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FIGURE 3: Comparison of the tempi used in the four versions of “The Submission”. On the left (a) error bars

Figure 3 Comparison of the tempi used in the four versions of “The Submission”. On the left (a) error bars

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FIGURE 4: The evolution of the variance over the four performances in the three parts of ‘The Submission’.
FIGURE 4: The evolution of the variance over the four performances in the three parts of ‘The Submission’.
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Related topics:
Performance StudiesHistorically Informed Performance (HIP)Music and danceMovement and Music Performance
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