Academia.eduAcademia.edu

Figure 43 – uploaded by Hans Christian Hagedorn

See full PDFdownloadDownload figure
173. Andecho is an anonymous Swedish composer and musician based in Malmo. Rocinante, from his album The Slow and Relentless March of Time, is contemporary ambient and electronic music, with influences ranging from ambient jazz, electronic jazz, and nu jazz to chill-out, lounge, indie pop, and rock music. Rocinante is a composition written and recorded by AndEcho (synthesizer, piano, drum programming, electronics, programing, unidentified instruments).

Table 43 173. Andecho is an anonymous Swedish composer and musician based in Malmo. Rocinante, from his album The Slow and Relentless March of Time, is contemporary ambient and electronic music, with influences ranging from ambient jazz, electronic jazz, and nu jazz to chill-out, lounge, indie pop, and rock music. Rocinante is a composition written and recorded by AndEcho (synthesizer, piano, drum programming, electronics, programing, unidentified instruments).

Related Figures (48)

1. The Half-Way House Orchestra consisted of Albert Brunies (cornet), Bill Eastwood (banjo. acoustic guitar), Leo Adde (drums), Mickie Marcour (piano), Leon Roppolo (alto saxophone. clarinet), Charlie Cordilla (tenor saxophone, clarinet), and Joe Loyacano (trombone). The banc took its name from a popular dance hall in New Orleans. The title Barataria refers to a rural aree in the Mississippi Delta region south of New Orleans. This area, surrounded by bayous, canals. and lakes, was named after the fictional island governed by Sancho Panza in Part II of Don Quixote. On the label on the original record, Barataria is defined as “Fox Trot”. It could also be described as classic or traditional New Orleans jazz, or Dixieland. This piece has been recorded by many other groups, for example, Harry Strutters Hot Rhythm Orchestra (on the album Bouncing Around. 1975), The New Orleans Classic Jazz Orchestra (on Blowin’ Off Steam, 1990), The John Maddocks Jazzmen (on All In A Days Work, 2000), Le Petit Jazzband (on Baby!, 2004), and the Tenement Jazz Band (on Tenement Jazz Band Goes South, 2020). For further details see Hagedorn (2018. 138-139). Other jazz compositions inspired by the Barataria episode in Don Quixote include those recorded by Stéphane Grappelli (1978), Ron Westray (2005), Jeréme Etcheberry (2011), and Harry Miller (2016).
1. The Half-Way House Orchestra consisted of Albert Brunies (cornet), Bill Eastwood (banjo. acoustic guitar), Leo Adde (drums), Mickie Marcour (piano), Leon Roppolo (alto saxophone. clarinet), Charlie Cordilla (tenor saxophone, clarinet), and Joe Loyacano (trombone). The banc took its name from a popular dance hall in New Orleans. The title Barataria refers to a rural aree in the Mississippi Delta region south of New Orleans. This area, surrounded by bayous, canals. and lakes, was named after the fictional island governed by Sancho Panza in Part II of Don Quixote. On the label on the original record, Barataria is defined as “Fox Trot”. It could also be described as classic or traditional New Orleans jazz, or Dixieland. This piece has been recorded by many other groups, for example, Harry Strutters Hot Rhythm Orchestra (on the album Bouncing Around. 1975), The New Orleans Classic Jazz Orchestra (on Blowin’ Off Steam, 1990), The John Maddocks Jazzmen (on All In A Days Work, 2000), Le Petit Jazzband (on Baby!, 2004), and the Tenement Jazz Band (on Tenement Jazz Band Goes South, 2020). For further details see Hagedorn (2018. 138-139). Other jazz compositions inspired by the Barataria episode in Don Quixote include those recorded by Stéphane Grappelli (1978), Ron Westray (2005), Jeréme Etcheberry (2011), and Harry Miller (2016).
name of Grupo Cubano de Jazz del I.C.R. (Instituto Cubano de Radiodifusion, founded in 1962). In 1999, this album was re-released under the name of Rubén Gonzalez con el Noneto Cubano de Jazz de Pucho Escalante, under the title Sentimiento. While there is no evidence that the title Sancho refers to Sancho Panza, the presence on this album of another track written by the same composer and also inspired by a literary classic—Moby Dick—strongly suggests that Pucho Escalante’s Sancho is indeed based on the character of the squire in Don Quixote. Also, the leisurely swinging, light-hearted feel of this Afro-Cuban jazz piece seems to imitate the affable, down-to-earth, hedonist character of the knight’s servant and companion (Hagedorn 2018, 140-141).
name of Grupo Cubano de Jazz del I.C.R. (Instituto Cubano de Radiodifusion, founded in 1962). In 1999, this album was re-released under the name of Rubén Gonzalez con el Noneto Cubano de Jazz de Pucho Escalante, under the title Sentimiento. While there is no evidence that the title Sancho refers to Sancho Panza, the presence on this album of another track written by the same composer and also inspired by a literary classic—Moby Dick—strongly suggests that Pucho Escalante’s Sancho is indeed based on the character of the squire in Don Quixote. Also, the leisurely swinging, light-hearted feel of this Afro-Cuban jazz piece seems to imitate the affable, down-to-earth, hedonist character of the knight’s servant and companion (Hagedorn 2018, 140-141).
14. T. King (Tony King, or Anthony King, pseudonyms of Anthony Frederick Lilly) was a Britist ongwriter, arranger, and library music composer. The identities and instruments of the members of Th« Vestway Studio Orchestra are unknown. Tilting at Windmills could be characterized as big-band jazz ith influences from soundtrack, musical, and classical music (on the album cover, the “Suggestec ood” for Tilting at Windmills is described as “Modern movement’’). The Southern Library of Recordec fusic was a British label specialized in library music (or production music), that is, music for film levision, radio, and commercials. For other examples of jazz-related library or production music ispired by Don Quixote, see Quixote (1984) by Duncan Lamont and Quixote (2017) by Zachary Marsh
14. T. King (Tony King, or Anthony King, pseudonyms of Anthony Frederick Lilly) was a Britist ongwriter, arranger, and library music composer. The identities and instruments of the members of Th« Vestway Studio Orchestra are unknown. Tilting at Windmills could be characterized as big-band jazz ith influences from soundtrack, musical, and classical music (on the album cover, the “Suggestec ood” for Tilting at Windmills is described as “Modern movement’’). The Southern Library of Recordec fusic was a British label specialized in library music (or production music), that is, music for film levision, radio, and commercials. For other examples of jazz-related library or production music ispired by Don Quixote, see Quixote (1984) by Duncan Lamont and Quixote (2017) by Zachary Marsh
Wherever You Are), John Taylor, Martin France, and Palle Danielsson (2005, on Angel of the Presence). John Abercrombie (2005, on Echoes), and Jaz Sawyer (2010, on Jaz Sawyer Presents Afier Hours Vol. 1). Vocal versions of this tune, with lyrics by Jane White, have been recorded by The Upper Austrian Jazz Orchestra & Kenny Wheeler (1996, on the album The Upper Austrian Jazz Orchestra Plays the Music of Kenny Wheeler, with singer Ali Gaggl), Andra Sparks (2004, on Your Time), Anette von Eichel (2004. on Get Out Now!), Michela Lombardi (2008, on So April Hearted), and Seren Nerbo and Kirsten He; (2013, on the album Speak Low), among others. See Hagedorn (2016b, 162-164; 2018, 141-142; and 2020d, 569-570). See also Thacker (2000) and Kelman (2010).
Wherever You Are), John Taylor, Martin France, and Palle Danielsson (2005, on Angel of the Presence). John Abercrombie (2005, on Echoes), and Jaz Sawyer (2010, on Jaz Sawyer Presents Afier Hours Vol. 1). Vocal versions of this tune, with lyrics by Jane White, have been recorded by The Upper Austrian Jazz Orchestra & Kenny Wheeler (1996, on the album The Upper Austrian Jazz Orchestra Plays the Music of Kenny Wheeler, with singer Ali Gaggl), Andra Sparks (2004, on Your Time), Anette von Eichel (2004. on Get Out Now!), Michela Lombardi (2008, on So April Hearted), and Seren Nerbo and Kirsten He; (2013, on the album Speak Low), among others. See Hagedorn (2016b, 162-164; 2018, 141-142; and 2020d, 569-570). See also Thacker (2000) and Kelman (2010).
37. Mitsuaki Kanno (1939-1983) was a Japanese jazz pianist and composer, best known for his album Busho (1973, also published under the title Shisendo No Aki) and for the score of Yoshitaro Nomura’s film Castle of Sand (Suna no Utsuwa, 1974). His instrumental jazz suite A Song of Don Quixote consists of 11 parts (titles as on the original album cover; duration in brackets): (1) Yearning for Journey (05:30), (2) A Song of Knighthood (04:09), (3) A Flock of Sheep and a Flute / Windmill and a Giant (03:13), (4) A Song of Dulcinea (04:47), (5) A Duel with Friend Carrasco (03:15), (6) Don Quixote 's Honourable Duel (02:31), (7) Monks Prayer for Rain / Monks Carry Corpse / Cry of the Dead / Defeat and Fancy (04:40), (8) Jovial Sancho Panza (03:00), (9) Sancho Panza Dances and Falls of His Horse / Laughter (05:43), (10) Impossible Dream (02:40), (11) Paean to Don Quixote (03:38). A Song of Don Quixote is a work for piano, big band, synthesizer, and electronic organ. It combines a great variety of forms such as big-band jazz, swing, bebop, modal jazz, avant-garde, and experimental jazz, including electronic instruments and sound samples. Some passages of this suite could also be defined as a blend of jazz and modern classical music (in his liner notes on the album insert, Kanno mentions Richard Strauss’s symphonic poem Don Quixote [1897] as a reference). Musicians on this recording: Mitsuaki Kanno (piano), Tatsuya Koguma (keyboards, synthesizer, Yamaha Electone electronic organ), Toshio Mori (conductor, trumpet) & His Blue Coats, an orchestra consisting of Norihiko Kitazato (trumpet), Hideo Motoki (trumpet), Tadataka Nakazawa (trombone), Fumio Hayashi (alto saxophone), Nobuo Tanabe (tenor saxophone), Tsugio Ano (drums), and Hiroshi Wada (double bass), among others. See Hagedorn (2016b, 164-166; 2018, 142-144).
37. Mitsuaki Kanno (1939-1983) was a Japanese jazz pianist and composer, best known for his album Busho (1973, also published under the title Shisendo No Aki) and for the score of Yoshitaro Nomura’s film Castle of Sand (Suna no Utsuwa, 1974). His instrumental jazz suite A Song of Don Quixote consists of 11 parts (titles as on the original album cover; duration in brackets): (1) Yearning for Journey (05:30), (2) A Song of Knighthood (04:09), (3) A Flock of Sheep and a Flute / Windmill and a Giant (03:13), (4) A Song of Dulcinea (04:47), (5) A Duel with Friend Carrasco (03:15), (6) Don Quixote 's Honourable Duel (02:31), (7) Monks Prayer for Rain / Monks Carry Corpse / Cry of the Dead / Defeat and Fancy (04:40), (8) Jovial Sancho Panza (03:00), (9) Sancho Panza Dances and Falls of His Horse / Laughter (05:43), (10) Impossible Dream (02:40), (11) Paean to Don Quixote (03:38). A Song of Don Quixote is a work for piano, big band, synthesizer, and electronic organ. It combines a great variety of forms such as big-band jazz, swing, bebop, modal jazz, avant-garde, and experimental jazz, including electronic instruments and sound samples. Some passages of this suite could also be defined as a blend of jazz and modern classical music (in his liner notes on the album insert, Kanno mentions Richard Strauss’s symphonic poem Don Quixote [1897] as a reference). Musicians on this recording: Mitsuaki Kanno (piano), Tatsuya Koguma (keyboards, synthesizer, Yamaha Electone electronic organ), Toshio Mori (conductor, trumpet) & His Blue Coats, an orchestra consisting of Norihiko Kitazato (trumpet), Hideo Motoki (trumpet), Tadataka Nakazawa (trombone), Fumio Hayashi (alto saxophone), Nobuo Tanabe (tenor saxophone), Tsugio Ano (drums), and Hiroshi Wada (double bass), among others. See Hagedorn (2016b, 164-166; 2018, 142-144).
Mood is Good (from the album Chill Out Experience - Destination Formentera), First Take (from the album Cala D’Hort Ibiza Chill Out Lounge), or Dream On (from the album Decafeinato Chill Aroma 1). These titles were originally part of the same album that included Don Quixote, that is, the album Very Simple Thing. See Hagedorn (2020b, 171).
Mood is Good (from the album Chill Out Experience - Destination Formentera), First Take (from the album Cala D’Hort Ibiza Chill Out Lounge), or Dream On (from the album Decafeinato Chill Aroma 1). These titles were originally part of the same album that included Don Quixote, that is, the album Very Simple Thing. See Hagedorn (2020b, 171).
103. Donkey Xote by Seattle-based Brazilian-American pianist, flutist, and composer Jovino Santos Neto is a contemporary latin jazz, world jazz, and jazz fusion composition with some influence from Brazilian popular and folk music. It was recorded by the following musicians: Jovino Santos Neto (piano), Marcio Bahia (drums), Dudu Lima (electric bass), and Marcelo Martins (soprano saxophone). The title refers to the xote, a Brazilian music genre and dance (a subgenre of the forrd dance). For a live version of Donkey Xote by Jovino Santos Neto, see YouTube.
103. Donkey Xote by Seattle-based Brazilian-American pianist, flutist, and composer Jovino Santos Neto is a contemporary latin jazz, world jazz, and jazz fusion composition with some influence from Brazilian popular and folk music. It was recorded by the following musicians: Jovino Santos Neto (piano), Marcio Bahia (drums), Dudu Lima (electric bass), and Marcelo Martins (soprano saxophone). The title refers to the xote, a Brazilian music genre and dance (a subgenre of the forrd dance). For a live version of Donkey Xote by Jovino Santos Neto, see YouTube.
117. The album Duologues by the group Yggdrasil from the Faroe Islands (Denmark) was a project that combined the music of Faroese composer Kristian Blak with paintings by Danish artist Anders Hjuler. Don Quixote and the Horned Beast is a song without lyrics; the vocals sung, spoken, and shouted by Kristian Blak on this recording (including howling, grumbling, groaning, warbling, etc.) don’t have words. The musicians on this recording were Kristian Blak (piano, vocals), Mikael Blak (double bass), Anders Hagberg (flute, bass flute), Villu Veski (tenor and soprano saxophone), and Hedin Ziska Davidsen (electric guitar). Don Quixote and the Horned Beast is an avant-garde jazz and jazz fusion song with influences from folk and rock music.
117. The album Duologues by the group Yggdrasil from the Faroe Islands (Denmark) was a project that combined the music of Faroese composer Kristian Blak with paintings by Danish artist Anders Hjuler. Don Quixote and the Horned Beast is a song without lyrics; the vocals sung, spoken, and shouted by Kristian Blak on this recording (including howling, grumbling, groaning, warbling, etc.) don’t have words. The musicians on this recording were Kristian Blak (piano, vocals), Mikael Blak (double bass), Anders Hagberg (flute, bass flute), Villu Veski (tenor and soprano saxophone), and Hedin Ziska Davidsen (electric guitar). Don Quixote and the Horned Beast is an avant-garde jazz and jazz fusion song with influences from folk and rock music.
122. Rossinante by Olivier Thémines is a contemporary jazz composition, a combination of postmodern chamber jazz and modern classical music. It was recorded by French musicians Olivier Theémines (clarinet), Guillaume Hazebrouck (piano), and Kit Le Marec (vibraphone). See Hagedorn (2020a, 190; 2020c, 534).
122. Rossinante by Olivier Thémines is a contemporary jazz composition, a combination of postmodern chamber jazz and modern classical music. It was recorded by French musicians Olivier Theémines (clarinet), Guillaume Hazebrouck (piano), and Kit Le Marec (vibraphone). See Hagedorn (2020a, 190; 2020c, 534).
150. Don Quixote’s Final Quest by Peter White is a contemporary smooth jazz, jazz-rock, and pop-jazz composition. It was recorded by the following musicians: Peter White (acoustic guitar, piano, keyboards, electric bass, unidentified instruments), Ramon Yslas (percussion, bongos), Charlotte White (violin), and DC (unidentified instruments). Percussionist Ramon Yslas also participated in the recording of Sancho T. Panza (2017) by Shea Welsh. Don Quixote 's Final Quest was inspired by the instrumental tune Classical Gas (1968) by US-American guitarist Mason Williams. For live versions of Don Quixote’s Final Quest, see YouTube. Peter White is a British smooth jazz guitarist and composer, based in Los Angeles, USA. In addition to his numerous solo albums, he is best known for his long-term collaboration with Scottish singer-songwriter and folk-rock musician Al Stewart (Year of the Cat, 1976, and Time Passages, 1978) and with Polish singer Basia, former member of the British group Matt Bianco, for whom White played acoustic guitar on the hit song Half a Minute, included on the 1984 album Whose Side Are You On?. See Hagedorn (2019a, 49).
150. Don Quixote’s Final Quest by Peter White is a contemporary smooth jazz, jazz-rock, and pop-jazz composition. It was recorded by the following musicians: Peter White (acoustic guitar, piano, keyboards, electric bass, unidentified instruments), Ramon Yslas (percussion, bongos), Charlotte White (violin), and DC (unidentified instruments). Percussionist Ramon Yslas also participated in the recording of Sancho T. Panza (2017) by Shea Welsh. Don Quixote 's Final Quest was inspired by the instrumental tune Classical Gas (1968) by US-American guitarist Mason Williams. For live versions of Don Quixote’s Final Quest, see YouTube. Peter White is a British smooth jazz guitarist and composer, based in Los Angeles, USA. In addition to his numerous solo albums, he is best known for his long-term collaboration with Scottish singer-songwriter and folk-rock musician Al Stewart (Year of the Cat, 1976, and Time Passages, 1978) and with Polish singer Basia, former member of the British group Matt Bianco, for whom White played acoustic guitar on the hit song Half a Minute, included on the 1984 album Whose Side Are You On?. See Hagedorn (2019a, 49).
Related topics:
Comparative LiteratureLiterature and MusicMusic and LiteratureLiterature and JazzJazz and LiteratureRelationship between Music and Literature
580 California St., Suite 400
San Francisco, CA, 94104
© 2025 Academia. All rights reserved