On Boxing — Sweet Science & Brutal Agon: A Select Bibliography
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Abstract
Many of the titles here were first generated as a result of a request by L.D. Burnett at the U.S. Intellectual History Blog to "crowdsource a reading list for 'Boxing in U.S. Cultural and Intellectual History.'" I have not included all the titles posted by the contributors, and I've now added a substantial number of my own. All the same, this compilation would not have occurred without that blog post (indeed, the first draft was the principal product of the aforementioned individuals, especially Andrew McGregor). I have also included several titles outside the orbit of "U.S. Cultural and Intellectual History," as well as a few works of fiction. "Boxing is only possible if there is an endless supply of young men hungry to leave their ghetto neighborhoods, more than willing to substitute the putative dangers of the ring for the more evident dangers of the street; yet it is rarely advanced as a means of eradicating boxing, that poverty itself be abolished; that it is the social conditions feeding boxing that are obscene."

Related papers
Journal of Historical Sociology, 2011
The complicated shifts in power and status that took place between Britain, France and the United States in the years immediately preceding the First World War resulted in anxious self‐examination and a series of identity crises whose social, cultural and political ramifications would be felt for decades to come. This was also a boom time for boxing, and one that was distinguished by a lively debate about the pros and cons of the “English” and “American” styles. This paper argues that these detailed deliberations about sporting technique often exposed a more general disquiet about national strengths and vulnerabilities and about the pre‐war balance of power. A consideration of straight lefts and slogging ruffians tells us something about the issues at stake.
Journal of law and medicine, 2009
To threaten harm is to assault and to realise that threat is to batter. To do so intentionally for the purpose of producing injury amounts to causing harm with intent and one cannot consent to be the victim of such violence. Despite these clearly enunciated legal principles, such conduct is routinely practised in the name of sport. Boxing is widely accepted as a highly paid professional sporting activity in which the ultimate goal is to inflict a concussive head injury upon an opponent or at least cause sufficient damage to render an opponent incapable of further self-defence. Spectators pay to watch the anticipated systematic abuse of one human being by another in much the same way they delighted in gladiators who were forced to fight for the pleasure of others. This article reviews these concepts and challenges the legal ethics of authorised violence associated with these activities undertaken in the name of sport.
American Journal of Sports Science, 2020
This paper proposes a new reading of Martin Scorsese's 1980 film Raging Bull. It departs from established academic interpretations that focus on the main protagonist, the former middleweight champion, Jake LaMotta, and his toxic or overtly violent masculinity. Instead, while such interpretations touch upon important aspects of the film, the common claim by philosophy of film scholars that theirs is the only valid reading of Scorsese's work is dubious. Arguing against elitist interpretations that border on calls for prohibition of the film, this contribution presents a new approach to Raging Bull. It is informed by sociological and ethnographic accounts from the US-American boxing milieu in the 20th century. This approach makes it necessary to ground an interpretation of Raging Bull in the actual circumstances of boxing in the United States where two views on the urban gym in social hot spots have been established. Those views are as follows: (i) the gym is perceived as something like a safe space and frontier against the outside world with all its troubles, and (ii) the gym is perceived through the lens of the various ideologies and socioeconomic problems that permeate it on a daily basis and control much of what goes on inside. This sympathetic interpretation is supported by LaMotta's autobiography, which served as a foundation for the film and supports the conclusion that there is a constant dialectical process between Jake's violent behavior and the moral codes he was taught to obey, particularly those relating to the traditional institution of the family, whose rules govern Jake, even in total isolation.
Journal of Sport & Social Issues, 2010
From 2002 to 2004, Arturo Gatti and Micky Ward fought three boxing matches. The Ward—Gatti bouts produced a discourse that was never monolithic and oftentimes contradictory, yet many fight fans and journalists asserted that the match-ups hearkened back to a time when “White-ethnic” fighters ruled the ring. The manner in which these contests captured the imagination of even casual boxing fans revealed how modern conversations about race and masculinity operated not only within boxing circles but in American society as well. Though some critics charged that the fights were excessively violent, most boxing fans saw the contests as fantastic theater and urged the sport’s authorities to reward the pugilists. For White fans, the “vanilla thrillas” provided symbolic affirmations of collective masculinity that simultaneously indicated lingering racial resentments.
American Journal of Sociology, 2004
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Sociology, 2016
On the basis of an ethnography of a group of boxers, this article questions pugilism as an experience of confrontation with the other, the reasons and effects of which lie beyond the ring. Using the boxers' words to explain their everyday struggles, this article seeks to describe fighting figures by placing them in the full depth of their biographical paths. These boxers share the experience of immigration and their life stories have all been marked by profound feelings of strangeness, understood as a social disqualification of otherness that causes deep and private wounds. Like the shadow of the other, hanging over the 'conversations of gestures', the boxers' wounds and the violence of their biographical paths can help explain how they experience their fights, through the idea of a bodily response to all the hardships they have endured, well beyond the ring and its rounds.
Teksty Drugie, 2017
Archives of Budo, 2006
Violence has many faces. It may express itself in a morally justified and socially accepted action. However, in a situation when it serves destruction or represents the civilisation of death, it becomes morally reprehensible and is contested as such. Examples of it are popularised in media, mainly TV, in scenes of violence and cruelty (mainly for commercial reasons) and participation in gladiatorial shows, where the contestants risk life and health and the spectators satisfy their primitive instincts.

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