Papers by David Christian Hutte
Portals Between Art & Science. The Mirror Universe and the Mirror- Art Concept of David Christiaan Hutte, 2024
An attempt is made to model the structure of Science and Art discovery processes in light of curr... more An attempt is made to model the structure of Science and Art discovery processes in light of currently defined ideas on the societal flow of knowledge and conservation of information. Both the Science and Art processes have been described as iterative and/or recurrent, and current science models explain the generation of knowledge based on several sequential steps (activities) operating in a circular mode. This implies that any new cycle starts from a different perspective or, optimistically, from a higher level. It seems, therefore, appropriate to modify the cyclic model with a spiral energy-guiding modality that returns to its origin and can map the ongoing rise of science/art perspectives. This pattern suggests the geometry of the torus with its core channel, which affords an opening to a fourth spatial dimension, and in cosmology is conceived as a wormhole that can connect different parts of the cosmos. Such space/time shortcuts can also be seen as "portals" symbolizing the deep connections in the fabric of reality in a scale-invariant mode. Science and Art progression, often realized through individual efforts, can be related to the historically-based flow of quantum cognition events. These inherently include non-linear or even chaotic processes, in which relatively small changes can lead to major Science/Art transformations. Instead of an ongoing "synthetic series of small steps," innovative visions can cast a very different light on mainstream scientific and artistic thought or remove existing barriers in more traditional "habits of the mind." In this paper, a comparison is made between Art and Science in relation to their mutual portal-like connectivity. We submit that a torus-based portal of space and time provides a relevant model for their mutual interrelation. It is shown that Art and Science can mutually benefit from the concept of deep (layered) dimensions, as also proposed for a holographic representation of reality. In this light, a Mirror Model of the Universe is proposed, which also reveals the arrow of time as a crucial aspect of the fabric of reality. Our model is illustrated by a spectrum of recent art creations from the international artistic realm of David Christiaan Hutte. These works art are crafted through and centered around a similar or closely intertwined process of scientific discovery. The relevance of the Mirror Model in relation to the phenomenon of gravity suggests, in our view, that a work of art could be envisioned as a gravitation of a primary (intuitive) idea into a material piece of art.
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Papers by David Christian Hutte