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IMAGE TRANSFER TECHNIQUES

Above: Robert Rauschenberg. "Follow" 1974. Transfer/collage on fabric. 69 × 80 1/2 in.
RESOURCES
  • Photoetching Metal Using Photocopy Transfer – ganoksin.com
  • The basis of electro-etching: a simplified explanation – nontoxicprint.com
  • Etching Copper Plates with Cupric Chloride – ndiprintmaking.ca
  • Guide to Copper Plate Etching – angusfischerarts.com
  • Substrates: Photopolymer – substratum.org
  • Intaglio Type Photopolymer Printmaking – nontoxicprint.com
  • Transfer Printmaking – David McCall
  • How To Transfer Photos To Fabric And Wood At Home – shutterstock.com
  • 12 Easy Image Transfer Methods for DIY Projects – graphicsfairy.com
Quick Links to other photo-based image transfer techniques (in progress):
  • Paper Litho
  • Polyester Litho
  • Cyanotype
  • Solar Plates

INKJET TRANSFER

Inkjet Transfer Paper – immclains.com
Images printed on this heavy duty, double-sided waxed paper can be transferred onto any absorbent material such as paper, linoleum or wood. It will not work on hard or slick surfaces. The inkjet ink stays wet on the waxed paper for several minutes. After inkjet printing, place the printed side down on the block, paper, etc. Tape the Transfer Paper in place, put a piece of newsprint, tracing paper or ategami on top and rub with a baren, brayer or wooden spoon. The image will immediately transfer. Wipe off the residue and reuse both sides several times.

DIY Wax Paper Method – theartofdoingstuff.com
1. Cut sheets of waxed paper to the size of computer paper.
2.  Print your image onto the waxed paper with any Inkjet printer. It doesn’t matter which side you print on – sides are waxed.
3.  Carefully place the image on your wood (wet side down) and then rub over it with a spoon, baren, credit card, etc.

HELPFUL TIPS
  • Dampening the wood or paper slightly will make the transfer darker, but can blur and smudge if you’re not careful.
  •  If the waxed paper won’t go through the printer – tape it to a piece of regular printer paper before feeding it into your printer.
  • Use the more "slippery" side of the freezer paper
Picture

ImagON™ HD Photopolymer Film
  • Preparation, Exposure and Development of ImagOn™ Polymer Film – nontoxic-printmaking
  • Index of ImagOn Basic Process – Lacourart
  • Photopolymer Printing – gregbrophy.com
  • Using ImageOn DVD – Takach Press
  • The Contemporary Printmaker Intaglio Type & Acrylic Resist Etching – Keith Howard
Zea Mays Printmaking: ImagOn Tests
  1. Test 1: Mixing ImagOn Developer
  2. Test 2: More Testing of Developer and Plate Lamination Techniques
  3. Test 3: Testing Strengthened Developer and First Exposure Tests
  4. Test 4: Test Printing and Finding an Exposure Time
  5. Test 5: Dialing in: Step Test for Image Positive
  6. Test 6: Throwing Everything at the Wall and Seeing What Sticks
  7. Test 7: Revisiting the Aquatint Screen and Flash Exposing Film Positives
  8. Test 8: Image Positives with New Printer
  9. Test 9: Pushing the Uses of ImagOn HD

GOLDEN ACRYLIC FAST IMAGE TRANSFER

Most Golden Acrylic Mediums can be used for image transfer, except for "Tar Gel".

CYANOTYPE
Cyanotype is a photographic printing process that produces a cyan-blue print. Engineers used the process well into the 20th century as a simple and low-cost process to produce copies of drawings, referred to as blueprints. The process uses two chemicals: ferric ammonium citrate and potassium ferricyanide. – from wikipedia







CLICK HERE FOR MORE
Picture
Matson Jones (Robert Rauschenberg and Jasper Johns) cyanotype in 4 parts. 1955. each sheet approx. 144" x 41"

ANTHOTYPE
An anthotype is an image created using photosensitive material from plants. This process was originally invented by Mary Somerville who presented her research to Sir John Herschel (who is often misquoted as the inventor) in 1842. An emulsion is made from crushed flower petals or any other light-sensitive plant, fruit or vegetable. A coated sheet of paper is then dried. Place some material, for example leaves or a transparent photo positive on the paper and expose to direct full sunlight until the image part not covered by the material is bleached out by the sun rays. The color remains in the shadowed parts. The paper remains sensitive against such rays. – from wikipedia
Picture
Almudena Romero. The Act of Producing is a series of single leaves and large-scale collages (1.5 x 2m) where images of hands in the process of cutting, selecting, examining, touching, modifying (etc.) nature are directly printed onto plant leaves.
  • Anthotypes – instructions to making a print using plants – Alternativephotography.com
  • Alternative Photography: Anthotype & Cyanotype – instructables.com
  • Using only sunlight, this photographer imprints historic photographs onto leaves – mashable.com
  • Sustainable Photography at Home: The Anthotype Printing Process – Studio Almudena Romero
  • The Chlorophyll printing process Video –  Almudena Romero's facebook.com
    A step by step guide on how to print images directly onto plant leaves.
    The chlorophyll printing process is an organic photographic technique based on bleaching the chlorophyll pigments of a plant leaf.
  • Photographer Makes “Chlorophyll Prints” Using Leaves and Sunlight – petapixel.com
  • Chlorophyll Art: NPR's Ketzel Levine profiles Vietnamese-born photographer Binh Danh, who uses the power of the sun to print pictures on leaves – npr.org
Picture
Binh Danh. "The Botany of Tuol Sleng # 12". 2006. Chlorophyll print and resin. 11 x 10 inches
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  • Home
  • Techniques
    • Analog Printmaking >
      • Relief >
        • Woodcut Overview >
          • Woodcut Basics
        • Linocut Overview >
          • Linocut Basics
      • Intaglio >
        • Drypoint Overview >
          • Drypoint Basics
      • Lithography >
        • Polyester Litho Overview >
          • Polyester Basics
        • Paper Litho Overview
        • Kitchen Litho Overview
        • Lemon-Etch Litho Overview
        • Waterless Litho Overview
      • Screen Printing >
        • Screen Print Basics
        • Emulsion and Exposure
        • Screen Printing Clean Up
      • Unique Impressions >
        • Monotype Basics
      • Collagraphy >
        • Found Objects
      • Letterpress
      • Frottage/Rubbings
    • Digital Printmaking >
      • Risograph
      • Laser Engraving
      • 3D Printing
      • NEW TECHNOLOGY
    • Image Transfer Techniques >
      • CYANOTYPE
      • DIGITAL NEGATIVES
  • PULLING PRINTS
    • Printing Relief
    • Printing Intaglio
    • Printing Screens
  • STUDIO GUIDE
  • GLOSSARY
  • History
  • SAFETY
  • Links
  • About