
Jasmina S. Ciric
Jasmina S. Ćirić obtained her education in Art History from the University of Belgrade Faculty of Philosophy (Department of Art History). Her research primarily delves into the visual cognition and significance of Late Byzantine Art and Architecture, focusing on rites of passage and their liturgical contexts. She demonstrates a keen interest in exploring how ornamentation operates across different materials, serving as a potent visual conduit for conveying intricate theological meanings. More specifically, her endeavours are centred around identifying the potential for 'writing' the body within architectural units through active participation in the Liturgy. This process involves crafting a sort of corporeal "autobiography" or body narrative, where the mechanics of the body and one's lived experiences within them play active roles in the Liturgy of the Faithful.
In the academic realm, she holds diverse editorial roles within prominent journals:
*Editorial Board Member
Yearbook of Moving Image Studies. University of Kiehl (Germany)
Facta Universitatis Series Visual Arts and Music (University of Niš)
NIŠ AND BYZANTIUM
ARTUM: Journal of Students and Teachers of the Department for Art History
HUMANITIES: Scientific Journal, Serbia
*Peer Reviewer:
Cogent Arts & Humanities (Taylor & Francis AS)
ISTRAŽIVANJA Јournal of Historical Researches
Zbornik radova Filozofskog fakulteta u Prištini
Facta Universitatis Series Visual Arts and Music
Athens Journal of History
Architectural Histories: An open-access Journal of the EAHN
*Advisory and Science Board
The Legends Avrupa Tarihi Çalışmaları Dergisi
ArtPATHS, a quarterly peer-reviewed journal based in Zurich
Her scholarly involvement extends further as she serves as a member of the scientific committee at The Izmir Center of the Archaeology of Western Anatolia (EKVAM), focusing on the Archaeology and History of Lydia from the Early Lydian Period to Late Antiquity (8th Cent. B.C. - 5th Cent. A.D.).
She is a member of the Management Committee of the COST ACTION 19131 project, further exemplifying her commitment to advancing academic dialogue and research.
Beyond her academic pursuits, she has contributed to the Erasmus + program as a lecturer at institutions including Justus Liebig University in Giessen, Masaryk University in Brno, Charles University in Prague, and Philips University Marburg.
Furthermore, she dedicates herself to the preservation and study of monuments of culture within the Serbian cultural space in the Balkans, as well as advocating for the rights of Serbs in the diaspora.
In the academic realm, she holds diverse editorial roles within prominent journals:
*Editorial Board Member
Yearbook of Moving Image Studies. University of Kiehl (Germany)
Facta Universitatis Series Visual Arts and Music (University of Niš)
NIŠ AND BYZANTIUM
ARTUM: Journal of Students and Teachers of the Department for Art History
HUMANITIES: Scientific Journal, Serbia
*Peer Reviewer:
Cogent Arts & Humanities (Taylor & Francis AS)
ISTRAŽIVANJA Јournal of Historical Researches
Zbornik radova Filozofskog fakulteta u Prištini
Facta Universitatis Series Visual Arts and Music
Athens Journal of History
Architectural Histories: An open-access Journal of the EAHN
*Advisory and Science Board
The Legends Avrupa Tarihi Çalışmaları Dergisi
ArtPATHS, a quarterly peer-reviewed journal based in Zurich
Her scholarly involvement extends further as she serves as a member of the scientific committee at The Izmir Center of the Archaeology of Western Anatolia (EKVAM), focusing on the Archaeology and History of Lydia from the Early Lydian Period to Late Antiquity (8th Cent. B.C. - 5th Cent. A.D.).
She is a member of the Management Committee of the COST ACTION 19131 project, further exemplifying her commitment to advancing academic dialogue and research.
Beyond her academic pursuits, she has contributed to the Erasmus + program as a lecturer at institutions including Justus Liebig University in Giessen, Masaryk University in Brno, Charles University in Prague, and Philips University Marburg.
Furthermore, she dedicates herself to the preservation and study of monuments of culture within the Serbian cultural space in the Balkans, as well as advocating for the rights of Serbs in the diaspora.
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Book of Resumes by Jasmina S. Ciric
Nagoričino (1317/18). Traditionally, these pots have been believed to serve an acoustic function, contributing to
the church’s acoustics during liturgical performances. However, their primary role is visual, serving to accen-
tuate the architectural and auditory potential of the interior space. The façade’s brickwork mirrors the interior
message conveyed through the monumental frescoes, particularly the Mocking of Christ fresco on the northern
wall, which features musicians with wind and percussion instruments. This inclusion hints at a performative
or liturgical soundscape. The study examines whether the ceramic pots, embedded in the northern and south-
ern façades, are strategically positioned not only to enhance sound but also to visually emphasize the church’s
acoustic potential. By analyzing the spatial layout and the integration of resonators within the context of the
frescoes, this paper interrogates the intentional role of sound in the church’s design. This approach situates the
study within a broader interdisciplinary framework that combines archaeoacoustic research with art histori-
cal analysis. Ultimately, the paper seeks to deepen our understanding of how the Church of St. George at Staro
Nagoričino, as one of the prominent endowments of King Milutin (1282-1321), engages with both sound and visual
art, creating an immersive sacred experience. By considering the interplay between visual decoration and acous-
tic resonance, this research contributes to the broader field of sacred architecture and performance, shedding
light on the sensory dimensions of medieval religious spaces