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Table 2. Affective sound events in the Sinister (Scott Derrickson, 2012) trailer

Table 2 Affective sound events in the Sinister (Scott Derrickson, 2012) trailer

Related Figures (4)

Figure 1. The soundtrack of the trailer for Sinister (Scott Derrickson, 2012): A. The amplitude envelope of the waveform of the signal as a 16-bit stereo PCM wave sampled at 48 kHz. B. The log-amplitude spectrogram of the short-time Fourier transform of the waveform averaged to mono at 48 kHz, with a Hann window of length 2048 and a hop length of 512. C. The normalized aggregated power envelope, with fitted loess trendline.
Figure 1. The soundtrack of the trailer for Sinister (Scott Derrickson, 2012): A. The amplitude envelope of the waveform of the signal as a 16-bit stereo PCM wave sampled at 48 kHz. B. The log-amplitude spectrogram of the short-time Fourier transform of the waveform averaged to mono at 48 kHz, with a Hann window of length 2048 and a hop length of 512. C. The normalized aggregated power envelope, with fitted loess trendline.
Table 1. Affective sound events in horror films
Table 1. Affective sound events in horror films
Related topics:
Digital HumanitiesFilm StudiesFilm Music And SoundFilm AnalysisHorror FilmHorror CinemaCinema StudiesFilm Sound TheoryFilm TrailersComputational Film Analysis
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