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“igure 1: Synesthesia scheme: classing of the typologies of synesthetic manifestations. Overall the sound sensations stimulate he creation of synesthetic translations. The synesthetic translations from colour, shape and movement sensation are more rare Ricco, 1999)

Figure 1 “igure 1: Synesthesia scheme: classing of the typologies of synesthetic manifestations. Overall the sound sensations stimulate he creation of synesthetic translations. The synesthetic translations from colour, shape and movement sensation are more rare Ricco, 1999)

Related Figures (4)

Figure 2: Examples of exercises on gustative and chromatic sensations. The exercises represent, in order, the following sensations: sweet (red), acid (yellow-green), bitter (brown), salad (light blue).
Figure 2: Examples of exercises on gustative and chromatic sensations. The exercises represent, in order, the following sensations: sweet (red), acid (yellow-green), bitter (brown), salad (light blue).
Figures la-le; 2a-2e; 3a-3e: Few photograms from three students exercises at the Visual Communication Laboratory, directed by G. Anceschi and D. Riccd, Industrial Design Faculty, Politecnico di Milano, in 1999/2000 (see: Ricco, 2000) 3. A research about synesthesia and Design experiment on visual and auditory interferences
Figures la-le; 2a-2e; 3a-3e: Few photograms from three students exercises at the Visual Communication Laboratory, directed by G. Anceschi and D. Riccd, Industrial Design Faculty, Politecnico di Milano, in 1999/2000 (see: Ricco, 2000) 3. A research about synesthesia and Design experiment on visual and auditory interferences
The site represent a place of exchange and interdisciplinary cooperation opened to everyone desire to present its works through the site, specifically oriented to the synesthesia. For informations: info@sinestesie. it Figure 3: 5 couples of elementary textures opposed in shapes and colours, and a couple of sounds opposed in intensity anc ‘grane’. The first 3 couples of images have coloured backgroud whereas the last two couples are in black and white to make « comparison between colours and non-colours. Paragraphs 1, 2, 4 written by D. RiccO; paragraph 3, translation into english and graphics by S. Guerini.
The site represent a place of exchange and interdisciplinary cooperation opened to everyone desire to present its works through the site, specifically oriented to the synesthesia. For informations: info@sinestesie. it Figure 3: 5 couples of elementary textures opposed in shapes and colours, and a couple of sounds opposed in intensity anc ‘grane’. The first 3 couples of images have coloured backgroud whereas the last two couples are in black and white to make « comparison between colours and non-colours. Paragraphs 1, 2, 4 written by D. RiccO; paragraph 3, translation into english and graphics by S. Guerini.
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Synesthetic Design
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