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Submitted by Antonio on Wednesday, October 10, 2018 - 12:05.

Table 1 Submitted by Antonio on Wednesday, October 10, 2018 - 12:05.

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Figure 1: FMT presentation of the lullaby “Mi nenica es mi nenica”, collected in 1947 in Lorca (Murcia), with images of the original cards of the transcription of the music and text; it also includes the modern transcription (a MusicXML file rendered through Verovio). See Fondo de Musica Tradicional IMF-CSIC: https://musicatradicional.eu/piece/12280 (accessed January 12, 2022).
Figure 1: FMT presentation of the lullaby “Mi nenica es mi nenica”, collected in 1947 in Lorca (Murcia), with images of the original cards of the transcription of the music and text; it also includes the modern transcription (a MusicXML file rendered through Verovio). See Fondo de Musica Tradicional IMF-CSIC: https://musicatradicional.eu/piece/12280 (accessed January 12, 2022).
Figure 3: Webpage of BHP with the hymn “Iste confessor” by Francisco Guerrero (1528-1599) in the choir book Libro de Partitura de Atril 6 at the Cathedral of Orihuela (Alicante); image includes the beginning of the complete four-voice polyphonic transcription, starting with “Qui pius, prudens” rendered by Verovio from **kern. See Books of Hispanic Polyphony IMF-CSIC: https://hispanicpolyphony.eu/piece/1637C (accessed January 12, 2022).
Figure 3: Webpage of BHP with the hymn “Iste confessor” by Francisco Guerrero (1528-1599) in the choir book Libro de Partitura de Atril 6 at the Cathedral of Orihuela (Alicante); image includes the beginning of the complete four-voice polyphonic transcription, starting with “Qui pius, prudens” rendered by Verovio from **kern. See Books of Hispanic Polyphony IMF-CSIC: https://hispanicpolyphony.eu/piece/1637C (accessed January 12, 2022).
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Digital LibrariesDigital HumanitiesSpanish MusicDigital FolkloreMusic EncodingDigital Applications In Musicologydigital musicologyMusic Encoding Initiative
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