Book review: GILLIAN ROSE, Visual Methodologies: An Introduction to the Interpretation of Visual Materials (Second edition) London: SAGE, 2007, 287 pp. ISBN: 978 1 4129 2190 9 (hbk) £70.00, 978 1 4129 2191 6 (pbk) £21.99
Qualitative Research, Apr 1, 2008
techniques in oral history again combines theory with a clear introduction to the technique, and ... more techniques in oral history again combines theory with a clear introduction to the technique, and is a welcome call for more work on this overlooked practice in oral history. The fourth section, ‘Applications’ illuminates the relations between autobiography, biography, myth and history, and the complex interactions of past and present. As such, this section argues both for the place and importance of oral history and the need for wide public accessibility in order for it to achieve its political potential. The exciting possibilities of hypermedia for both integrity and empowerment are a constant refrain in many chapters. This is revisited here with considerations of aural, visual and physical aspects of performance, and shared, yet sometimes conflicting interests of oral historians, journalists and documentary-makers. In sum, I would recommend this book for students and old hands of interview-based research, especially life history, since it is an excellent focus on the complexities of interaction, sound, writing and vision, and the painful difficulties of transcription, editing and authorship in knowledge production. The historical overview is vital for tracing the birth of certain assumptions and tensions, and the contributors’ reflections on the ethics of this type of research are timely, particularly with reference to hypermedia. Although some sections may retread old ground from a social scientific point of view, these are necessary for the book’s aim to articulate the crossdisciplinary nature of the debates, whilst providing a clear handbook of methods for the student.
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