
Paul Mardikian
I am a passionate practicing objects conservator with 30 years of international experience in cultural heritage preservation in various contexts including cultural institutions, academia and private practice. I have an undergraduate and graduate degree in art history and archaeology from the School of the Louvre and a graduate degree in objects conservation from the Sorbonne University in Paris. My curriculum reflects my keen interest for conservation projects requiring a multidisciplinary and collaborative approach, applied conservation research, and commitment to education and conference development and management. My area of expertise includes the conservation of archaeological materials from terrestrial and maritime contexts, composite artifacts, public art, sculpture, and large-scale technological, industrial and military heritage artifacts, particularly those containing modern materials. I am the co-founder of Terra Mare Conservation, LLC based in the USA and coordinator of the ICOM-CC Metals Working Group.
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Papers by Paul Mardikian
Keywords: Aluminum, Aircraft, David-Monthan Air Force Base, preventive conservation
Conserving these unique finds can be extremely challenging and painstaking work for a conservator, particularly when faced with factors such as rarity, the absence of other datable contextual evidence, previous inappropriate treatment, extreme deterioration or all of the above. Achieving legibility is usually the most important issue facing the conservator when dealing with excavated coins, together with stabilisation of the metal, when required. Conservation of coins
can often be described as a micro-excavation to reveal and uncover complex burial stratigraphy. In some cases,
the information on the coin may be more important than the object itself; nevertheless, an attempt must be made to preserve both. Conservators work collaboratively with specialists from the fields of archaeology, numismatics and scientific research, to uncover the ‘life’ of the coin.
In this paper, several approaches to the conservation and interpretation of ancient coins from terrestrial and underwater contexts are discussed through a number of case studies. Examples include coinage made of gold, silver, copper alloy, and composite metals, some of which were found to be forged currency, from individual coins to coin hoards. The value of the archaeological and historical context of the coin is contrasted with their function and appeal as cultural artefacts, and the conservator’s contribution to this dialogue is highlighted.