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Outline

Introduction to the Issue on "Artificial Intelligences"

Abstract

RAW TRANSLATION OF THE INTRODUCTION TO THE ISSUE OF THE Zeitschrift für Medienwissenschaft 21, 2019, ed. by Christoph Ernst, Irina Kaldrack, Jens Schröter and Andreas Sudmann on „Künstliche Intelligenzen“

FAQs

sparkles

AI

What key developments define the current state of AI technologies?add

The peak phase of subsymbolic artificial neural networks emerged in 2012 with the University of Toronto winning the ImageNet competition, demonstrating a clear lead over prior AI methods.

How do different fields of AI relate to media technologies?add

AI processes, such as computer vision and natural language processing, are heavily dependent on large-scale media data like images and texts, influencing both their development and application.

What critiques exist regarding subsymbolic AI approaches?add

Critics highlight fundamental limitations of subsymbolic AI; for instance, although effective, techniques like deep learning lack necessary semantic categorization for broader applications.

How has the relationship between AI and media evolved historically?add

Historically, the discourse on AI and media was marginal, but recent advancements, including the cognitive turn of the mid-20th century, have significantly reshaped this landscape.

How do socio-technical dynamics influence AI technologies?add

Research emphasizes that AI development involves complex socio-technical infrastructures, including large data management, which necessitates ethical, legal, and economic considerations impacting their deployment.

References (9)

  1. On distributed cognition, albeit without explicit reference to AI, see Ed Hutchins: Cognition in the Wild, Cambridge 1995.
  2. Susan Leigh Star: The structure of ill-structured solutions. Grenzobjekte und heterogenes verteiltes Problemlösen, in: this, Sebastian Gießmann, Nadine Taha (eds.): Grenzobjekte und Medienforschung, Bielefeld 2017, 130-150, here 135. Cf. Sebastian Gießmann: Von der verteilten Künstlichen Intelligenz zur Diagrammatik der Grenzobjekte, in: ibid., 151-166. Both texts refer to "Distributed Artificial Intelligence", see Nikos Vlassis: A Concise Introduction to Multiagent Systems and Distributed Artificial Intelligence, San Rafael 2007. 38 Cf. also on the current problem of autonomous weapon systems Lucy Suchman, Jutta Weber: Human- Machine Autonomies, in: Nehal Buta, Susanne Beck, Robin Geiß et al. (eds.): Autonomous Weapon Systems. Law, Ethics, Policy, Cambridge 2016, 75-102.
  3. 39 Cf. Ralf Bülow: The artificial human, the unknown being. Kleine Geschichte der Automaten, Androiden, Golems, Roboter, Homunculi und Cyborgs, Wetzlar 2016 (= Schriftenreihe und Materialien der phantastischen Bibliothek Wetzlar, Kleine Reihe, Vol. 5);
  4. Bernhard Dotzler, Peter Gendolla, Jörgen Schäfer (eds.): MaschinenMenschen. Eine Bibliographie, Frankfurt/M. u. a. 1992; Wolf-Andreas Liebert (ed.): Künstliche Menschen. Transgressions between Body, Culture and Technology, Würzburg 2014.
  5. For a different discourse on artificial life, see Hans-Joachim Metzger: Genesis in Silico. On digital biosynthesis, in: Martin Warnke, Wolfgang Coy, Georg Christoph Tholen (eds.): HyperKult. Geschichte, Theorie und Kontext digitaler Medien, Basel 1997, 461-510. See also Mark A. Bedau: Artificial Life, in: Keith Frankish, William M. Ramsey (eds.): The Cambridge Handbook of Artificial Intelligence, Cambridge 2014, 296-315. 41 Authors with a systems theory orientation, for whom the assumption that communication is the primary social issue is theoretically obvious, prefer the term "artificial communication", see Elena Esposito: Artificial Communication? The Production of Contingency by Algorithms, in: Journal of Sociology, No. 46, H. 4, 2017, 249- 265.
  6. Cf. Jiri Veselý: The most famous invention of Wolfgang von Kempelen, in: Blätter für Technikgeschichte, No. 36/37, 1974/1975, 25-46.
  7. 43 Cf. Lily Irani: The Cultural Work of Microwork, in: New Media & Society, dated 2013, quote.ucsd.edu/lirani/files/2013/11/NMS511926-proof-li-2.pdf, viewed on April 22, 2019. See for example Mayumi Takaya, Yusuke Tsuruta, Akihiro Yamamura: Reverse Turing Test Using Touchscreens and CAPTCHA, in: Journal of Wireless Mobile Networks, Ubiquitous Computing, and Dependable Applications, Vol. 4, No. 3, 2013, 41-57. 45 The discussion about move 37 in AlphaGo's game against Lee Sedol on March 10, 2016 was also an example of this question: the move surprised all commentators and Go experts and was successful in the end -so wasn't it a good example of the creativity of artificial intelligence? 46 See the website of the artist collective obvious: www.obvious-art.com/, viewed on 22.4.2019, and in particular the YouTube video by Boma en Français: Pierre FAUTREL -À la découverte d'une IA artiste, dated 11.
  8. See Ian Bogost: The Al-Art Gold Rush Is Here. An Artificial Intelligence 'Artist' Got a Solo Show at a Chelsea Gallery. Will it Reinvent Art or Destroy It?, in: The Atlantic, dated 6.3.2019, www.theatlantic.com/technology/archive/2019/03/ai-created-art-invades-chelsea-gallery-scene/584134/, viewed on 22.4.2019. 48 Cf. Claudia Giannetti: Kybernetische Ästhetik und Kommunikation, in: Medien Kunst Netz 2004, www.medienkunstnetz.de/themen/aesthetik_des_digitalen/kybernetische_aesthetik/1/, viewed on 22.4.2019. 49 Cf. Daniel Herbig: Google Duplex: Guten Tag, Sie sprechen mit einer KI, in: Heise online, dated 11.5.2018, www.heise.de/newsticker/meldung/Google-Duplex-Guten-Tag-Sie-sprechen-mit-einer-KI-4046987.html, viewed on 22.4.2019.
  9. See, among others, Simone Natale, Andrea Ballatore: Imagining the Thinking Machine: Technological Myths and the Rise of Artificial Intelligence, in: Convergence: The International Journal of Research into New Media Technologies, 2017, www.doi.org/10.1177/1354856517715164, viewed on 22.4.2019; Paul E. Ceruzzi: Manned Space Flight and Artificial Intelligence: 'Natural' Trajectories of Technology, in: David L. Ferro, Eric G. Swedin (eds.): Science Fiction and Computing. Essays on Interlinked Domains, Jefferson 2011, 95-116.