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Figure 7. Warrington, Charles, Continuity shot of extras for ‘The Thief of Bagdad,’ 1924. nitrate on cellulose negative, Douglas Fairbanks Nitrate Still Collection, Eastman Museum, Rochester, NY. their own number, which corresponded to the day’s filming for referencing.

Figure 7 Warrington, Charles, Continuity shot of extras for ‘The Thief of Bagdad,’ 1924. nitrate on cellulose negative, Douglas Fairbanks Nitrate Still Collection, Eastman Museum, Rochester, NY. their own number, which corresponded to the day’s filming for referencing.

Related Figures (14)

Figure la. Frame enlargement at 200x zoom Figure 2a. Frame enlargement at 200x Figure 1. Frame enlargement from 'The Kid' (1921)
Figure la. Frame enlargement at 200x zoom Figure 2a. Frame enlargement at 200x Figure 1. Frame enlargement from 'The Kid' (1921)
Figure 8. Warrington, Charles, Crew member working on a set piece for ‘The Thief of Bagdad,’ 1924. nitrate on cellulose negative, Douglas Fairbanks Nitrate Still Collection, Eastman Museum, Rochester, NY. such as those in figures 6 and 7 could help ensure the set was rebuilt exactly as the
Figure 8. Warrington, Charles, Crew member working on a set piece for ‘The Thief of Bagdad,’ 1924. nitrate on cellulose negative, Douglas Fairbanks Nitrate Still Collection, Eastman Museum, Rochester, NY. such as those in figures 6 and 7 could help ensure the set was rebuilt exactly as the
untouched from the original source.
untouched from the original source.
Figure 11. Unidentified Photographer, Max Linder, Douglas Fairbanks, and Charlie Chaplin on set for ‘Robin Hood,’ 1922. nitrate on cellulose negative, Douglas Fairbanks Nitrate Still Collection, Eastman Museum, Rochester, NY.
Figure 11. Unidentified Photographer, Max Linder, Douglas Fairbanks, and Charlie Chaplin on set for ‘Robin Hood,’ 1922. nitrate on cellulose negative, Douglas Fairbanks Nitrate Still Collection, Eastman Museum, Rochester, NY.
Figure 12. Unidentified Photographer. Example of a negative marked for cropping. ‘Don Q, Son of Zorro, ’ 1925. nitrate on cellulose negative, Douglas Fairbanks Nitrate Still Collection, Eastman Museum, Rochester, NY.
Figure 12. Unidentified Photographer. Example of a negative marked for cropping. ‘Don Q, Son of Zorro, ’ 1925. nitrate on cellulose negative, Douglas Fairbanks Nitrate Still Collection, Eastman Museum, Rochester, NY.
Figure 13. Warrington, Charles. Douglas Fairbanks and Julanne Johnston in ‘The Thief of Bagdad, ’ 1924. nitrate on cellulose negative, Douglas Fairbanks Nitrate Still Collection, Eastman Museum, Rochester, NY.
Figure 13. Warrington, Charles. Douglas Fairbanks and Julanne Johnston in ‘The Thief of Bagdad, ’ 1924. nitrate on cellulose negative, Douglas Fairbanks Nitrate Still Collection, Eastman Museum, Rochester, NY.
Figure 14. Unidentifed Photographer. Douglas Fairbanks and Director Allan Dwan on the set of ‘Robin Hood,’ 1922. nitrate on cellulose negative, Douglas Fairbanks Nitrate Still Collection, Eastman Museum, Rochester, NY.
Figure 14. Unidentifed Photographer. Douglas Fairbanks and Director Allan Dwan on the set of ‘Robin Hood,’ 1922. nitrate on cellulose negative, Douglas Fairbanks Nitrate Still Collection, Eastman Museum, Rochester, NY.
Figure 15, Warrington, Charles. Set of ‘The Thief of Bagdad, ’ /924. nitrate on cellulose negative, Douglas Fairbanks Nitrate Still Collection, Eastman Museum, Rochester, NY.
Figure 15, Warrington, Charles. Set of ‘The Thief of Bagdad, ’ /924. nitrate on cellulose negative, Douglas Fairbanks Nitrate Still Collection, Eastman Museum, Rochester, NY.
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Cinema StudiesMotion picture industry
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