Hypnosis and the Wakeful Sleeper
2025, Hypnosis and the Wakeful Sleeper
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Abstract
This essay explores the intersections between hypnosis, poetic imagination, and human consciousness, drawing inspiration from Gaston Bachelard’s reflections in The Wakeful Sleeper. Far from being a mere secondary function, imagination is presented as a primary dynamic force that shapes both dreams and thoughts. Hypnosis is described as a state of active reverie, situated at the threshold between wakefulness and sleep, where images nourish ideas and ideas illuminate images. Through references to Bachelard, Paul Éluard, Paul Valéry, and the surrealist experiments of Robert Desnos, the article argues that hypnotic trance is essentially poetic, opening access to deeper layers of perception and creativity. For the clinician, hypnosis thus becomes not only a therapeutic tool but also a poetic act—an awakening to possibility, inspiration, and the expanded dimension of the human being.
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J Abnormal Psychol, 1970
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The study of dreams and its underlying neurophysiological mechanisms can provide important insights into how changes in the brain can account for changes in the conscious experience of waking and sleep. The study of the brain basis of dreaming is an important herald of what needs to be done to understand hypnosis at the level of the brain. In this paper we point out similarities and differences between sleep, dreaming and hypnosis but our main emphasis will be on the new science of dreaming. The mental and emotional output of the brain during REM sleep differ considerably from the output of the brain during waking. To get at this difference we assess and measure what we call the formal properties of the mental content of the states waking and REM sleep (as well as sleep onset). In this way we attempt to articulate the distinguishing universal characteristics of dreaming as against the individual content of dreams. We are thus able to compare human brain regional activation Dreaming ...
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Frontiers in Neurology, 2020
This essay will evaluate the extent to which James Braid (1795-1860) reinvented Mesmerism through his attempt to make trance-therapy more palatable for the 19th century medico-scientific community. Did Hypnotism offer a greater understanding of the phenomena, or was it simply Mesmerism in disguise? There already exist detailed works regarding; the practice of Mesmerism analysed on its own terms 1 ; its relation to the (much later) development of psychoanalysis 2 ; and its (non-accidental) temporal position at the end of the Enlightenment period in France 3. However, there is a distinct lack of modern historical literature pertaining to the continuity between Mesmerism and Braid's Hypnotism. This – coupled with pure curiosity – has been the motivation for this study.
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The Routledge Companion to the Philosophy of Psychology, 2009

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