Conclusion : 1- The etiquette of Mesopotamia, which is the legends and legends of the poetry system, tells the adventures of the gods and heroes, the oldest of which is the Sumerian literature. The "epic of the successor" and the legend...
moreConclusion :
1- The etiquette of Mesopotamia, which is the legends and legends of the poetry system, tells the adventures of the gods and heroes, the oldest of which is the Sumerian literature. The "epic of the successor" and the legend of "Gilgamesh" is one of the most famous literary effects transmitted by the peoples of the region and found written on clay tablets in the libraries of Babylon, Assyria and Ras Shamra. It raises philosophical questions about life and death, man's position on the gods, his quest for the mole, and the literature of education, discipline and wisdom grew up in poetry and poetry, rich in advice and values.
2 - as between literature Why the search for the immortality of man? And why when he did not find him suggested alternative formulas? How does a person aspire to a life after death and sees himself as immortal in his body and soul or in one of them? How man made of all this literature and legends and plans psychological scenarios of those events and their implications on society.
3 - divides the ancient Iraqi literature into two poetic and prose types, known for various literary varieties characterized by its religious character, except for proverbs, debates and animal stories, each carrying between its lines many types of social values and status, which prevailed at the time of man-made and imposed by nature on them such as floods and death and reproduction And immortality.
4 - The myth is linked (by creation) It tells how things did not come into existence and how the behavior or institution or method of work had knowledge of the myth, is identified (the origin of things), and thus the ability to dominate and act According to the will, some say that we can not deny that myth is a form of illusion. If we recognize that myth is a set of ideas or otherwise a set of beliefs, these beliefs will be characterized as ideas or otherwise a set of beliefs, Beliefs will be marked by a clear contradiction with our sensory experiences There are no natural themes that correspond to mythical imaginations. Perhaps for this reason we can say that myth is a form of illusion.
5. Some have also seen the myth as being essentially based on a passionate desire that drives individuals to feel an identity between them and society and nature and satisfies this desire by mediating the religious rites, dissolving the differences between individuals and turning to all who do not know the difference.
6 - while others suggest that the myth (not represent as went to some specialists, an explanation of rituals, but it is not the form of the operative form of the performance at least in the first stage is the collective expression of experiences that can not be forgotten, which is shared The participants in the ritual performed it periodically.
7 - reflected the legends and the extent of the will and determination of the Mesopotamian man to achieve his goal and achieve what he wants to achieve, especially his attempts to search for eternity and freedom and enlightenment and renounce ignorance and darkness.
8 - It was an attempt to find a solution to the problems faced by man and left an impact on the way the human mind and his view to exist and its relationship through myth (which is a process of hoping to answer questions raised by the spiritual interest in a subject.
9 - literary cuneiform texts are of great importance as a true mirror reflecting many religious ideas and beliefs, and so literature came as a mirror of the requirements of life and needs of this myth came as a word or a group of words that appear in the form of a letter, but these words Which carries a message related to those needs of life for this myth was derived from its characters and removed from history and these figures and those displacements and places gradually from limited people time and place to times and places is not specified.
10 - The principle of naming: The formula invented by the Iraqi thought in the exhibition of its name on what is expressed, and does not take the thing (existing) a real presence only if it took a name and it can not exist anything without a name and obviously this concept exists By the god Enki who owned the creative word as well as became possessed by God Murdoch in the story of the Babylonian creation where the name was effectively effective, the thing through the label can be assigned to mothers before it is the name and the name is the one who has the ability to address where in the world built on Heaven and religion did not mention the land as.