Devozione e Passione: Alessandro Scarlatti nel 350°anniversario della nascita, Atti del convegno internazionale di Studi (Reggio Calabria, 8-9 ottobre 2010) a cura di Nicolò Maccavino, Rubbettino Editore, 2013, pp. 515-572, (Sopplimenti Musicali» I, 14)., 2013
L’ Accademia Filarmonica di Bologna conserva un’ampia raccolta manoscritta rilegata in un unico v... more L’ Accademia Filarmonica di Bologna conserva un’ampia raccolta manoscritta rilegata in un unico volume, intitolato Musica per la Settimana Santa, che la tradizione storiografica fino ad alcuni anni fa attribuiva interamente ad Alessandro Scarlatti. Il volume costituisce una delle fonti musicali italiane di musica sacra di maggior rilievo, e comprende al suo interno cinque sezioni diverse, con un ampio repertorio di brani musicali appartenenti a generi e forme destinati ai periodi liturgici della Quaresima e della Settimana Santa (mottetti per il proprio delle Domeniche di Quaresima, Lamentazioni, responsori della Settimana Santa, inni, antifone ed improperi per il Venerdì Santo, due Miserere). La terza sezione, costituita dalla serie completa dei ventisette Responsoria Hebdomadæ Sanctæ, rappresenta uno dei nuclei più interessanti del volume, per omogeneità, quantità e qualità delle composizioni. Questa serie responsoriale è molto significativa sia dal punto di vista armonico-contrappuntistico, sia da quello dell’impianto scalare.
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Papers by Romano Vettori
the relationship between the British manufacturer and Beethoven, who in 1817 received from him the gift of a piano, until today had not yet been sufficiently highlighted the fact that this fact also involved Ferrari. This study, in Italian language, prepared for the Second International Fortepiano Competition dedicated to Ferrari (2016), examines these intriguing circumstances.
in 1784, a title of Domenico Cimarosa (1749-1801) was chosen, among those
the most popular of the moment. Just with Giannina, and Bernardone (1st
representation: S. Samuele Venice, 1781), more than forty
new productions in the major Italian and European cities to
1800, such as Naples, Florence, Bologna, Turin, Milan, Vienna,
Paris, Madrid, Lisbon, Dresden, Krakow, St. Petersburg) and other
Italian works of the period, the Neapolitan composer was firmed
as one of the most successful opera composers.
historical-political and cultural events such as the principalities of Bernardo Clesio and Cristoforo Madruzzo.
They had considerable influence on the life of the principality and its relations with Italy and Europe,
but in turn, and in particular the second, they were of a magnitude to that event center
who it was the historical (1545-1563). The test is organized by arranging music sources around these
central figures, which represent the primary historical reference, however, to identify their
the formal tendencies and connections with the music culture of their time. With the advantages
and the limits that follow from such methodological choice, the historical-musical design resulting rests
so closely on the characteristics of the musical sources preserved.
Despite a centuries-long historiographical tradition one must nonetheless set aside the artistic importance of Palestrina's Missa papae Marcelli mass in order to identify that music which was definitely performed in Trent during the Council: aside from its date of 1562-63 - in the midst of the third conciliar period - there is in fact no documented evidence of a Tridentine performance of this mass. It is certainly, on the other hand, the publication of the de Kerle's Preces speciales pro salubri generali concilii successu ac conclusione (1562) which, in the context of the Council, merits the greater historical and musical interest. Made by Iacobus de Kerle (1531c.-1591), maestro di cappella of Cardinal of AugsburgTruchsess von Waldburg, this music were performed in Trent three 'times a week'' to favor the successful outcome of the Council.
Despite a centuries-long historiographical tradition one must nonetheless set aside the artistic importance of Palestrina's Missa papae Marcelli mass in order to identify that music which was definitely performed in Trent during the Council: aside from its date of 1562-63 - in the midst of the third conciliar period - there is in fact no documented evidence of a Tridentine performance of this mass. It is certainly, on the other hand, the publication of the de Kerle's Preces speciales pro salubri generali concilii successu ac conclusione (1562) which, in the context of the Council, merits the greater historical and musical interest. Made by Iacobus de Kerle (1531c.-1591), maestro di cappella of Cardinal of AugsburgTruchsess von Waldburg, this music were performed in Trent three 'times a week'' to favor the successful outcome of the Council.
Rovereto in particular, the nearby Verona, the most important Italian cities, with Naples, Rome, Florence, before moving to Paris, Brussels, London, precisely where he settled permanently. Not to underestimate the interest that "Aneddoti" may have in general for the history the early nineteenth-century costume, thanks to put news on social habits, characters human, the various national and regional curiosity,
of which the Ferrari fills his autobiography.
due to the particular nature of the work and his detailed foreword
which, like that of the most famous ecclesiastical hundred concerts op. XII (1602),
It is of considerable importance for the performance practice of music
sacred for both the knowledge itself of the structure and the equipment designed by the composer. The indications are contained,
in fact, well beyond a simple enumeration of the possibilities of
execution, related to the events and quota availability, and take
the precise contours of an exhibition of compositional technique and
instrumentation. In the study the practice of these Viadana's Psalms is also highlighted as a model at the German music scene and its development.