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Abstract
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Philosophy
Epistemology

Hermeneutics and the 'classic' problem in the human sciences

Profile image of Alan HowAlan How

2011, History of the Human Sciences

https://doi.org/10.1177/0952695111405277
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26 pages

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Abstract

There has been a longstanding and acrimonious debate in the human sciences over the role played by classic texts. Advocates of the classic insist its value is timeless and rests on the intrinsic superiority of its cognitive insights and aesthetic virtues. Critics, by contrast, argue that the respect accorded the classic is spurious because it conceals the ideological assumptions, tensions and discontinuities of tradition. This paper seeks a solution through the account of "the classical" brought by Hans-Georg Gadamer in Truth and Method, which acknowledges a text"s "eminence" as well as its "historicity". Following the introduction, the paper divides into four sections. Section one, notes that the hermeneutic account of tradition describes it as being open to challenge rather than closed and unchangeable, and that the classic, as grounded in tradition, will conserve difficulty as readily as comfortable certainty. Section two focuses on the idea that in the classic we find matter "properly portrayed", while section three notes the importance of "application" for an understanding of classic texts. It is noted that both "proper portrayal" and "application" depend on recognising the role of the fusion of historical horizons in generating classic texts. The final section challenges the criticism that the classic is no more than a reflection of the institutional power wielded by the canon, arguing instead that the classic and the canon are different entities, and conflating them in favour of the latter, misleadingly reduces classic-ness to being no more than an effect of canonicity. Influential as they are, deconstruction and postmodernism are only symptoms, bright bubbles at the surface of a mutation. It is, as I have suggested, our elemental perceptions of death, our time-sense, of the related classical impulse in art and poetry to endure, to achieve timelessness, which are today in radical question.

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