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FIGURE 3.1 Satellite dish holder boom; left, initial regular design; right, geometry of the final optimized design [Keane and Brown, 1996)  Evolutionary Computation approaches have already been tested in a diverse array of areas. This  diverse array includes several design and art related fields as well. Indeed, EC has seen a wide variety of applications in arts and design fields. In design fields, a straightforward idea has been to use Genetic Algorithms (GAs) to optimize parametrically defined two or three-dimensional shapes. In these  cases, the genotype most often consists of the parameters that govern a shape of a product and the evaluation is carried out over the phenotype representation. A seminal example of this approach is the evolutionary design of a boom that would hold a satellite dish (Keane and Brown, 1996). The strange shape of the resulting design, while better than the initial regular shape in terms of structural vibration control, was by no means expectable (Figure 3.1).   EC has been very popular in generative art circles; at least since, in his book “The Blind Watchmaker”, Richard Dawkins described how evolution could be used to evolve shapes (Dawkins, 1996, pp. 43-74 Lewis, 2008). Following Dawkins, and the Genetic Programming (GP) variant, Karl Sims and William

Figure 3 1 Satellite dish holder boom; left, initial regular design; right, geometry of the final optimized design [Keane and Brown, 1996) Evolutionary Computation approaches have already been tested in a diverse array of areas. This diverse array includes several design and art related fields as well. Indeed, EC has seen a wide variety of applications in arts and design fields. In design fields, a straightforward idea has been to use Genetic Algorithms (GAs) to optimize parametrically defined two or three-dimensional shapes. In these cases, the genotype most often consists of the parameters that govern a shape of a product and the evaluation is carried out over the phenotype representation. A seminal example of this approach is the evolutionary design of a boom that would hold a satellite dish (Keane and Brown, 1996). The strange shape of the resulting design, while better than the initial regular shape in terms of structural vibration control, was by no means expectable (Figure 3.1). EC has been very popular in generative art circles; at least since, in his book “The Blind Watchmaker”, Richard Dawkins described how evolution could be used to evolve shapes (Dawkins, 1996, pp. 43-74 Lewis, 2008). Following Dawkins, and the Genetic Programming (GP) variant, Karl Sims and William