This book examines the post-1960s era of popular music in the Anglo-Black Atlantic through the prism of historical theory and methods. By using a series of case studies, this book mobilizes historical theory and methods to underline...
moreThis book examines the post-1960s era of popular music in the Anglo-Black Atlantic through the prism of historical theory and methods. By using a series of case studies, this book mobilizes historical theory and methods to underline different expressions of alternative music functioning within a mainstream musical industry. Each chapter highlights a particular theory or method while simultaneously weaving it through a genre of music expressing a notion of alternativity―an explicit positioning of one’s expression outside and counter to the mainstream. Historical Theory and Methods through Popular Music seeks to fill a gap in current scholarship by offering a collection written specifically for the pedagogical and theoretical needs of those interested in the topic.
“This study of ‘insurgent’ modes of popular music in the last third of the 20th century accomplishes quite a feat. It yokes together a wide swath of sub-genres and styles--including reggae, punk, hip hop, alternative rock and country—through the lens of what the authors are calling “historical theory,” in order to chart a different, more comprehensive pathway through the annals of pop music history. Shonk and McClure achieve an enviable balance of accessibility and scholarly depth, making this volume ideal for introductory college courses as well as more experienced researchers seeking a quick guide to specialized topics.”
--Pamela Fox, author of Natural Acts: Gender, Race, and Rusticity in Country Music; co-author of Old Roots, New Routes: The Cultural Politics of Alt.Country Music