Active Participation and the Fight Over the Mass
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This series offers brief, accessible, and lively accounts of key topics within theology and religion. Each volume presents both academic and general readers with a selected history of topics which have had a profound effect on religious and cultural life. The word ''history'' is, therefore, understood in its broadest cultural and social sense. The volumes are based on serious scholarship but they are written engagingly and in terms readily understood by general readers.
A Brief, Meditative Church History, 2025
This is a brief history of the Catholic Church, presented in a meditative style which encourages the reader to think about the historical events which are presented in the paper.
2008
Any consideration of the aural reception of Christian faith must take the ecclesial practice of music and its relation to the divine logos into account. Specifically, the logos provides normativity for such music, as the latter endeavours to proclaim that divine Word. Contemporary theological reflections on music are made difficult by the modern development of the concept of taste, which has culminated in a radicalized subjectivity that eschews normative criteria. A reclamation of the normative role of the logos is thus required in the dogmatic theology of music. Karl Barth's theology is examined in order to establish the critical relation between proclamation and dogmatics. Barth's praise of Mozart is reviewed to demonstrate how his detachment from a broader historical tradition confines him to a strictly formalist aesthetic that is unable to hear musical meaning. Further examination of his early writings reveal how his critical revelatory dialectic, vis-à-vis his reading of the Auftrag, prohibits a proclamatory role for the ecclesial practice of music. Pope Benedict XVI's theology provides a fitting alternative, as his dogmatic reflections assume a necessarily kerygmatic role for music that Barth denies. In this Benedict is more in tune with the ancient Church Fathers. His dogmatic reflections on the "musified" logos are in dialectical tension with modern philosophies of music, as he espouses a Christian rationality over against modern secular/subjective reason. This dialectic is augmented with a comparison of Augustine and Kant on the practice of counting. Finally, contrary to some readings, the normativity of Benedict's musical logos is not an oppressive force, hampering the freedom of musical performance. A "descriptive" method of dogmatic reflection is finally recommended, in which the theology of music approximates a kind of journalistic "music criticism," albeit one that listens for the Word of Christ, the hearing of which brings faith (Romans 10:17). DECLARATIONS I, James Andrew Edwards, hereby certify that this thesis, which is approximately 41,950 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. Date____________ Signature of Candidate___________________________________ I was admitted as a research student in July 2004 and as a candidate for the degree of M.Phil. (retroactively applying a year of M.Litt. work in 2003-04 to the M.Phil.); the higher study for which this is a record was carried out in the University of St Andrews between 2003 and 2007. Date____________ Signature of Candidate___________________________________ I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of M.Phil. in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. Date____________ Signature of Supervisor __________________________________ In submitting this thesis to the University of St Andrews I understand that I am giving permission for it to be made available for use in accordance with the regulations of the University Library for the time being in force, subject to any copyright vested in the work not being affected thereby. I also understand that the title and abstract will be published, and that a copy of the work may be made and supplied to any bona fide library or research worker.
2017
Dissertation supervised by Dr. George S. Worgul Recognition of the indispensable intersection of faith and culture has become a major trend in the contemporary theology. This renewed approach emphasizes various anthropologies and cultures as locations of divine activity. Specifically, the Second Vatican Council's understanding of sacraments as pneumatological, and ecclesiological, beyond the dominant Christological motif, and its call for profound adaptation gives a wide latitude for rethinking the sacraments. This provision overcomes the danger of enforcing a monocultural model of sacramental celebration, which can submerge local voices and separate sacramentality from symbols and values that resonate differently with various peoples and cultures. This dissertation shows how Elochukwu Uzukwu utilizes the provisions of Vatican II, in conjunction with resources from African traditional wisdom and culture, to argue for the emergence of truly local church and true bordercrossing of sacramental and liturgical celebrations. To think of sacraments from this perspective v highlights the African view of the human body, particularly its penchant for expressive worship and community-oriented celebrations, is a reality that seeks to bridge the disconnect between sacraments and ethics, thereby overcoming mere ritualism and making the sacraments more relevant. This approach finds justification in the long history of appropriating anthropological and sociological models to give expression to the reality of the Christian experience. The thesis is that rethinking the sacraments is a practical mission of the church in Africa, with implications in every aspect of Christian life and practice. The centrality and implications of the sacraments, especially in the Roman Catholic tradition, makes this approach a delicate but necessary theological investigation. vi DEDICATION To the memory of my father, Sylvester Osigwe (1938-2000), who taught me the virtues of hard work and determination. vii TABLE OF CONTENTS
2005
This series offers brief, accessible, and lively accounts of key topics within theology and religion. Each volume presents both aca- demic and general readers with a selected history of topics which have had a profound effect on religious and cultural life. The word “history” is, therefore, understood in its broadest cultural and social sense. The volumes are based on serious scholarship but they are written engagingly and in terms readily understood by general readers.
Theological Studies, 2015
Review of David Seidenberg's Kabbalah and Ecology: God's Image in the More-Than-Human-World in light of Laudato Si and the larger concern for eco-spirituality in the Abrhamic religions.

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