complexities without, at times, using the very language being defined. And I also use BE to help ensure that readers hear my voice. Although this thesis is written in my voice, The Man's language be my second language. I talk better, think better, and write better when I use my mother tongue. In essence, when I feel like they be only one way to say what I mean, and what I mean be said only in BE, then BE be the language I choose. However, when I feel as though an explanation is needed either about my use of BE or its rhetorical strategies, then I will shift into Standard Academic English (SAE) for those non-native speakers of BE. CHAPTER ONE INTRODUCTION: THE STRUGGLE CONTINUES The "Struggle," 1 as so many African Americans have said, "Is Real!" But the struggle for what? The struggle to be what? So many White folk beg, scream, almost yell, "What is it you people WANT?" and "Haven't we done enough?" We want what we always wanted: freedom. And no you can't never do enough, because you can't never wash the stain of slavery from your White skin-Deal with it. We have to. The point isn't that anyone can fix it. It's about remembering. And that I suppose, that we suppose, is why White folk continue to oppress us in both subtle and overt ways. One such way is through language. I swear, White folks always meddlin' 2. Black English (BE) is not a new concept. In fact, White folk been trying to figure out what us Black folk do when we speak for a long time, but it's like they ain't been listening to what we been telling them. The argument over the reality or the validity of Black English, as James Baldwin notes, "has nothing to do with language itself but with the role of language. Language, incontestably, reveals the speaker. Language, also, far more dubiously, is meant to define the otherand, in this case, the other is refusing to be defined by a language that has never been able to recognize him" (649). This lack of recognition and this refusal of a people to turn over and submit their language to The Man 3 contributes to the continual oppression, objectification, and subjugation of Black English. This oppression coincides with the attempts to 1 Readers can find further explanation of terms like "meddlin'" in Appendix A. I have included Appendix to cover any regional terms that may not have widespread usage, even among African American people. Each time I use one, I have footnoted with a brief reference to consult Appendix A. 2 See Appendix A.