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Outline

The Force of Things: Landscape Design and the Panama Canal

Abstract

Ports and shipping canals are landscapes of utmost importance—geopolitically, economically, logistically, and ecologically. They are continually evolving landscapes, distributed globally and culturally significant. Despite this, the discipline of landscape architecture does not have a history of deep engagement with this landscape type. The Panama Canal offers an instructive example. This paper provides a historical and theoretical account of the construction of the Panama Canal—including locks, channels, displaced populations, the urbanized Canal Zone, and the instrumentalized watershed—as a landscape. Using Frederick Law Olmsted's and Daniel French's 1913 Report to the Fine Arts Commission as a starting point, and drawing from historical accounts, technical literature and contemporary theory, our analysis places cultural and natural forces on inseparable and equal footing. From this historical and theoretical investigation, this paper traces one pervasive characteristic of these maritime infrastructures, " feedback ". We argue that feedback both demonstrates the importance of direct engagement with maritime infrastructures by landscape architects and can be deployed as a conceptual tool to facilitate such engagement.

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