Unit for Reformed Theology

Contribution: This article contributes to the ongoing interdisciplinary studies of ontology, anthropology, theology, and sociology. By interpreting or reading Augustine's Confessiones through the lens of mimetic desire, this article offers an alternative perspective on Augustine's natural theology and virtue ethics. It further presents the conceptual framework of mimesis on Christian and Platonist praxis of the ideal forms. Moreover, the article of the narratological composition of Confessiones expounds the importance of interpersonal relationships in our spiritual growth. The triangular structure of mimesis was further expounded in the context of interior life, viz. interior homo [inner man] as the ultimate model.

This article arose from the study of apophatic theology also known as the via-negativa. Apophatic theology, by definition, refrains from stating what and who God is instead of focusing on what God is not. It renders religious language as a sign-system inadequate in describing God, his nature, and human numinous experiences. Yet, language is the fundamental modelling system that stimulates our everyday phenomenological, spiritual, and religious developments. This article is demonstrating how the apophatic theological view attempted to solve or investigate the inadequacy of religious language or the lack of God’s language. The research drew from contemporary scholarship on Augustine’s use of apophatic theology in developing its hypothesis of the importance of music as a transcendental language. Moreover, through music and prayer, language becomes an intermediary beyond the physical to the metaphysical. In this instance, Augustine of Hippo, coming to terms with the inadequacy of religious language, considered music a succinct communicative tool in his theology and divine pedagogy. So, due to the challenges of language, the purpose of this article is using Augustine and his view of music within the Sitz im Leben of his spiritual development to solve a theological problem. In this article, the following will be discussed: (1) Augustine’s Confessions as a dialogue where he speaks to God through Scriptures and hymns; (2) Augustine’s earlier philosophical theory of music; (3) and Augustine’s use of apophatic theology in our spiritual development. The importance of this research will help us understand God’s immanence (over his ineffable) through our use and understanding of music as a harmonious language consisting of unchanging mathematical properties. Furthermore, the truthfulness of music as a harmonious language about God’s mystery can be better understood. Contribution: Through Augustine’s apophatic theology, this study contributes to our understanding and revitalisation of spirituality using music as an alternative form of harmonious language of the spirit. Moreover, it considers music a universal language that transcends all senses and other modes of cognitive activities. By establishing a basic principle of what makes us spiritual, we can transform our cognitive abilities and become better spiritual beings. Furthermore, this study examined the harmonic nature of music in the seven liberal arts as a significant mathematical aspect of the cosmos.

This study examined the plausibility and role of theosis in Augustine’s theory of divine illumination as a theologic framework for decolonising theology. Theologic refers to God’s revelation about himself and his nature. Therefore, through an analysis of Augustine’s dogmatic treatise concerning the nature of the Holy Trinity, this article argues that Augustine’s theory of divine illumination is a precedent for God to speak about himself. Moreover, this theory of divine illumination is useful in developing a non-biased theoretical framework for decolonialism in theology today. At the centre of this theory is the inability of human beings to possess and command true knowledge as a result of inherent sin. However, in contrast, this highlights the graceful nature of God as he assists us in partaking in his glory and wisdom through theosis. Therefore, by incorporating Augustine’s philosophical analyses into empirical studies, the purpose of this study was to discuss the following: (1) The theologic of Augustine’s theory of divine illumination in the process of decolonising theology; (2) Augustine’s comprehension and use of divine procession through a triadic function of the human mind in his treatise De Trinitate; and (3) the role and plausibility of theosis because of God’s love in the process of learning and teaching. Through critical analysis of Augustine’s philosophical thought, this study develops an ethical theoretical framework for decolonising theology. Thus, the key contention is to succinctly present Augustine’s dogmatic thought rationally and logically in the process of his pragmatic stance.

This article examined Augustine’s just war theory through René Girard’s scapegoat mechanism, as posited in his theory of mimetic desire. Augustine, in his development of just war theory, adopted a realist approach to justify the ethical criteria for judging the morality of conflict. Just war theory, in its historical form, interpreted as a positive rule of action based on just war principles that were developed over time. Therefore, through a comparative approach, this article argued the rationality of modern warfare and violence on the notion of the surrogate victim, which is necessary for social order and the formulation of cultures, as posited by Girard. In his corpus, Girard highlights the role of scapegoating and victimisation in the process of unifying a community. Thus, a comparative analysis of just war theory and the scapegoat mechanism can be developed to study the conditions for peace, religious liberty and social cohesion. This article discusses the following points: (1) the modern relevance of just war principles; (2) the effects of scapegoat mechanisms in modern societies and their impact on social order and political discourse; and (3) the role of missio Dei in the context of warfare and violence.

Contribution: This article contributes to a comprehensive study of moral philosophy through the thoughts of Augustine and Girard. The convergence between violence, war, peace and justice is studied through anthropology and religious cultural lens. Arguably, this process has the potential to develop an empirical framework to study war and violence acts in our modern polarised world. Furthermore, it considers the ideal praxis for missio Dei in the context of social order and the common good in the 21st century.

The purpose of this study was to examine the structure and role of dialogical discourse in Augustine's earlier dialogues viz., De Magistro and Soliloquies. The two dialogues connote empirical and metaphysical relationships that serve as practical and speculative pathways to discovering one's true self in a democratic society. Furthermore, the pedagogical value of examining one's mindsets is a precedent for exploring alternative ways of imagining and expressing democracy. For this reason, dialogue was the dominant genre in Augustine's corpus and played an important role in liberating his mind. Moreover, Augustine structured his dialogues threefold: (1) self-refutation, (2) Socratic questioning, and (3) metaphysical intervention. By actively critiquing himself, Augustine also structures the whole human reality and its dependence on divine grace. The results of this study indicate the importance of dialogue in the development of sustainable democratic societies. In developing a hypothesis, the study also drew from contemporary scholarship on dialogue as a discourse.

From The Fall, woman reproductive organ has been under attack, woman was touched in her feminist (Titus, 2011:400). The same thing that makes her a woman (womb) Gen. 2:23 was cursed in Gen. 3:16. It has been stated that women of African descent are more likely to suffer from uterine fibroids and on average tend to develop this potentially debilitating medical condition,