This article is an open access article distributed under the terms and conditions of the Creative... more This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY
Journal of Intelligence (editorial Special Issue), 2024
This article is an open access article distributed under the terms and conditions of the Creative... more This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY
Dalla conoscenza alla piattaforma: una sperimentazione sulla validità di vincoli e funzioni per un ambiente di apprendimento a distanza
... funzioni per un ambiente di apprendimento a distanza. Titolo Rivista: DiPAV - QUADERNI. Autor... more ... funzioni per un ambiente di apprendimento a distanza. Titolo Rivista: DiPAV - QUADERNI. Autori/Curatori: Ivana Bianchi, Roberto Burro, Riccardo Fattorini, Ugo Savardi. Anno di pubblicazione: 2005 Fascicolo: 12-13 Lingua: ...
La percezione del proprio riflesso: tra identità e contrarietà
... La percezione del proprio riflesso: tra identità e contrarietà. Titolo Rivista: DiPAV - QUADE... more ... La percezione del proprio riflesso: tra identità e contrarietà. Titolo Rivista: DiPAV - QUADERNI. Autori/Curatori: Ivana Bianchi, Ugo Savardi, Muriel De Lotto. Anno di pubblicazione: 2003 Fascicolo: 7. ...
Quanto grande è la mia testa? Contributi dalla fenomenologia sperimentale della percezione
... Quanto grande è la mia testa? Contributi dalla fenomenologia sperimentale della percezione. T... more ... Quanto grande è la mia testa? Contributi dalla fenomenologia sperimentale della percezione. Titolo Rivista: DiPAV - QUADERNI. Autori/Curatori: Ugo Savardi, IvanaBianchi. Anno di pubblicazione: 2006 Fascicolo: 15. ...
Two images in one. Rethinking illusions looking through Alberti's window
Presentazione: In the first part of this work, the stimulus error paradigm is used to show how th... more Presentazione: In the first part of this work, the stimulus error paradigm is used to show how the classic perceptual phenomena known as illusions are perceived as being characterized by duality and identity. In the second part, research on illusions as developed in the field of the ...
I contrari illustrati nei libri per l'infanzia. Un'analisi quantitativa e qualitativa
... I contrari illustrati nei libri per l'infanzia. Un'analisi quantitativa e q... more ... I contrari illustrati nei libri per l'infanzia. Un'analisi quantitativa e qualitativa. Titolo Rivista: DiPAV - QUADERNI. Autori/Curatori: Ivana Bianchi, Ugo Savardi, Monica Rovaris. Anno di pubblicazione: 2004 Fascicolo: 9. ...
La percezione della forma dei gesti identici e contrari
Presentazione: La ricerca intende verificare il contributo che può derivare alla comprensione del... more Presentazione: La ricerca intende verificare il contributo che può derivare alla comprensione delle risposte prodotte in compiti di imitazione e contrarizzazione da una analisi dei gesti trattati come configurazioni percettive. I due esperimenti hanno coinvolto soggetti di 6-8 anni. I ...
Percezione e Localizzazione Della Contrarietà in Musica
Presentazione: Our goal was to verify the hypothesis that musical excerpts are perceptu-ally stru... more Presentazione: Our goal was to verify the hypothesis that musical excerpts are perceptu-ally structured within dimensions of opposite properties. Participants, 9 expert musicians, were asked to complete three tasks when listening to 8 short sections of jazz music. In the first task, ...
Le forme minime dell'esperienza percettiva : variazioni e contrarietà nel Ganzfeld
... Le forme minime dell'esperienza percettiva: variazioni e contrarietŕ nel Ganzfeld. Titol... more ... Le forme minime dell'esperienza percettiva: variazioni e contrarietŕ nel Ganzfeld. Titolo Rivista: DiPAV - QUADERNI. Autori/Curatori: Ivana Bianchi, Ugo Savardi. Anno di pubblicazione: 2002 Fascicolo: 3. ...
... L'errore tra vedere e pensare. Titolo Rivista: DiPAV - QUADERNI. Autori/Curatori:Ivana B... more ... L'errore tra vedere e pensare. Titolo Rivista: DiPAV - QUADERNI. Autori/Curatori:Ivana Bianchi, Ugo Savardi. Anno di pubblicazione: 2007 Fascicolo: 19. Presentazione: Analyzing the complex debate on Stimulus Error which ...
Looking at Yourself in the Mirror: Structures of Perceptual Opposition
ABSTRACT: A mirror optically reverses the axis that is perpendicular to its surface. The psycholo... more ABSTRACT: A mirror optically reverses the axis that is perpendicular to its surface. The psychological implications of this stimulus transformation have been discussed thus far in the literature under the title of the 'mirror question'. From the earliest to the most recent discussions, authors ...
Contraries in Art: A Glance at the Structure of Mirror Reflections
ABSTRACT This paper aims to contribute to the idea that the relationship between art and science ... more ABSTRACT This paper aims to contribute to the idea that the relationship between art and science is fundamental to research into the visual structure of mirror reflections. The purpose of the paper is to argue that a) both art and laboratory studies enable us to explore the perceptual constraints underlying the recognition of a scene as “a reflection”; b) research on the experience of reflections is closely linked to research on the experience of space and c) the various different ways of representing and using reflections in art are based on the recognition and manipulation (attenuation or accentuation) of visible relationships of identity and opposition between objects represented in space.
In this article we presented a tripartite phenomenological analysis of the experience of having u... more In this article we presented a tripartite phenomenological analysis of the experience of having undergone an illusion. The first two components have been proposed before. The third is new. The first necessary component is the presence of two perceptionbased beliefs, one that the observer believes is true and the other the observer believes is false. The second necessary component is the observer\u2019s belief that no change has occurred in the source of the illusion. The third component is the observer\u2019s recognition of having been let down by his or her perceptual system, since it suggests two equally valid descriptions for the same object. This differs from what happens the rest of the time when he or she experiences a stable and consistent world. This recognition inevitably gives rise to a succession of two responses: (a) a concern; (b) a test of the robustness of the illusion in an attempt to learn more about the fallibility of one\u2019s encounter with reality
Opposites are central to many areas in the fields of Psychology and Linguistics, but they are als... more Opposites are central to many areas in the fields of Psychology and Linguistics, but they are also fundamental to the technical scales used to describe wine (e.g., the Wine and Spirit Education Trust evaluation scales). The present study explores whether it is useful to refer to opposites in order to model Vietnamese standard (vs. expert) consumers' understanding of the wine descriptors frequently used in Italian texts. Sixty-four terms used in Product Specifications and popular Italian wine guidebooks to talk about the sensory properties of red and white wines (e.g., Hazy-Viet. Đục; Bright-Viet S ang; Complex-Viet Nhiều hương vị; Immature-Viet Chưa ngấu, etc.) were presented to 300 Vietnamese native speakers. They were asked to select what they considered to be the opposite property. Opposites were easily found by the participants, and, interestingly, they agreed with each other on those which were the most frequently chosen. Thought-provoking similarities and differences were revealed when these finding were compared with those of a twin study involving Italian participants. Practical Applications: In order to ensure effective marketing in the wine industry and to prevent misunderstandings, it is not only important that the dimensions underlying certain terms used by experts (i.e., sommeliers, oenologists, and wine experts) are similar to those understood by nonexperts (i.e., standard consumers), but it is also vital to ascertain whether nonexperts belonging to different cultures understand the same terms in a similar way. The results emerging from the present study suggest that it may be useful to use opposites to describe the sensory properties of wine to Vietnamese standard consumers, just as it is for Italian consumers. The research resulted in a list of terms which are understood in a similar way and another list with those which are understood differently. From an applicative point of view, this may be interesting for the marketing of wine in international contexts. 1 | INTRODUCTION Opposites have long been central to many areas of knowledge, from the ancient study of Philosophy to contemporary Psychology and Linguistics. In recent research, there is evidence that people have an intuitive understanding of opposites and that they are ubiquitous primal cognitive structures. This comes both from corpora and empirical studies on natural (i.e., nontechnical)
Symmetry is a salient aspect of biological and man-made objects, and has a central role in percep... more Symmetry is a salient aspect of biological and man-made objects, and has a central role in perceptual organization. Two studies investigate the role of opposition and identicalness in shaping adults' naïve idea of "symmetry". In study 1, both verbal descriptions of symmetry (either provided by the participants or selected from among alternatives presented by the experimenter) and configurations drawn as exemplars of symmetry were studied. In study 2, a pair comparison task was used. Both studies focus on configurations formed by two symmetrical shapes (i.e., between-objects symmetry). Three main results emerged. The explicit description of symmetry provided by participants generally referred to features relating to the relationship perceived between the two shapes and not to geometrical point-by-point transformations. Despite the fact that people tended to avoid references to opposition in their verbal definition of symmetry in study 1, the drawings that they did to represent their prototypical idea of symmetry manifested opposition as a basic component. This latter result was confirmed when the participants were asked to select the definition (in study 1) or the configuration (in study 2) that best fitted with their idea of symmetry. In conclusion, identicalness is an important component in people's naïve idea of symmetry, but it does not suffice: opposition complements it.
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