Sabine Berger
Maître de conférences en Histoire de l’art médiéval à l’U.F.R. d’Art et Archéologie de la Faculté des Lettres de Sorbonne Université, je suis rattachée au Centre André Chastel. Dans la continuité de mes recherches doctorales consacrées à la commande artistique de l’entourage politique des derniers Capétiens directs, je m’intéresse à l’art français des années 1300 et plus spécifiquement aux réalisations monumentales – résidentielles, sépulcrales ou dévotionnelles – des serviteurs du roi. Mes investigations portent également sur l’architecture religieuse gothique des XIIe-XVe siècles, principalement dans l’ancien diocèse de Paris, mais aussi sur la sculpture funéraire des XIIIe-XIVe siècles et, plus généralement, sur le patrimoine sacré médiéval en Île-de-France. Je travaille enfin sur d’autres aires culturelles, comme l’Europe centrale (Hongrie médiévale) et l’Amérique latine (Chili colonial).
Sabine Berger is a Lecturer in Medieval art history at the University of Paris IV-Sorbonne [Sorbonne University since 2018]. She is a member of the Centre André Chastel-U.M.R. 8150, where she is involved in themes 1 (‘Decor, monuments, landscapes : holistic approaches to heritage’), 3 (‘Transfers, exchanges, circulations in European and extra-European space’) and 4 (‘Actors, institutions, networks : socio-cultural conditions of artistic activity’). In her doctoral thesis, she studied the artistic and building activity of the French king’s political entourage from 1270 to 1328. She is interested in constructions, artistic commissions, in the culture and spirituality of royal advisers under the last Capetians and the first Valois kings, in the notions of court art and patronage around 1300, but also in Gothic architecture from the 12th to the 15th century in Ile-de-France. She works on other cultural areas as well, such as Central Europe (medieval Hungary) and Latin America (colonial Chile).
Address: Paris
Sabine Berger is a Lecturer in Medieval art history at the University of Paris IV-Sorbonne [Sorbonne University since 2018]. She is a member of the Centre André Chastel-U.M.R. 8150, where she is involved in themes 1 (‘Decor, monuments, landscapes : holistic approaches to heritage’), 3 (‘Transfers, exchanges, circulations in European and extra-European space’) and 4 (‘Actors, institutions, networks : socio-cultural conditions of artistic activity’). In her doctoral thesis, she studied the artistic and building activity of the French king’s political entourage from 1270 to 1328. She is interested in constructions, artistic commissions, in the culture and spirituality of royal advisers under the last Capetians and the first Valois kings, in the notions of court art and patronage around 1300, but also in Gothic architecture from the 12th to the 15th century in Ile-de-France. She works on other cultural areas as well, such as Central Europe (medieval Hungary) and Latin America (colonial Chile).
Address: Paris
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