Spaces of the Book : Materials and Agents of the Text/Image Creation (XXth and XXIst Centuries) = Les Espaces Du Livre : Supports et Acteurs de La Création Texte/Image (XXe-XXIe s)
HAL (Le Centre pour la Communication Scientifique Directe), Nov 1, 2015
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Books by Jean Khalfa
These works provide new complexity to our understanding of Fanon and reveal just how relevant his thinking is to the contemporary world and how important his ideas are to changing it.
Since the publication of The Wretched of the Earth in 1961, Fanon's work has been deeply significant for successive generations of intellectuals-for anti-colonial and civil rights activists in the 60s and 70s, for those working in postcolonial studies from the 80s to the present day, and currently for specialists of French and North African history, of colonial psychiatry, and ethnopsychiatry, and for all those who work with conflicts of identity in postcolonial societies.
Frantz Fanon is regarded as a foundational thinker of Postcolonial Studies, bringing together the analysis of colonialism from an objective, historical perspective and an interrogation of its subjective effects on colonizer and colonized alike. This book furthers his powerful intervention into how we think about identity, race and activism and provides a unique insight into Fanon's literary works and psychiatric, philosophical and historical theories.
Alienation and Freedom offers a remarkable opportunity to discover a range of unknown literary, psychiatric, and political works by Fanon, many of which were never published before, and throws new light on the thinking of a major 20th-century philosopher whose disruptive and moving work continues to shape how we look at the world.
Papers by Jean Khalfa
I. Chol et J. Khalfa (dir.) Les Espaces du livre / Spaces of the book, Cambridge : Peter Lang, 2015, p.227-242
[La poésie de Julien Blaine se déploie d’abord dans le hic et nunc de la performance. Pourtant la question du livre pris dans sa matérialité tient une place centrale dans sa poétique. Le livre ne se pense pas, chez le poète, comme un aboutissement, mais bien en dialogue avec le geste performatif, comme une étape parmi d’autres au sein d’un processus qui le dépasse, medium parmi d’autres possibles d’une œuvre marquée par la circulation intermédiatique. Ce sont ces circulations qui sont ici envisagées, de manière à montrer comment elles contribuent à la fois à relativiser et à exhiber les propriétés spécifiques au medium livre, mais aussi à repenser la place du poète dans la production concrète de son œuvre imprimé.]