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PLATE E. Walden, by Russell Kirsch. Public Domain.

Figure 5 PLATE E. Walden, by Russell Kirsch. Public Domain.

Related Figures (9)

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LATE A. Pixel Pour, by Kello AKA Leyla Daze (@leylaDaze, kelloworld.com). Photo by Benjamin Norman. Used with permission from Kello Goeller.
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PLATE B. Heydar Aliyev Center, in Baku, Azerbaijan, designed by Zaha Hadid and
PLATE C. MAP, ‘Hello World!’ Kasseler Kunstverein, by Aram Bartholl. Photo by Nils Klinger. 2013 © Aram Bartholl. Used with permission from Aram Bartholl.
PLATE C. MAP, ‘Hello World!’ Kasseler Kunstverein, by Aram Bartholl. Photo by Nils Klinger. 2013 © Aram Bartholl. Used with permission from Aram Bartholl.
PLATE D. Real Life Coin Block, by Bruno Pasquini. Used with permission from Bruno Pasquini.
PLATE D. Real Life Coin Block, by Bruno Pasquini. Used with permission from Bruno Pasquini.
PLATE F. Orange River Irrigation (border between Namibia and South Africa). Photo by NASA ALI/EO-1.
PLATE F. Orange River Irrigation (border between Namibia and South Africa). Photo by NASA ALI/EO-1.
TABLE 1. Sample of Gregory L. Ulmer’s Apparatus Theory” “Ulmer’s apparatus table has appeared in many locations, from Ulmer’s own work (specifically his networked book website [www.ulmer.networkedbook.org]) to that of Arroyo, among others. But the table here is a specific modification of the one Holmevik provides in /nter/vention: Free Play in the Age of Electracy.
TABLE 1. Sample of Gregory L. Ulmer’s Apparatus Theory” “Ulmer’s apparatus table has appeared in many locations, from Ulmer’s own work (specifically his networked book website [www.ulmer.networkedbook.org]) to that of Arroyo, among others. But the table here is a specific modification of the one Holmevik provides in /nter/vention: Free Play in the Age of Electracy.
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AestheticsDigital RhetoricsInteractive and Digital MediaDigital Media And New LiteraciesAesthetics of (new) mediaDigital Post-ProductionNew Media StudiesDigital writingNew AestheticGlitch Aesthetics
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