Papers by Michael Pickering
Community
Cambridge University Press eBooks, May 5, 2013
Silenced
Cambridge University Press eBooks, May 5, 2013
Learning from the history of music at work
Cambridge University Press eBooks, May 5, 2013
Colonial advertising and commodity racism
Researching Communications
Voice
Rhythms of Labour, 2013
Fancy and function
Rhythms of Labour, 2013
Beauty and the Beast
American Anthropologist, 2014
... comparable. German Rieslings and Loire Chenin [ underground ] pr E mat U r E ox I dat I on Be... more ... comparable. German Rieslings and Loire Chenin [ underground ] pr E mat U r E ox I dat I on BeAUTY AND THe BeAST pReMATURe OxIDATION ... warning that it may be much more widespread than we realize © Sunset Boule v ard / C orbis ...
Fragments of singing in the factory
Cambridge University Press eBooks, May 5, 2013
Industrialisation and music at work
Hearing the British Isles singing
Cambridge University Press eBooks, May 5, 2013
Music and meaning on the factory floor
Cambridge University Press eBooks, May 5, 2013
10. Engaging with History
Edinburgh University Press eBooks, Feb 22, 2008
Sonic Horizons: Phonograph Aesthetics and the Experience of Time
Palgrave Macmillan UK eBooks, 2012
It is significant that in English we do not possess a temporal equivalent of the word ‘elsewhere’... more It is significant that in English we do not possess a temporal equivalent of the word ‘elsewhere’. This word designates a location spatially distinct from that in which the speaker or writer is situated, but if we seek an ‘else’ word to identify a time distinct from our own, we are bereft. There is no ‘elsewhen’. This lexical absence in the language acts to reinforce the privileging of space over time in much of our thinking about communication technologies and their contribution to the experience of modernity. Such thinking has commonly laid stress on the ability of communication technologies to reduce, compress or cancel spatial distance in the transmission and reception of multiple messages. All too often this has led not only to inflated or idealistic accounts of technological capability in communications, but also to the neglect or cavalier treatment of how it affects time and temporal relations. New media have indeed altered the sense of distance in modern times, in some respects seeming to diminish it, but in others creating new versions of it, both temporal and spatial.1 The particular case that will be considered here is phonography, and the distance it created in time/space dimensions between the production and consumption of music.2 This was a major change, with manifold consequences.
Voice
Cambridge University Press eBooks, May 5, 2013
Instrumental music? The rise of broadcast music in factories
Cambridge University Press eBooks, May 5, 2013
Stereotyping and Stereotypes
The Blackwell Encyclopedia of Sociology, Sep 22, 2017
Music at work in pre-industrial contexts
Cambridge University Press, Apr 1, 2013
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Papers by Michael Pickering