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Weare still searching for a system of sensory representation of synesthesia types found in 11% of the potential synesthetes in the present study. There is a possibility that they just use synesthesia-related language. Table 2. Synesthesia, sensory representations in the NLP systems and creativity

Table 2 Weare still searching for a system of sensory representation of synesthesia types found in 11% of the potential synesthetes in the present study. There is a possibility that they just use synesthesia-related language. Table 2. Synesthesia, sensory representations in the NLP systems and creativity

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What this means is that our more simple perceptions have made us what we are. More than that, and this is truly amazing, the color — remember, which does not exist - has molded the physical fabric of the world and has been the core of the human culture. Due to our intimate relationship with color, people have been asking for centuries if you see what I see. Our response would reveal not only a lot about how our brain works, but also about who we are as individuals, as well as societies [...]. Are we being deceived? Or do we all see the world in different ways. In fact, we have no other choice, given that our experiences are different. But none of it looks like it is. In that sense, we all live deceived: What each of us sees is a meaning derived from our individual stories and shared. This reality, perhaps more than anything else, provides an irrefutable argument to celebrate diversity, rather than to settle for fear. And that is liberating, because knowing it gives you the freedom to take responsibility for their future perceptions about this and other things. (http://www.bbc.co.uk/mundo/noticias/2011/08/110809_colores_ ver.shtml) Later on, in the middle of the 20" century, Denis pointed out that part of non-verbal knowledge consists not only in images, but also implies synesthesia, motor skills, the corporeal and affectivity. An image is not a passive layer of psychological reality, but an active construction (Denis 1979). So, if this is considered true, we could say that perhaps our perception could be explained through synesthesia and not the other way around. This prompts another allusion to Ortega y Gasset stating that man discovers time after time, below that system of views, the primordial chaos, and steps back
What this means is that our more simple perceptions have made us what we are. More than that, and this is truly amazing, the color — remember, which does not exist - has molded the physical fabric of the world and has been the core of the human culture. Due to our intimate relationship with color, people have been asking for centuries if you see what I see. Our response would reveal not only a lot about how our brain works, but also about who we are as individuals, as well as societies [...]. Are we being deceived? Or do we all see the world in different ways. In fact, we have no other choice, given that our experiences are different. But none of it looks like it is. In that sense, we all live deceived: What each of us sees is a meaning derived from our individual stories and shared. This reality, perhaps more than anything else, provides an irrefutable argument to celebrate diversity, rather than to settle for fear. And that is liberating, because knowing it gives you the freedom to take responsibility for their future perceptions about this and other things. (http://www.bbc.co.uk/mundo/noticias/2011/08/110809_colores_ ver.shtml) Later on, in the middle of the 20" century, Denis pointed out that part of non-verbal knowledge consists not only in images, but also implies synesthesia, motor skills, the corporeal and affectivity. An image is not a passive layer of psychological reality, but an active construction (Denis 1979). So, if this is considered true, we could say that perhaps our perception could be explained through synesthesia and not the other way around. This prompts another allusion to Ortega y Gasset stating that man discovers time after time, below that system of views, the primordial chaos, and steps back
Graph 1. Percentages of possible synesthetes in 9 groups (a total of 316 people) xperiment, we considered this as comparable to imaginative invention) Ne presented simple geometric shapes, letters or numbers which must be nentally combined to form a recognizable figure, which should also be namec ia a name / term defining it. We measured the time it takes to complete the est with at least one minute allowed for each combination of forms. We alsc sked the participants for their assessment, more or less, as to the degree they iked the outcome (a score of 5 equals the highest score, a | the lowest score) We analyzed nine groups of respondents (in Granada, 500 individuals) Ne consider as valid for analysis a total of 316 people, of which 168 ar¢ ossible synesthetes and 51 show less indicative signs of the condition = c- ery The groups are students from the Faculty of Fine Arts of the University of Granada, the School of Communication Studies ESCO, the Toledo School for the Arts, and those participating in the summer courses of the years 2008, 2010 and 2011.
Graph 1. Percentages of possible synesthetes in 9 groups (a total of 316 people) xperiment, we considered this as comparable to imaginative invention) Ne presented simple geometric shapes, letters or numbers which must be nentally combined to form a recognizable figure, which should also be namec ia a name / term defining it. We measured the time it takes to complete the est with at least one minute allowed for each combination of forms. We alsc sked the participants for their assessment, more or less, as to the degree they iked the outcome (a score of 5 equals the highest score, a | the lowest score) We analyzed nine groups of respondents (in Granada, 500 individuals) Ne consider as valid for analysis a total of 316 people, of which 168 ar¢ ossible synesthetes and 51 show less indicative signs of the condition = c- ery The groups are students from the Faculty of Fine Arts of the University of Granada, the School of Communication Studies ESCO, the Toledo School for the Arts, and those participating in the summer courses of the years 2008, 2010 and 2011.
Graph 3. Percentages of NLP found in 9 groups
Graph 3. Percentages of NLP found in 9 groups
Regarding the results of ourresearch into the relations between originality creativity and synesthesia, 27% of those surveyed had a greater capacity han the remaining participants, but 73% had the same results as the creative 10n-synesthetes. These data reinforce the results of our polls in the previous years: people who showed signs of having synesthesia are all creative but 1ot to an extent exceeding creative non-synesthetes, although we found no
Regarding the results of ourresearch into the relations between originality creativity and synesthesia, 27% of those surveyed had a greater capacity han the remaining participants, but 73% had the same results as the creative 10n-synesthetes. These data reinforce the results of our polls in the previous years: people who showed signs of having synesthesia are all creative but 1ot to an extent exceeding creative non-synesthetes, although we found no
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PhilosophySynesthesia and ArtLinguistic synesthesia
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