Abstract
A history without violence would, for us at least, be unrecognizable as history. Yet, paradoxically, violence as phenomenon appears to exist apart from the history in which it is omnipresent. Violence seems, almost unconsciously, to found the historical imagination itself and at the same time to exist apart from it, as a moral or metaphysical absolute. In the final analysis this no doubt has to do with the impossibility of disassociating the idea of violence from that of death as physical annihilation. Taken to its extreme, violence could end history by destroying virtually all historical agents. Indeed, it must rank as one of the great historical feats of modernity that is has actualized what was before this merely theoretical possibility and even learned to make us accommodate ourselves to it in our daily lives. Alongside the abstract repugnance it universally merits in the language of official 'values,' violence as means and as sheer adaptation advances at a sure and accelerating pace. Whatever they may convey on the level of official historical sanctions, the stories and images of catastrophic violence-whether of