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Artist's Writings

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lightbulbAbout this topic
Artist's writings refer to the texts produced by artists that articulate their thoughts, philosophies, and creative processes. These writings can include manifestos, essays, letters, and critiques, serving as a means of communication about their artistic intentions, influences, and the context of their work within the broader art discourse.
lightbulbAbout this topic
Artist's writings refer to the texts produced by artists that articulate their thoughts, philosophies, and creative processes. These writings can include manifestos, essays, letters, and critiques, serving as a means of communication about their artistic intentions, influences, and the context of their work within the broader art discourse.

Key research themes

1. How do artists integrate textual commentary and visual imagery to convey complex cultural and personal narratives?

This research theme focuses on the interplay between written text and visual artwork created by artists themselves. It investigates how artists use writing—such as explanations, autobiographical narratives, or accompanying texts—to enrich, contextualize, or challenge the meanings of their visual works. The theme highlights the dual modalities of communication—word and image—and their role in expressing identity, culture, and political or historical commentary. Understanding this interaction is significant for redefining art criticism and recognizing artists as active interpreters of their creative output, rather than passive subjects.

Key finding: Analyzes an 18th-century South Indian manuscript (Indien 745) consisting of 137 paintings each accompanied by French textual explanations, revealing how the artist’s writings serve as interpretative keys to the symbolic and... Read more
Key finding: Identifies autobiographical writing by contemporary Indian painters as a practice where artists articulate personal narratives and subjective experiences alongside their visual art. This synergy advances understanding of... Read more
Key finding: Demonstrates the common tension artists experience between verbal expression and visual creation, where writers often disclaim literary aspirations while using language to defend or elucidate visual art. This paper situates... Read more
Key finding: Provides a historical overview of artists’ writings spanning from the 19th century to contemporary times, highlighting the recurrent ambivalence artists hold toward language. The study underscores that artists’... Read more
Key finding: Examines contemporary artist books combining photographic imagery and textual fragments to confront historical trauma and political oppression (e.g., experiences under East German rule). Through repeated visual mutation... Read more

2. What roles do artists' writings and textual practices play in shaping the understanding and authority of their visual works?

This theme explores how artists’ writings function as interpretative tools, self-reflective statements, and critical interventions that impact reception and scholarship of visual art. It interrogates how artists negotiate authority vis-à-vis professional critics and address the tensions of verbalizing the visual. This area probes the rhetorical strategies artists use to position their words relative to their art—ranging from rejection of literary conventions to experimental textual forms that blur artistic and literary boundaries—thus contributing to material culture and discourse on authorship and art-making.

Key finding: Surveys experimental bibliography as a poetic and artistic practice, showing how artists and cultural workers expand bibliographic forms through a blend of intellectual, spatial, and design strategies. The study highlights... Read more
Key finding: Reframes publishing—especially artists’ book publishing—as an alternative artistic practice where the act of production, curation, and dissemination of art texts constitutes a creative process. The author’s research discusses... Read more
Key finding: Presents methodological frameworks for writing about art that emphasize contextualizing visual works within their cultural and religious significances, thus underscoring how texts authored by or about artists facilitate... Read more
Key finding: Further elucidates the complex self-positioning of artists vis-à-vis verbal disciplines, emphasizing a prevalent anti-literary stance coupled with strategic engagement in art criticism. It argues these writings simultaneously... Read more
Key finding: Explores how bibliographic experimentation by artists acts as a disruptive form of knowledge production, foregrounding the material and visual character of texts. This practice destabilizes conventional textual hierarchies... Read more

3. How do historical and cross-disciplinary contexts inform the methodological approaches artists take in integrating text and image?

This theme investigates artists’ writings within broader cultural, historical, and interdisciplinary frameworks, emphasizing intersections between art, literature, politics, and occult or esoteric traditions. It highlights how temporal context (e.g., 18th-century manuscripts, 19th-century Impressionism, 20th-century avant-garde) and disciplinary influences shape artists’ use of text as conceptual, narrative, symbolic, or critical elements of their practice. Understanding this helps situate artists' writings within evolving artistic paradigms and socio-political realities.

Key finding: Explores the integral role of prose and poetry in shaping Impressionist landscape art, illustrating how literary techniques like stream-of-consciousness and Symbolist imagery parallel and influence visual experimentation. The... Read more
Key finding: Employs a practice-based research methodology through artist-generated drawing series that probe categorization, labeling, and social classification, blending artistic and anthropological methods. The project demonstrates how... Read more
Key finding: Analyzes previously unpublished notes revealing the Belgian artist Henry de Groux’s engagement with magnetism, mesmerism, and occult sciences, framing his textual and visual production within esoteric and para-scientific... Read more
Key finding: Discusses artists’ writings on the inseparability of art and political action, arguing for an active role of textual expression in shaping political discourse within and beyond the art world. Baer’s methodologically engaged... Read more
Key finding: Contrasts biological vision and photographic representation through a theoretical and phenomenological lens that disputes the notion of literal image replication. The artist’s writing articulates a sensory epistemology that... Read more

All papers in Artist's Writings

Nel 1936, nei suoi "Documenti artistici urbinati", Georg Gronau includeva un'ampia sezione di carte d'archivio relative alle attività che Federico Zuccari svolse nei territori del ducato. La maggior parte dei documenti esaminati è oggi... more
Haris, Rita. “Novera Pioneers New Art Form in Asia.” Novera: Bibhuya Sobhume (Novera: Home and Away), written by Anna Islam, Journeyman Books and Anyaprokash, 2020, pp. 67–70. Translation into Bangla credited to Syeda Bhumika Mahmud in... more
Visual essays have been gaining more and more space in academic journals and even in commercial magazines. This essay seeks to bring some of the historical context of visual essays in the field of artist publications, with emphasis on... more
La tendance à réduire le quotidien au banal a longtemps conduit à occulter sa puissance critique. Il est pourtant au centre des pratiques artistiques des années 1960 à 1980, qui questionnent les frontières entre l’art et la vie et entre... more
B-SSCC #12 theorizes and recognizes experimental subject bibliography—projects that explore artifactual, intellectual, spatial, and design possibilities simultaneously—as an artistic and poetic practice. It hones in on a niche territory... more
The man himsev. An incapacity to rea$ French led me to the discovery of the significance of J.-K. Huysmans. In his book A Time to Keep Silence, Patrick Leigh Fermor used Huysmans' term 'les paratonnerres de la sociktk' to refer to the... more
Connu pour ses Hommages au carré, Josef Albers devient écrivain aux États-Unis, où il s'est exilé avec sa femme Anni Albers en 1933. En apprenant l'anglais, il invente un nouvel idiome qui fait dialoguer mots et images. Comment ce maître... more
This volume, edited by Alice Condé and Jessica Gossling, originated in a symposium at Goldsmiths in April 2016, constitutes the first full-length critical study of Dowson’s works published in English. The collection is divided into two... more
Projetos poéticos do século 21 não se apegam a tradições, rótulos, palavras-chave, linhagens ou histórias de perspectiva única. Ao contrário, fazem cruzar linhas poéticas das mais variadas, em múltiplas conexões, sobretudo através da... more
Projetos poéticos do século 21 não se apegam a tradições, rótulos, palavras-chave, linhagens ou histórias de perspectiva única. Ao contrário, fazem cruzar linhas poéticas das mais variadas, em múltiplas conexões, sobretudo através da... more
This article was published in Art International 12 (April 1968) 4, pp. 45-49. This was written in response to a (friendly) dare by Kienholz. Baer based her commentary on the words and numbers that were legible in the works displayed.
es ateliers d'artistes parlent à l'imagination. L'atelier est l'endroit où l'art prend forme, où l'artiste transforme les matières premières et manipule les outils afin de matérialiser ses idées et visions. Un aperçu du développement des... more
Magnetism and mesmerism in Henry de Groux: Reflections from some inedited notes and correspondence in his work Laura Fanti (Université Libre de Bruxelles) The art of the Belgian artist Henry de Groux (1866-1930) is a recent discovery.... more
In this paper Jo Baer discusses the relation between political action and art. This text was originally published in "The Artist and Politics: A Symposium," Artforum, September 1970, pp. 35-36. The text was reprinted in Flas Art no. 37,... more
This text was written in the early 1970s. It discusses the differences between the eye as an active perceiver and the camera.

The text was published in Jo Baer. Broadsides & Belles Lettres, 2010, pp. 64-69.
A section from the book Jo Baer - Broadsides & Belles Lettres, pages: 83-96. In this section Jo Baer publishes written exchanges with several artists. It was: "A project undertaken at the moment when it became clear that some artists and... more
This article deals with the fundamental question of movement in the work of Marcel Duchamp. It attempts to show that far from being a passing phase, it was present throughout his career, adopting different perspectives and explanations.... more
Lettres, cartes, brouillons, bulletins, courrier des lecteurs, échanges électroniques… Cet ouvrage collectif interroge la typologie des correspondances d’artistes, leurs buts et leurs moyens, ce qu’elles nous disent de l’œuvre en... more
AWould you have no flies in your bed chamber? Don't spread about sugar to attract them into it.@ -Sade, Philosophy in the Bedroom
Due libri in uno! Il volume, a cura di Giancarlo Norese, è a doppio senso di lettura: il primo titolo riguarda un convegno (a cura di Salvatore Falci, Eva Marisaldi, Giancarlo Norese, Cesare Pietroiusti, Anteo Radovan, Cesare Viel, Luca... more
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