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The chart in Table 7: The determined sounds of the Tatar extended alphabe gives a schematic description of the determined speech sounds.

Table 7 The chart in Table 7: The determined sounds of the Tatar extended alphabe gives a schematic description of the determined speech sounds.

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phonetics, morphology, and syntax, and as thematic and _ poeti construction with the Tatar language and literature everywhere: Uzbeks,
phonetics, morphology, and syntax, and as thematic and _ poeti construction with the Tatar language and literature everywhere: Uzbeks,
The Sounds of Tatar Spoken in Romania movies that are spoken in Hindi stuffed with words in plain English.
The Sounds of Tatar Spoken in Romania movies that are spoken in Hindi stuffed with words in plain English.
could imagine many better representations of this principle. 2.2. The harmonic parallelism principle “Karsi turgan defige” Any speech sound is part of a harmonic parallelism, which means that |
could imagine many better representations of this principle. 2.2. The harmonic parallelism principle “Karsi turgan defige” Any speech sound is part of a harmonic parallelism, which means that |
Taner Murat 2.3. The articulatory determinism principle “Belgili buwunli irtibat”
Taner Murat 2.3. The articulatory determinism principle “Belgili buwunli irtibat”
Linking arrows or vectors, the joints of interlocking Lego bricks or jigsaw puzzles
Linking arrows or vectors, the joints of interlocking Lego bricks or jigsaw puzzles
probably give a good depiction of the harmony or dissonance of the sounds. 2.5. The least effort principle “Ef az zahmetli telaffuz’ symbols tilde used for similarity and almost equal to as well as not equal to would There are many ways to plot the musicality principle - “ses zewuki.” Mathematical Sequences of sounds are easier to pronounce with the minimal movement
probably give a good depiction of the harmony or dissonance of the sounds. 2.5. The least effort principle “Ef az zahmetli telaffuz’ symbols tilde used for similarity and almost equal to as well as not equal to would There are many ways to plot the musicality principle - “ses zewuki.” Mathematical Sequences of sounds are easier to pronounce with the minimal movement
In Figure 8 I have imagined a puzzle model of the determinant sounds.
In Figure 8 I have imagined a puzzle model of the determinant sounds.
model in Figure 10 would give a decent image.
model in Figure 10 would give a decent image.
“kuyruk.” A segmental model would give an acceptable portray of this structure.
“kuyruk.” A segmental model would give an acceptable portray of this structure.
be useful sometimes in describing the structure of the Tatar syllable. Considering the rhyme - “kafiye”, which consists of nucleus and coda, namely the portion from the determinant sound to the end, a hierarchical model would also be useful sometimes in describing the structure of the Tatar syllable. However, the previous models only briefly describe the Tatar syllable, which has a
be useful sometimes in describing the structure of the Tatar syllable. Considering the rhyme - “kafiye”, which consists of nucleus and coda, namely the portion from the determinant sound to the end, a hierarchical model would also be useful sometimes in describing the structure of the Tatar syllable. However, the previous models only briefly describe the Tatar syllable, which has a
articulatory efforts for repositioning the tongue root.
articulatory efforts for repositioning the tongue root.
On the contrary, the Khwarezmian syllable finds it impossible to attach non- harmonized determined sounds to the determinant sounds. What prevents its structure from such disharmony is the least effort principle. This is a distinctive feature of the Khwarezmian syllable, an intrasyllabic assimilatory phonological process regarding the tongue position class of the determinant sounds, a redundancy feature constraining determined sounds in onset and coda to harmonize with the determinant sound in nucleus. In other words, a Knwarezmian syllable can be either entirely hard or soft. I call this the law of intrasyllabic harmony, but you might find that it was already defined by linguists under a different name. harmony, but you might find that it was already defined by linguists under a Probably, a better description of the Khwarezmian syllabic structure would be nivian Av a vartnar hiararchical madal ac fallavwrc: syllable can be either entirely hard or soft. I call this the law of intrasyllabic
On the contrary, the Khwarezmian syllable finds it impossible to attach non- harmonized determined sounds to the determinant sounds. What prevents its structure from such disharmony is the least effort principle. This is a distinctive feature of the Khwarezmian syllable, an intrasyllabic assimilatory phonological process regarding the tongue position class of the determinant sounds, a redundancy feature constraining determined sounds in onset and coda to harmonize with the determinant sound in nucleus. In other words, a Knwarezmian syllable can be either entirely hard or soft. I call this the law of intrasyllabic harmony, but you might find that it was already defined by linguists under a different name. harmony, but you might find that it was already defined by linguists under a Probably, a better description of the Khwarezmian syllabic structure would be nivian Av a vartnar hiararchical madal ac fallavwrc: syllable can be either entirely hard or soft. I call this the law of intrasyllabic
given by a vector hierarchical model as follows:
given by a vector hierarchical model as follows:
the particularities of its ATR and RTR determinant sounds. In turn, at intersyllabic level 2.5. The least effort principle “Efi az zahmetl telaffuz” applies once again preventing the concatenation of incompatible syllables in terms of tongue root. I would call this the law of intersyllabic harmony, but you might find it defined by the linguists under a different name. This law is another distinctive feature of the Khwarezmian syllable resulting from the particularities of its ATR and RTR determinant sounds. process regarding the tongue position class, which is a redundancy feature
the particularities of its ATR and RTR determinant sounds. In turn, at intersyllabic level 2.5. The least effort principle “Efi az zahmetl telaffuz” applies once again preventing the concatenation of incompatible syllables in terms of tongue root. I would call this the law of intersyllabic harmony, but you might find it defined by the linguists under a different name. This law is another distinctive feature of the Khwarezmian syllable resulting from the particularities of its ATR and RTR determinant sounds. process regarding the tongue position class, which is a redundancy feature
The harmonic parallelism between the determinant sounds in terms of tongue root is showed below: Hard RTR vowels:
The harmonic parallelism between the determinant sounds in terms of tongue root is showed below: Hard RTR vowels:
from reading the first six keys appearing on the top left letter row of the keyboard
from reading the first six keys appearing on the top left letter row of the keyboard
4.3. Sound description and pronunciation of Latin characters
4.3. Sound description and pronunciation of Latin characters
segments are determined by a sonority hierarchy as in the following table:
segments are determined by a sonority hierarchy as in the following table:
The Sounds of Tatar Spoken in Romania 3. posttonic, suffixes preventing stress to travel through toward the end of the word.
The Sounds of Tatar Spoken in Romania 3. posttonic, suffixes preventing stress to travel through toward the end of the word.
A sealant wall might be a good suggestion for the behaviour of posttonic suffixes. 4. overtonic, suffixes attracting the stress by overcoming the opposition of posttonic suffixes:
A sealant wall might be a good suggestion for the behaviour of posttonic suffixes. 4. overtonic, suffixes attracting the stress by overcoming the opposition of posttonic suffixes:
previous determined sound and form clusters in codas. ooking at the sonority hierarchy one can see that approximants can never be the
previous determined sound and form clusters in codas. ooking at the sonority hierarchy one can see that approximants can never be the
7.10. Delabialization “Erinsizlestiraw” “Erinsizlestiruw” - Delabialization is the change in the roundness of the syllable
7.10. Delabialization “Erinsizlestiraw” “Erinsizlestiruw” - Delabialization is the change in the roundness of the syllable
Related topics:
Phonetics
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