Videos by Aleksei Moskvin
The video presents a digital reconstruction of a traditional costume from a Russian engraving dat... more The video presents a digital reconstruction of a traditional costume from a Russian engraving dating to the 18th century. The reconstruction was made by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, SubstancePainter and Unreal Engine 4 software programs were applied. The authors of the reconstruction are Aleksei Moskvin, Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design) and Victor Kuzmichev (Ivanovo State Polytechnic University). DOI: https://doi.org/10.13140/RG.2.2.28014.74569
More videos are available at https://www.youtube.com/channel/UCvYvU1gULO653ugTwLPsxBA 11 views
The video presents a digital reconstruction of a traditional costume from a Russian engraving dat... more The video presents a digital reconstruction of a traditional costume from a Russian engraving dating to the 18th century. The reconstruction was made by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, SubstancePainter and Unreal Engine 4 software programs were applied. The authors of the reconstruction are Aleksei Moskvin, Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design) and Victor Kuzmichev (Ivanovo State Polytechnic University). DOI: https://doi.org/10.13140/RG.2.2.31370.18887
More videos are available at https://www.youtube.com/channel/UCvYvU1gULO653ugTwLPsxBA 5 views
The video presents a digital reconstruction of a traditional costume from a Russian engraving dat... more The video presents a digital reconstruction of a traditional costume from a Russian engraving dating to the 18th century. The reconstruction was made by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, SubstancePainter and Unreal Engine 4 software programs were applied. The authors of the reconstruction are Aleksei Moskvin, Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design) and Victor Kuzmichev (Ivanovo State Polytechnic University). DOI: https://doi.org/10.13140/RG.2.2.24659.30241
More videos are available at https://www.youtube.com/channel/UCvYvU1gULO653ugTwLPsxBA 12 views
The video presents a digital reconstruction of a traditional costume from a Russian engraving dat... more The video presents a digital reconstruction of a traditional costume from a Russian engraving dating to the 18th century. The reconstruction was made by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, SubstancePainter and Unreal Engine 4 software programs were applied. The authors of the reconstruction are Aleksei Moskvin, Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design) and Victor Kuzmichev (Ivanovo State Polytechnic University). DOI: https://doi.org/10.13140/RG.2.2.11237.52960
More videos are available at https://www.youtube.com/channel/UCvYvU1gULO653ugTwLPsxBA 9 views
The video presents a digital reconstruction of a traditional costume from a Russian engraving dat... more The video presents a digital reconstruction of a traditional costume from a Russian engraving dating to the 18th century. The reconstruction was made by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, SubstancePainter and Unreal Engine 4 software programs were applied. The authors of the reconstruction are Aleksei Moskvin, Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design) and Victor Kuzmichev (Ivanovo State Polytechnic University). DOI: https://doi.org/10.13140/RG.2.2.28853.60644
More videos are available at https://www.youtube.com/channel/UCvYvU1gULO653ugTwLPsxBA 9 views
The video presents a historical mannequin (dress form) dating to 1890. The virtual mannequin was ... more The video presents a historical mannequin (dress form) dating to 1890. The virtual mannequin was generated automatically by using a new method of parametric modelling (for further details see https://www.emerald.com/insight/content/doi/10.1108/IJCST-06-2019-0093/full/html). The values of body measurements were taken from a sizing table published in “The Cutters Practical Guide to the Cutting of Ladies’ Garments” (V.D.F. Vincent, 1890). The measurements of the mannequin are: bust – 40 inches; waist – 29 inches; hip – 43.5 inches. The authors of the 3D model are
Aleksei Moskvin https://independent.academia.edu/AlekseiMoskvin
Mariia Moskvina https://independent.academia.edu/MariiaMoskvina
(Saint Petersburg State University of Industrial Technologies and Design)
The 3D model is available at https://skfb.ly/o8YQF
The authors thank scientists from Ivanovo State Polytechnic University for providing information on historical mannequins. 1 views
The video presents a historical mannequin (dress form) dating to 1890. The virtual mannequin was ... more The video presents a historical mannequin (dress form) dating to 1890. The virtual mannequin was generated automatically by using a new method of parametric modelling (for further details see https://www.emerald.com/insight/content/doi/10.1108/IJCST-06-2019-0093/full/html). The values of body measurements were taken from a sizing table published in “The Cutters Practical Guide to the Cutting of Ladies’ Garments” (V.D.F. Vincent, 1890). The measurements of the mannequin are: bust – 44 inches; waist – 35.5 inches; hip – 47 inches. The authors of the 3D model are
Aleksei Moskvin https://independent.academia.edu/AlekseiMoskvin
Mariia Moskvina https://independent.academia.edu/MariiaMoskvina
(Saint Petersburg State University of Industrial Technologies and Design)
The 3D model is available at https://skfb.ly/o8YQF
The authors thank scientists from Ivanovo State Polytechnic University for providing information on historical mannequins. 3 views
The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costu... more The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costume was modelled by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, 3dsMax, PixPaint and SubstancePainter software programs were employed. The digital twins are available for download at https://sketchfab.com/K_SH_I_IVGPU
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006 The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costu... more The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costume was modelled by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, 3dsMax, PixPaint and SubstancePainter software programs were employed. The digital twins are available for download at https://sketchfab.com/K_SH_I_IVGPU
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006 1 views
The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costu... more The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costume was modelled by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, 3dsMax, PixPaint and SubstancePainter software programs were employed. The digital twins are available for download at https://sketchfab.com/K_SH_I_IVGPU
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006 The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costu... more The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costume was modelled by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, 3dsMax, PixPaint and SubstancePainter software programs were employed. The digital twins are available for download at https://sketchfab.com/K_SH_I_IVGPU
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006 The video presents a digital reconstruction of Søgaards Mose shoes. There have not been many find... more The video presents a digital reconstruction of Søgaards Mose shoes. There have not been many finds of shoes from bogs in southern Scandinavia. One of the few finds, thought to have belonged to a man, is reconstructed here (see M. Hald, Ancient Danish textiles from bogs and burials: A comparative study of costume and Iron Age textiles, National Museum of Denmark, Copenhagen, 1980, p. 324). It consists of a single piece of hide folded around the foot. The hide is gathered and secured by laces, making it a very simple but effective shoe. The age of the Søgaards Mose shoes is difficult to establish, but the textiles recovered nearby, seem to indicate that they are older than the Roman Iron Age. The reconstruction was made by using original cutting pattern by Hald. The piece of hide was wrapped around the foot of an avatar in Clo3D software, textured in Substance Painter and post-processed in 3dsMax. DOI: https://doi.org/10.13140/RG.2.2.18754.09921 2 views
The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costu... more The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costume was modelled by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, 3dsMax, PixPaint and SubstancePainter software programs were employed. The digital twins are available for download at https://sketchfab.com/K_SH_I_IVGPU
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006 1 views
The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costu... more The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costume was modelled by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, 3dsMax, PixPaint and SubstancePainter software programs were employed. The digital twins are available for download at https://sketchfab.com/K_SH_I_IVGPU
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006 1 views
The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costu... more The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costume was modelled by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, 3dsMax, PixPaint and SubstancePainter software programs were employed. The digital twins are available for download at https://sketchfab.com/K_SH_I_IVGPU
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006 The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costu... more The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costume was modelled by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, 3dsMax, PixPaint and SubstancePainter software programs were employed. The digital twins are available for download at https://sketchfab.com/K_SH_I_IVGPU
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006 The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costu... more The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costume was modelled by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, 3dsMax, PixPaint and SubstancePainter software programs were employed. The digital twins are available for download at https://sketchfab.com/K_SH_I_IVGPU
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006 1 views
The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costu... more The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costume was modelled by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, 3dsMax, PixPaint and SubstancePainter software programs were employed. The digital twins are available for download at https://sketchfab.com/K_SH_I_IVGPU
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006 2 views
The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costu... more The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costume was modelled by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, 3dsMax, PixPaint and SubstancePainter software programs were employed. The digital twins are available for download at https://sketchfab.com/K_SH_I_IVGPU
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006 The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costu... more The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costume was modelled by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, 3dsMax, PixPaint and SubstancePainter software programs were employed. The digital twins are available for download at https://sketchfab.com/K_SH_I_IVGPU
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006 The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costu... more The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costume was modelled by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, 3dsMax, PixPaint and SubstancePainter software programs were employed. The digital twins are available for download at https://sketchfab.com/K_SH_I_IVGPU
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006 The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costu... more The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costume was modelled by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, 3dsMax, PixPaint and SubstancePainter software programs were employed. The digital twins are available for download at https://sketchfab.com/K_SH_I_IVGPU
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006 1 views
The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costu... more The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costume was modelled by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, 3dsMax, PixPaint and SubstancePainter software programs were employed. The digital twins are available for download at https://sketchfab.com/K_SH_I_IVGPU
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006 1 views
The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costu... more The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costume was modelled by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, 3dsMax, PixPaint and SubstancePainter software programs were employed. The digital twins are available for download at https://sketchfab.com/K_SH_I_IVGPU
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006 The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costu... more The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costume was modelled by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, 3dsMax, PixPaint and SubstancePainter software programs were employed. The digital twins are available for download at https://sketchfab.com/K_SH_I_IVGPU
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006 2 views
The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costu... more The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costume was modelled by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, 3dsMax, PixPaint and SubstancePainter software programs were employed. The digital twins are available for download at https://sketchfab.com/K_SH_I_IVGPU
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006 The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costu... more The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costume was modelled by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, 3dsMax, PixPaint and SubstancePainter software programs were employed. The digital twins are available for download at https://sketchfab.com/K_SH_I_IVGPU
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006 The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costu... more The video presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The costume was modelled by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, 3dsMax, PixPaint and SubstancePainter software programs were employed. The digital twins are available for download at https://sketchfab.com/K_SH_I_IVGPU
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006 2 views
The video presents a historical mannequin (dress form) dating to 1890. The virtual mannequin was ... more The video presents a historical mannequin (dress form) dating to 1890. The virtual mannequin was generated automatically by using a new method of parametric modelling (for further details see https://www.emerald.com/insight/content/doi/10.1108/IJCST-06-2019-0093/full/html). The values of body measurements were taken from a sizing table published in “The Cutters Practical Guide to the Cutting of Ladies’ Garments” (V.D.F. Vincent, 1890). The measurements of the mannequin are: bust – 28 inches; waist – 23 inches; hip – 33 inches. The authors of the 3D model are
Aleksei Moskvin https://independent.academia.edu/AlekseiMoskvin
Mariia Moskvina https://independent.academia.edu/MariiaMoskvina
(Saint Petersburg State University of Industrial Technologies and Design)
The 3D model is available at https://skfb.ly/o8YQF
The authors thank scientists from Ivanovo State Polytechnic University for providing information on historical mannequins. The video presents a historical mannequin (dress form) dating to 1890. The virtual mannequin was ... more The video presents a historical mannequin (dress form) dating to 1890. The virtual mannequin was generated automatically by using a new method of parametric modelling (for further details see https://www.emerald.com/insight/content/doi/10.1108/IJCST-06-2019-0093/full/html). The values of body measurements were taken from a sizing table published in “The Cutters Practical Guide to the Cutting of Ladies’ Garments” (V.D.F. Vincent, 1890). The measurements of the mannequin are: bust – 32 inches; waist – 23 inches; hip – 36.5 inches. The authors of the 3D model are
Aleksei Moskvin https://independent.academia.edu/AlekseiMoskvin
Mariia Moskvina https://independent.academia.edu/MariiaMoskvina
(Saint Petersburg State University of Industrial Technologies and Design)
The 3D model is available at https://skfb.ly/o8YQF
The authors thank scientists from Ivanovo State Polytechnic University for providing information on historical mannequins. The video presents a historical mannequin (dress form) dating to 1890. The virtual mannequin was ... more The video presents a historical mannequin (dress form) dating to 1890. The virtual mannequin was generated automatically by using a new method of parametric modelling (for further details see https://www.emerald.com/insight/content/doi/10.1108/IJCST-06-2019-0093/full/html). The values of body measurements were taken from a sizing table published in “The Cutters Practical Guide to the Cutting of Ladies’ Garments” (V.D.F. Vincent, 1890). The measurements of the mannequin are: bust – 36 inches; waist – 26 inches; hip – 40 inches. The authors of the 3D model are
Aleksei Moskvin https://independent.academia.edu/AlekseiMoskvin
Mariia Moskvina https://independent.academia.edu/MariiaMoskvina
(Saint Petersburg State University of Industrial Technologies and Design)
The 3D model is available at https://skfb.ly/o8YQF
The authors thank scientists from Ivanovo State Polytechnic University for providing information on historical mannequins. 1 views
The video shows a 3D digital reconstruction of mail fabric from Vimose (100-200 AD, National Muse... more The video shows a 3D digital reconstruction of mail fabric from Vimose (100-200 AD, National Museum Copenhagen, inv. no. 24223). The find was reconstructed as part of a research project on computer reconstruction of archaeological mail armour. The developed method allows the physical and mechanical properties of mail artefacts to be reconstructed, which otherwise remain hidden, by performing tests in a virtual environment. The rings were reconstructed by using a set of measurements and connected in a so-called 4-in-1 pattern. Testing procedures were developed to measure the properties of the mail fabric. A physics engine was employed to simulate the behaviour of the specimen under the influence of external forces. Six important characteristics (i.e. stretch, stiffness, number of rings per unit area, mass per unit area, thickness, and covered area ratio) were calculated and compared to each other to identify distinctive features. 3 views
The video presents a digital reconstruction of a traditional costume from a Russian engraving dat... more The video presents a digital reconstruction of a traditional costume from a Russian engraving dating to the 18th century. The reconstruction was made by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, SubstancePainter and Unreal Engine 4 software programs were applied. The authors of the reconstruction are Aleksei Moskvin, Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design) and Victor Kuzmichev (Ivanovo State Polytechnic University). DOI: https://doi.org/10.13140/RG.2.2.18787.27682
More videos are available at https://www.youtube.com/channel/UCvYvU1gULO653ugTwLPsxBA 8 views
The video presents a digital reconstruction of a pair of shoes dating to the 3rd century AD. The ... more The video presents a digital reconstruction of a pair of shoes dating to the 3rd century AD. The reconstructed shoes were found on the feet of a male bog body at Obenaltendorf in Germany. The shoes are of a carbatina type, meaning that they are made from one piece of leather. This piece is sewn shut at the back to form a heel. The shoes are worn by inserting a lace through the tabs that can be tightened and closed. The shoes are decorated with a geometric pattern carved into the leather. The reconstruction was made by using original cutting pattern provided by Martin Moser. The piece of hide was wrapped around the foot of an avatar in Clo3D software, textured in Substance Painter, post-processed in 3dsMax and rendered in Unreal Engine 4. DOI: http://doi.org/10.13140/RG.2.2.10042.31681
More videos are available at https://www.youtube.com/channel/UCvYvU1gULO653ugTwLPsxBA 5 views
The belt with a relatively large buckle and backplate functioned during the Roman Iron Age as an ... more The belt with a relatively large buckle and backplate functioned during the Roman Iron Age as an important social marker that the owner was a military man. Our reconstructed belt comes from a war booty sacrifice site, Illerup Ådal, in Denmark. Its excavation is well recorded, making it possible to identify which belt elements and personal items belong together. The belt chosen for the reconstruction (inv. no. SAHR) dates to the beginning of the 3rd century AD. It has a knife and a pouch with a firestone and fire striker hanging from it. In order to counter the weight of these objects an additional strap goes over the shoulder, just like a baldric. The belt was reconstructed in 3dsMax and Unreal Engine 4 by using original photographs by J. Ilkjær. DOI: http://doi.org/10.13140/RG.2.2.16753.20327
More videos are available at https://www.youtube.com/channel/UCvYvU1gULO653ugTwLPsxBA 8 views
The video shows a 3D digital reconstruction of mail fabric from Carlingwark Loch (80-200 AD, Nati... more The video shows a 3D digital reconstruction of mail fabric from Carlingwark Loch (80-200 AD, National Museum of Scotland, inv. no. X.DW 2 (1866); Dumfries Museum). The find was reconstructed as part of a research project on computer reconstruction of archaeological mail armour. The developed method allows the physical and mechanical properties of mail artefacts to be reconstructed, which otherwise remain hidden, by performing tests in a virtual environment. The rings were reconstructed by using a set of measurements and connected in a so-called 4-in-1 pattern. Testing procedures were developed to measure the properties of the mail fabric. A physics engine was employed to simulate the behaviour of the specimen under the influence of external forces. Six important characteristics (i.e. stretch, stiffness, number of rings per unit area, mass per unit area, thickness, and covered area ratio) were calculated and compared to each other to identify distinctive features. The video shows a 3D digital reconstruction of mail fabric from Piquía (100-50 BC). The find was ... more The video shows a 3D digital reconstruction of mail fabric from Piquía (100-50 BC). The find was reconstructed as part of a research project on computer reconstruction of archaeological mail armour. The developed method allows the physical and mechanical properties of mail artefacts to be reconstructed, which otherwise remain hidden, by performing tests in a virtual environment. The rings were reconstructed by using a set of measurements and connected in a so-called 4-in-1 pattern. Testing procedures were developed to measure the properties of the mail fabric. A physics engine was employed to simulate the behaviour of the specimen under the influence of external forces. Six important characteristics (i.e. stretch, stiffness, number of rings per unit area, mass per unit area, thickness, and covered area ratio) were calculated and compared to each other to identify distinctive features. 3 views
The video shows a 3D digital reconstruction of mail fabric from Fluitenberg (300-115 BC, Drents M... more The video shows a 3D digital reconstruction of mail fabric from Fluitenberg (300-115 BC, Drents Museum, Assen; Inventory Number 1941/V-6). The find was reconstructed as part of a research project on computer reconstruction of archaeological mail armour. The developed method allows the physical and mechanical properties of mail artefacts to be reconstructed, which otherwise remain hidden, by performing tests in a virtual environment. The rings were reconstructed by using a set of measurements and connected in a so-called 4-in-1 pattern. Testing procedures were developed to measure the properties of the mail fabric. A physics engine was employed to simulate the behaviour of the specimen under the influence of external forces. Six important characteristics (i.e. stretch, stiffness, number of rings per unit area, mass per unit area, thickness, and covered area ratio) were calculated and compared to each other to identify distinctive features. 4 views
The video shows a 3D digital reconstruction of mail fabric from Künzing (c. 250 AD, Prähistorisch... more The video shows a 3D digital reconstruction of mail fabric from Künzing (c. 250 AD, Prähistorischen Staatssammlung München, inv. no. 1967, 2174). The find was reconstructed as part of a research project on computer reconstruction of archaeological mail armour. The developed method allows the physical and mechanical properties of mail artefacts to be reconstructed, which otherwise remain hidden, by performing tests in a virtual environment. The rings were reconstructed by using a set of measurements and connected in a so-called 4-in-1 pattern. Testing procedures were developed to measure the properties of the mail fabric. A physics engine was employed to simulate the behaviour of the specimen under the influence of external forces. Six important characteristics (i.e. stretch, stiffness, number of rings per unit area, mass per unit area, thickness, and covered area ratio) were calculated and compared to each other to identify distinctive features. 1 views
The video shows a 3D digital reconstruction of mail fabric from Stari Jankovci (300-500 AD, Archa... more The video shows a 3D digital reconstruction of mail fabric from Stari Jankovci (300-500 AD, Archaeological Museum in Zagreb, inv. no. 14863). The find was reconstructed as part of a research project on computer reconstruction of archaeological mail armour. The developed method allows the physical and mechanical properties of mail artefacts to be reconstructed, which otherwise remain hidden, by performing tests in a virtual environment. The rings were reconstructed by using a set of measurements and connected in a so-called 4-in-1 pattern. Testing procedures were developed to measure the properties of the mail fabric. A physics engine was employed to simulate the behaviour of the specimen under the influence of external forces. Six important characteristics (i.e. stretch, stiffness, number of rings per unit area, mass per unit area, thickness, and covered area ratio) were calculated and compared to each other to identify distinctive features. 8 views
The video shows a 3D digital reconstruction of mail fabric from Vimose (150-225 AD, National Muse... more The video shows a 3D digital reconstruction of mail fabric from Vimose (150-225 AD, National Museum Copenhagen, inv. no. C 1078). The find was reconstructed as part of a research project on computer reconstruction of archaeological mail armour. The developed method allows the physical and mechanical properties of mail artefacts to be reconstructed, which otherwise remain hidden, by performing tests in a virtual environment. The rings were reconstructed by using a set of measurements and connected in a so-called 4-in-1 pattern. Testing procedures were developed to measure the properties of the mail fabric. A physics engine was employed to simulate the behaviour of the specimen under the influence of external forces. Six important characteristics (i.e. stretch, stiffness, number of rings per unit area, mass per unit area, thickness, and covered area ratio) were calculated and compared to each other to identify distinctive features. 1 views
The video shows a 3D digital reconstruction of mail fabric from Gammertingen (c. 570 AD, Fürstlic... more The video shows a 3D digital reconstruction of mail fabric from Gammertingen (c. 570 AD, Fürstliche Hohenzollernsche Sammlung, Sigmaringen). The find was reconstructed as part of a research project on computer reconstruction of archaeological mail armour. The developed method allows the physical and mechanical properties of mail artefacts to be reconstructed, which otherwise remain hidden, by performing tests in a virtual environment. The rings were reconstructed by using a set of measurements and connected in a so-called 4-in-1 pattern. Testing procedures were developed to measure the properties of the mail fabric. A physics engine was employed to simulate the behaviour of the specimen under the influence of external forces. Six important characteristics (i.e. stretch, stiffness, number of rings per unit area, mass per unit area, thickness, and covered area ratio) were calculated and compared to each other to identify distinctive features. 2 views
The video shows a 3D digital reconstruction of mail fabric from Xanten (0-120 AD, LVR-Römermuseum... more The video shows a 3D digital reconstruction of mail fabric from Xanten (0-120 AD, LVR-Römermuseum, find number 36392). The find was reconstructed as part of a research project on computer reconstruction of archaeological mail armour. The developed method allows the physical and mechanical properties of mail artefacts to be reconstructed, which otherwise remain hidden, by performing tests in a virtual environment. The rings were reconstructed by using a set of measurements and connected in a so-called 4-in-1 pattern. Testing procedures were developed to measure the properties of the mail fabric. A physics engine was employed to simulate the behaviour of the specimen under the influence of external forces. Six important characteristics (i.e. stretch, stiffness, number of rings per unit area, mass per unit area, thickness, and covered area ratio) were calculated and compared to each other to identify distinctive features. 5 views
The video shows ten 3D digital reconstructions of mail fabrics. The finds were reconstructed as p... more The video shows ten 3D digital reconstructions of mail fabrics. The finds were reconstructed as part of a research project on computer reconstruction of archaeological mail armour. The developed method allows the physical and mechanical properties of mail artefacts to be reconstructed, which otherwise remain hidden, by performing tests in a virtual environment. The rings were reconstructed by using a set of measurements and connected in a so-called 4-in-1 pattern. Testing procedures were developed to measure the properties of the mail fabrics. A physics engine was employed to simulate the behaviour of the specimens under the influence of external forces. Six important characteristics (i.e. stretch, stiffness, number of rings per unit area, mass per unit area, thickness, and covered area ratio) were calculated and compared to each other to identify distinctive features. 5 views
The video demonstrates a 3D scan of historical dress form dating from the first decade of the 20t... more The video demonstrates a 3D scan of historical dress form dating from the first decade of the 20th century. The mannequin was scanned with VITUS Smart LC3 3D scanner (Human Solutions, laser triangulation technology, density of points 7 points/cm2, accuracy ±1 mm). The 3D model was generated in Anthroscan software and post-processed in 3dsMax. Digitization was carried out by Aleksei Moskvin, Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design) and Victor Kuzmichev (Ivanovo State Polytechnic University). DOI: 10.13140/RG.2.2.13059.02088 Further reading: https://www.emerald.com/insight/content/doi/10.1108/IJCST-06-2019-0093/full/html The video presents a digital reconstruction of a traditional costume from a Russian engraving dat... more The video presents a digital reconstruction of a traditional costume from a Russian engraving dating to the 18th century. The reconstruction was carried out by using historical block patterns, 2D scans of textile materials and human 3d scans. Anthroscan, Clo3D, SubstancePainter and Unreal Engine 4 software programs were applied. The authors of the reconstruction are Aleksei Moskvin, Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design), Victor Kuzmichev (Ivanovo State Polytechnic University), D.l. Orlov, G.A. Kareva (Ivanovo State Museum of Local History named after D. G. Burylin). DOI: 10.13140/RG.2.2.15156.17280 8 views
The video shows digital replicas of round and elliptical cage crinolines which were used in the 1... more The video shows digital replicas of round and elliptical cage crinolines which were used in the 1850s – 1860s. 3D parametric modelling (Autodesk Inventor) was applied to recreate crinolines from historical patents by converting 2D measurements into 3D shapes. The video was firstly presented at AUTEX 2019 (19th World Textile Conference on Textiles at the Crossroads, 11-15 June 2019, Ghent, Belgium). 3D modelling and CG production by Aleksei Moskvin, Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design) and Victor Kuzmichev (Ivanovo State Polytechnic University). DOI: 10.13140/RG.2.2.32143.10408 Further reading: https://doi.org/10.1080/00405000.2019.1621042 3 views
The video presents a digital reconstruction of the iron mail coat from Vimose (NationalMuseum Cop... more The video presents a digital reconstruction of the iron mail coat from Vimose (NationalMuseum Copenhagen, inv. no. C 1078). This armour dates to 150–220 AD and is known for its excellent state of conservation. The garment surpasses a meter in length, reaching unto the knees, and has 35 cm long sleeves that cover the upper arms. Given its length the coat must have had splits at the hem to allow the wearer to walk with ease. The length of front and back of the coat differ somewhat, which makes it likely that the splits were located at the sides. In its original condition the coat had a total of 19,123 rings. The coat was replicated by using a new method of 3D reconstruction developed by the authors (see https://doi.org/10.1016/j.culher.2020.04.010) The garment was put on the mannequin in Unreal Engine 4 software, textured in Substance Painter and post-processed in 3dsMax. DOI: https://doi.org/10.13140/RG.2.2.19201.79205 2 views
The video presents a digital reconstruction of a tunic dating to 70-320 AD. The reconstructed tun... more The video presents a digital reconstruction of a tunic dating to 70-320 AD. The reconstructed tunic is from the war booty sacrifice at Thorsberg in northern Germany. The tunic (Archäologisches Landesmuseum Schleswig, inv. no.F.S. 3683) is made from high quality woollen diamond twill cloth. Four panels make up the garment: one for the back and one for the front, and two for the sleeves. The front and back are not of the same length, the back being 90 cm long and the front only 86 cm. The neck opening is a cut-out oval-shape and measures 25.5 cm in width. The sleeves are straight until the elbow, from whereon they taper towards the wrists. The hems have a decorative tablet-woven band sewn onto the edges. The reconstruction was made by using the original cutting pattern. The panels were sewn together and put on the mannequin in Clo3D software, textured in Substance Painter and post-processed in 3dsMax. DOI: https://doi.org/10.13140/RG.2.2.32623.56487 15 views
The video presents a digital reconstruction of the trousers from Thorsberg (70-320 AD). The Thors... more The video presents a digital reconstruction of the trousers from Thorsberg (70-320 AD). The Thorsberg bog rendered two pairs of trousers, of which the best preserved is reconstructed here (Archäologisches Landesmu-seum Schleswig, inv. no. F.S. 3684). The trousers are made from good quality woollen diamond twill cloth. The trousers have integrated stockings that cover the entire foot. The cut of the trousers is carefully executed and fits to the human body well. From waist to toe the trousers measure approximately 125 cm and the waist is about 46 cm wide. The reconstruction was made by using the original cutting pattern. The garment was put on an avatar in Clo3D software, textured in Substance Painter and post-processed in 3dsMax. DOI: https://doi.org/10.13140/RG.2.2.29268.12169
More videos are available at https://www.youtube.com/channel/UCvYvU1gULO653ugTwLPsxBA 6 views
The video shows a 3D digital reconstruction of mail fabric from Gjermundbu (900-1000 AD, Universi... more The video shows a 3D digital reconstruction of mail fabric from Gjermundbu (900-1000 AD, Universitets Oldsaksamling, Oslo, inv. no. C 27317). The find was reconstructed as part of a research project on computer reconstruction of archaeological mail armour. The developed method allows the physical and mechanical properties of mail artefacts to be reconstructed, which otherwise remain hidden, by performing tests in a virtual environment. The rings were reconstructed by using a set of measurements and connected in a so-called 4-in-1 pattern. Testing procedures were developed to measure the properties of the mail fabric. A physics engine was employed to simulate the behaviour of the specimen under the influence of external forces. Six important characteristics (i.e. stretch, stiffness, number of rings per unit area, mass per unit area, thickness, and covered area ratio) were calculated and compared to each other to identify distinctive features. 5 views
Articles by Aleksei Moskvin
International Journal of Clothing Science and Technology, 2018
https://www.emeraldinsight.com/doi/full/10.1108/IJCST-12-2017-0192
Purpose
Virtual design of co... more https://www.emeraldinsight.com/doi/full/10.1108/IJCST-12-2017-0192
Purpose
Virtual design of contemporary and historical clothes is a very intensive and developing area of science that can be considered as a bridge between costume heritage and modern way of its presentation by means of CAD. The purpose of this paper is to apply 2D and 3D existing CAD for virtual reconstruction of the very specific kind of women’s clothes such as a side-saddle riding habit (RH) used in 1875–1915.
Design/methodology/approach
The construction of RH was adapted to the aesthetic rules of the mentioned time, ergonomic posture of a woman sitting on a horse, surface of the horse’s body which the woman is sitting on. For the new method, the huge databases were obtained after analyzing the historical pattern manuals and features of pattern blocks used, possible postures of riding, construction of RH and converting it into virtual system “avatar – RH.” To reconstruct the side-saddle RH in virtual reality, the images dated 1887 and authentic pattern blocks were used. Special attention has been given to the topology of contacting areas existing between the sitting woman and “shaped” riding skirt and to the method of presenting it by means of special points combination.
Findings
The authors have developed a new method of virtual reconstruction of an RH that is based on automatic consideration of all joining elements such as “shaped” riding skirt, avatar and its ergonomic posture. The new approach allows reconstruction of the clothes in virtual reality in three ways: by using the real skirts, the historical pattern blocks or pictures.
Originality/value
The results obtained allow increased possibilities of virtual reconstruction and include in the list new objects of engineering achievements of the nineteenth century such as the side-saddle RH. This study should help researchers and practical specialists to recreate and save the historical treasure in a digital way.
International Journal of Clothing Science and Technology, 2017
https://www.emerald.com/insight/content/doi/10.1108/IJCST-12-2016-0139/full/html Designi... more https://www.emerald.com/insight/content/doi/10.1108/IJCST-12-2016-0139/full/html Designing of clothes using the historical prototypes is very popular in contemporary practice. The purpose of this paper is to apply 2D and 3D computer-aided design (CAD) systems to reconstruct the historical pattern block and get the virtual image in accordance with the prototypes. New algorithm has been proved for men trousers taken from the nineteenth century. Our approach is to develop a method of CAD to reconstruct historical trousers through analyzing and rebuilding of historical algorithms used to pattern blocks making, old anthropometrical database, and the pattern blocks shaping. Trousers construction, methods of trousers shaping by hands, body sizes schedule, manuals of 36 pattern cutting systems, and its sketches from nineteenth century have been analyzed. Then, by means of parameterization of historical pattern blocks, we have developed the universal trousers pattern cutting algorithm. The final step of the research has been devoted to virtual fitting technology that helps to determine the differences between historical trousers chosen as prototype and virtual image reconstructed by 3D CAD. The authors have developed the parametrical module of 2D CAD and expanded the application of 3D CAD to re-designing of completely new object such as nineteenth century trousers pattern blocks in accordance with the historical method of shaping by hands. The conformity between the style of historical trousers and the virtual images reconstructed from two resources – pattern block and sketch silhouette – has been achieved. This study demonstrated the contemporary approach to historical garments reconstruction by means of CAD. This study should help researchers of historical costume and practical specialists in apparel industry to apply historical heritage in a contemporary way.
The purpose of this paper is to systematize contemporary clothing design practice that based on m... more The purpose of this paper is to systematize contemporary clothing design practice that based on medieval costume patterns. The authors have analyzed clothes collections and have registered historical prototypes for each model. In conclusion, the statistics of different medieval costume elements application in modern design is defined.
The article shows results in computer reconstruction of historical side-saddle riding habit. The ... more The article shows results in computer reconstruction of historical side-saddle riding habit. The authors analyzed historical measurements and created the schedule of parameters to describe the side-saddle skirts pattern blocks. Thereafter, the authors developed the universal pattern drawing algorithm to enable automatic reconstruction and enhance the precision of patterns. In conclusion, the reconstruction of riding habit from the painting «Amazone et la cavalier en la chasse» (Jules Didier) was done, and high adequacy between the historical prototype and the 3D model has been proved.
3D reconstructions by Aleksei Moskvin
Sketchfab, 2021
The 3D model presents a digital reconstruction of the 2400-year-old garments and accessories of S... more The 3D model presents a digital reconstruction of the 2400-year-old garments and accessories of Salt man 4 (405-380 BCE), a salt miner’s mummy found in the Douzlākh salt mine (Chehrābād, northern Iran, The Archaeology Museum of Zanjan, Inv. no. Fn 987). The reconstruction was made for the “Death by salt” exhibition (see more at https://www.tod-im-salz.de/). The authors of the reconstruction are Thomas Stöllner (Deutsche Bergbau-Museum Bochum https://sketchfab.com/3-DBM) Abolfazl Aali (Zanjan Archaeology Museum) Karina Grömer (Natural History Museum Vienna, https://sketchfab.com/NHMWien) Gabriela Russ-Popa (Austrian Academy of Sciences) Lena M Öhrström (University of Zurich) Natascha Bagherpour Kashani (Archäologisches Museum Frankfurt) CG production by Aleksei Moskvin and Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design, https://sketchfab.com/alekseimoskvin1) Victor Kuzmichev (Ivanovo State Polytechnic University) © 2021 Deutsche Bergbau-Museum Bochum
Sketchfab, 2021
The 3D model presents a digital reconstruction of the 2400-year-old garments and accessories of S... more The 3D model presents a digital reconstruction of the 2400-year-old garments and accessories of Salt man 4 (405-380 BCE), a salt miner’s mummy found in the Douzlākh salt mine (Chehrābād, northern Iran, The Archaeology Museum of Zanjan, Inv. no. Fn 987). The reconstruction was made for the “Death by salt” exhibition (see more at https://www.tod-im-salz.de/). The authors of the reconstruction are Thomas Stöllner (Deutsche Bergbau-Museum Bochum https://sketchfab.com/3-DBM) Abolfazl Aali (Zanjan Archaeology Museum) Karina Grömer (Natural History Museum Vienna, https://sketchfab.com/NHMWien) Gabriela Russ-Popa (Austrian Academy of Sciences) Lena M Öhrström (University of Zurich) Natascha Bagherpour Kashani (Archäologisches Museum Frankfurt) CG production by Aleksei Moskvin and Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design, https://sketchfab.com/alekseimoskvin1) Victor Kuzmichev (Ivanovo State Polytechnic University) © 2021 Deutsche Bergbau-Museum Bochum
Sketchfab, 2021
The 3D model presents a digital reconstruction of the 2400-year-old garments and accessories of S... more The 3D model presents a digital reconstruction of the 2400-year-old garments and accessories of Salt man 4 (405-380 BCE), a salt miner’s mummy found in the Douzlākh salt mine (Chehrābād, northern Iran, The Archaeology Museum of Zanjan, Inv. no. Fn 987). The reconstruction was made for the “Death by salt” exhibition (see more at https://www.tod-im-salz.de/). The authors of the reconstruction are Thomas Stöllner (Deutsche Bergbau-Museum Bochum https://sketchfab.com/3-DBM) Abolfazl Aali (Zanjan Archaeology Museum) Karina Grömer (Natural History Museum Vienna, https://sketchfab.com/NHMWien) Gabriela Russ-Popa (Austrian Academy of Sciences) Lena M Öhrström (University of Zurich) Natascha Bagherpour Kashani (Archäologisches Museum Frankfurt) CG production by Aleksei Moskvin and Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design, https://sketchfab.com/alekseimoskvin1) Victor Kuzmichev (Ivanovo State Polytechnic University) © 2021 Deutsche Bergbau-Museum Bochum
Books by Aleksei Moskvin
Th. Stöllner, A. Aali, N. Bagherpour Kashani (Hrsg.), Tod im Salz. Eine archäologische Ermittlung in Persien. Begleitbuch, Katalog und Graphic Novel. Veröffentlichungen aus dem Deutschen Bergbau-Museum Bochum 246, Bochum/Oppenheim: Nünnerich-Asmus Verlag Media., 2020
A comprehensive overview about 12 years of joint interdiscuiplinary work on the Iranian Salt mumm... more A comprehensive overview about 12 years of joint interdiscuiplinary work on the Iranian Salt mummies and Salt mine of Chehrabad; published in the course of a current exhibition
Conference Papers by Aleksei Moskvin
Clothing design based on medieval costume: informational and methodological supply
The article demonstrates results in analysis of writings on historical costume. The authors have ... more The article demonstrates results in analysis of writings on historical costume. The authors have examined the possibility to apply works on various topics in modern clothes designing based on medieval prototypes. Informational and methodological supply insufficiency is identified and perspective directions of research are determined.
The article demonstrates results in analysis of medieval European dress patterns. The authors hav... more The article demonstrates results in analysis of medieval European dress patterns. The authors have identified the types of medieval patterns elements. Distinctive features of historical clothes design are determined.
Videoclips by Aleksei Moskvin
Video, 2023
The video presents a hypothetical digital reconstruction of the belt-like object from Vimose (2nd... more The video presents a hypothetical digital reconstruction of the belt-like object from Vimose (2nd century AD, Nationalmuseet, inv. no. 24223). The original artefact consists of a copper alloy hinge that pivots around an iron pin with a copper alloy ring. Two fragments of mail fabric are attached to the left and right sides of the hinge (for further details see «Wijnhoven, M.A. (2022) A Roman Iron Age assemblage of mail armour from the weapon deposit of Vimose, Journal of Roman Military Equipment Studies, № 21»). The reconstruction is based upon the measurements of the actual artefact. The authors of the reconstruction are Aleksei Moskvin (Saint Petersburg State University of Industrial Technologies and Design) https://independent.academia.edu/AlekseiMoskvin Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design) https://independent.academia.edu/MariiaMoskvina Martijn A. Wijnhoven (Institute of Archaeology Brno, VU University Amsterdam) https://vu-nl.academia.edu/MartijnAWijnhoven
Uploads
Videos by Aleksei Moskvin
More videos are available at https://www.youtube.com/channel/UCvYvU1gULO653ugTwLPsxBA
More videos are available at https://www.youtube.com/channel/UCvYvU1gULO653ugTwLPsxBA
More videos are available at https://www.youtube.com/channel/UCvYvU1gULO653ugTwLPsxBA
More videos are available at https://www.youtube.com/channel/UCvYvU1gULO653ugTwLPsxBA
More videos are available at https://www.youtube.com/channel/UCvYvU1gULO653ugTwLPsxBA
Aleksei Moskvin https://independent.academia.edu/AlekseiMoskvin
Mariia Moskvina https://independent.academia.edu/MariiaMoskvina
(Saint Petersburg State University of Industrial Technologies and Design)
The 3D model is available at https://skfb.ly/o8YQF
The authors thank scientists from Ivanovo State Polytechnic University for providing information on historical mannequins.
Aleksei Moskvin https://independent.academia.edu/AlekseiMoskvin
Mariia Moskvina https://independent.academia.edu/MariiaMoskvina
(Saint Petersburg State University of Industrial Technologies and Design)
The 3D model is available at https://skfb.ly/o8YQF
The authors thank scientists from Ivanovo State Polytechnic University for providing information on historical mannequins.
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006
The authors are
Aleksei Moskvin
(Saint Petersburg State University of Industrial Technologies and Design)
https://sketchfab.com/alekseimoskvin1
Mariia Moskvina
https://sketchfab.com/mariia89
(Saint Petersburg State University of Industrial Technologies and Design)
The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University for providing data required for 3D modelling.
The research was funded by RFBR and Ivanovo Region, project number 20-47-370006
Aleksei Moskvin https://independent.academia.edu/AlekseiMoskvin
Mariia Moskvina https://independent.academia.edu/MariiaMoskvina
(Saint Petersburg State University of Industrial Technologies and Design)
The 3D model is available at https://skfb.ly/o8YQF
The authors thank scientists from Ivanovo State Polytechnic University for providing information on historical mannequins.
Aleksei Moskvin https://independent.academia.edu/AlekseiMoskvin
Mariia Moskvina https://independent.academia.edu/MariiaMoskvina
(Saint Petersburg State University of Industrial Technologies and Design)
The 3D model is available at https://skfb.ly/o8YQF
The authors thank scientists from Ivanovo State Polytechnic University for providing information on historical mannequins.
Aleksei Moskvin https://independent.academia.edu/AlekseiMoskvin
Mariia Moskvina https://independent.academia.edu/MariiaMoskvina
(Saint Petersburg State University of Industrial Technologies and Design)
The 3D model is available at https://skfb.ly/o8YQF
The authors thank scientists from Ivanovo State Polytechnic University for providing information on historical mannequins.
More videos are available at https://www.youtube.com/channel/UCvYvU1gULO653ugTwLPsxBA
More videos are available at https://www.youtube.com/channel/UCvYvU1gULO653ugTwLPsxBA
More videos are available at https://www.youtube.com/channel/UCvYvU1gULO653ugTwLPsxBA
More videos are available at https://www.youtube.com/channel/UCvYvU1gULO653ugTwLPsxBA
Articles by Aleksei Moskvin
Purpose
Virtual design of contemporary and historical clothes is a very intensive and developing area of science that can be considered as a bridge between costume heritage and modern way of its presentation by means of CAD. The purpose of this paper is to apply 2D and 3D existing CAD for virtual reconstruction of the very specific kind of women’s clothes such as a side-saddle riding habit (RH) used in 1875–1915.
Design/methodology/approach
The construction of RH was adapted to the aesthetic rules of the mentioned time, ergonomic posture of a woman sitting on a horse, surface of the horse’s body which the woman is sitting on. For the new method, the huge databases were obtained after analyzing the historical pattern manuals and features of pattern blocks used, possible postures of riding, construction of RH and converting it into virtual system “avatar – RH.” To reconstruct the side-saddle RH in virtual reality, the images dated 1887 and authentic pattern blocks were used. Special attention has been given to the topology of contacting areas existing between the sitting woman and “shaped” riding skirt and to the method of presenting it by means of special points combination.
Findings
The authors have developed a new method of virtual reconstruction of an RH that is based on automatic consideration of all joining elements such as “shaped” riding skirt, avatar and its ergonomic posture. The new approach allows reconstruction of the clothes in virtual reality in three ways: by using the real skirts, the historical pattern blocks or pictures.
Originality/value
The results obtained allow increased possibilities of virtual reconstruction and include in the list new objects of engineering achievements of the nineteenth century such as the side-saddle RH. This study should help researchers and practical specialists to recreate and save the historical treasure in a digital way.
3D reconstructions by Aleksei Moskvin
Books by Aleksei Moskvin
Conference Papers by Aleksei Moskvin
Videoclips by Aleksei Moskvin