Daniel A Lee
After years of miserable piano lessons Daniel Lee discovered his true passion when he first saw Jazz guitarist Emily Remler playing a Blues. Observing her combination of the sophisticated with the unassuming was a true life-changing experience. He graduated from the Jazz program at Adelaide University’s Elder Conservatorium in the mid 90’s and has performed, composed, taught, collected, designed and built all things Jazz guitar related ever since. He holds a Graduate Diploma in Adult and Tertiary Education as well as a Masters degree in International Education. For his research during his PhD in Music Education at the University of Tasmania, he examined popular music courses in Australian higher education and the cultural consequences of current practice. He has performed as a professional musician in almost every setting imaginable from beach weddings to festivals and live radio, in solo, duo and trio format up to 17-piece Big Bands and large Jazz ensembles. Highlights include performances at Ronnie Scott’s Jazz Club, the Adelaide Guitar Festival, and concerts featuring his unique collection of Australian built Archtop Jazz guitars. His research outputs include international conferences and journal articles on contemporary guitar education, research methodology and 21st century music communities.
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Australian Guitar Magazine TopTen
1. Angus Young 1. Angus Young
2. Tommy Emmanuel 2. Tommy Emmanuel
3. Ian Moss 3. Chris Cheney
4. Chris Cheney 4. Ian Moss
Three out of the four guitarists are exponents of a genre of music that is purely Australian — Oz-Rock. The black sheep in the list, Tommy Emmanuel, is best known for his fingerstyle acoustic guitar playing. Oz-Rock is a genre of music dominated by electric guitars, power-chords, riffs and improvised guitar solos. It grew out of the pub scene in the 1960s and was founded by bands like The Easybeats and Billy Thorpe and The Aztecs. Oz-Rock was the foundation for many of Australia's most successful Rock and Roll bands including The Angels, Rose Tattoo, Midnight Oil and INXS. The compositions in this book are designed to pay tribute to Angus Young, Ian Moss and Chris Cheney by emulating their playing styles. Each tune is designed to be an instrumental guitar duet with the possibility of further enhancement with the addition of Bass and Drums. Guitar 1 typically plays the role of lead guitar and Guitar 2 plays the role of rhythm guitar. However, the tunes are designed in such a way that the performers may choose to interchange roles.
The tunes are composed with the intention of developing skills in secondary guitar students and exposing them to the performance styles of Australia's best, and most loved guitar players. These instrumental tunes offer the chance for guitar students to explore concepts of melody within a familiar aesthetic framework. Furthermore, each tune features an improvised solo section to allow guitarists to express their artistic creativity.